Red Christmas

When I read the synopsis for this movie and saw that Dee Wallace was in it, I did decide to give it a go, because the movie had the potential of actually being a fun movie.

As it turned out, then "Red Christmas" has a very poorly written storyline, and was equally poorly executed on the screen. The storyline was so generic and predictable that it was insulting to the audience.

The cast were doing good jobs with whatever little material they had to work with, and as expected it was Dee Wallace that carried the movie most of the way.

"Red Christmas" had adequate special effects, although it made no sense that a woman could be chopped in two by a single blow with an axe.

The characters were generic and one-dimensional, and you didn't really connect with any of them.

This was hardly a memorable movie in any way, and it doesn't have the contents to support more than just a single viewing. All in all, don't really bother with this movie unless you have nothing better to watch or if you are a die-hard fan of anyone on the cast list.

I HAVE REVIEWED OVER 400 Christmas MOVIES.

BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW. WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE PRODUCTION. NOW I HAVE NO AGENDA! I AM HONEST! I REVIEW Christmas MOVIES AS A WAY TO KEEP TRACK OF WHAT I HAVE SEEN!

Horror legend Dee Wallace (The Hills Have Eyes, The Howling, E.T., Cujo, Critters) stars as the stressed-out mother of a squabbling family, gathered together in a remote Outback estate on Christmas Eve. When a mysterious, deformed young man named Cletus appears at their door, things soon change from petty insults to bloody, imaginatively orchestrated violence as Wallace attempts to protect her family from the vengeful intruder. The film deliriously infuses comedy, dark family secrets with outlandish gore and adds the always controversial subject of abortion in its blood-stained mix.

This film is amateur hour. The camera work is terrible. The director thinks his low angles and weird color schemes add mode but they are a distraction.

If you want to see a good horror film that has a Christmas setting then watch the original "Black Christmas"

Red Christmas (2016)

** (out of 4)

This bizarre film starts off at an abortion clinic where someone walks in with a bag, which eventually explodes. Flash-forward twenty years and Diane (Dee Wallace) has her family at her home where they are preparing a big Christmas event. Before long a strange man wrapped from head to toe shows up. He wants to read a letter to his mommy and before long brutal murders are happening.

RED Christmas starts off with an abortion bombing and it grows every bit weirder as it moves along. I'm not going to say this movie is a complete success but there's no question that it contains some pretty bizarre ideas and a bizarre execution. This film isn't what I'd consider good but there are enough weird ideas that make it entertaining to watch and then you throw in the graphic violence and you're probably looking at something that is going to gain a cult following.

As I've said throughout, I give writer-director Craig Anderson credit for attempting to go to a very dark place and create a bizarre holiday tale. The killer here is a deformed creature and also a haunted human who just wants to know why his mother was willing to kill him and not love him. A lot of horror films try to give their killers origin stories or some sort of weak backstory but this film here actually delivers something rather strong and something that can make you think. I mean, for a horror picture that's really saying something.

With that being said, the execution wasn't the greatest and there's a point around the forty-five minute mark where things get rather stale and slow down to a very big crawl. I'd also argue that some of the points of the story could have been expanded on but the 82-minute running time didn't allow for that. Performance for the most part were good and especially Wallace as she gets a good meaty role to work with and she does a very good job with it playing a character who must face her face and see the damage it has had on her future.

As I said, gore hounds will be extremely happy as there are some pretty brutal murders here that have all sorts of CGI blood being thrown around. Technically speaking the film was well-made and has a very professional and good look to it. RED Christmas isn't a masterpiece or even a good movie but there are enough good moments to make it worth sitting through.

Personally I don't think this film has a political agenda, either pro-life or pro-choice. All the characters are awful IMO. I think the reason for the bad reviews comes down to politics. Christmas + abortion. What a heartwarming combination! but if you can get past that, I actually really enjoyed the film. It wasn't as shallow as the typical hack and slash horror flick. No, not every scene was realistic, but so what? Very few horror films are. Recommended for anyone that isn't politically sensitive and enjoys horror.

Red Christmas features a memorable character in the form of Cletus: rescued as a fetus from an abortion bin and raised to adulthood by a pro-life priest, he hides his deformed appearance under bandages and a big cloak, and goes in search of his mother, Diane (Dee Wallace), looking for some maternal love. But when mom rejects him (again), he picks up an axe and takes revenge by hacking his way through her dysfunctional family.

Like the elephant man, only uglier, Cletus is a sympathetic character driven to kill when all he wants is a motherly hug and some loving words; this makes him a rather unique movie maniac, but one deserving of a much better film. Writer/director Craig Anderson might have created an impressive killer, but he doesn't do the slobbering freak justice, his film suffering from a weak script and dreadful dialogue, crappy acting, horrible lighting (unnatural green, red and blue colours) and duff direction. Dee Wallace used to be a Hollywood A-lister, and it's a real shame to see her appearing in such rubbish, but she's only got herself to blame: she is the producer of the film, after all.

As for the whole Christmas setting, it is purely incidental, having no real bearing on the plot: Cletus could have turned up on Shrove Tuesday and it wouldn't have made much difference (except that the title wouldn't work so well and Anderson's garish lighting scheme would feel even more out of place).

3.5/10, rounded up to 4 for the scene where a guy has his head pushed onto some kind of spinning device (it was hard to make out exactly what it was) and his eyeballs turn to mush and burst out of the sockets.