Red Christmas

When I read the synopsis for this movie and saw that Dee Wallace was in it, I did decide to give it a go, because the movie had the potential of actually being a fun movie.

As it turned out, then "Red Christmas" has a very poorly written storyline, and was equally poorly executed on the screen. The storyline was so generic and predictable that it was insulting to the audience.

The cast were doing good jobs with whatever little material they had to work with, and as expected it was Dee Wallace that carried the movie most of the way.

"Red Christmas" had adequate special effects, although it made no sense that a woman could be chopped in two by a single blow with an axe.

The characters were generic and one-dimensional, and you didn't really connect with any of them.

This was hardly a memorable movie in any way, and it doesn't have the contents to support more than just a single viewing. All in all, don't really bother with this movie unless you have nothing better to watch or if you are a die-hard fan of anyone on the cast list.

Red Christmas (2016)

** (out of 4)

This bizarre film starts off at an abortion clinic where someone walks in with a bag, which eventually explodes. Flash-forward twenty years and Diane (Dee Wallace) has her family at her home where they are preparing a big Christmas event. Before long a strange man wrapped from head to toe shows up. He wants to read a letter to his mommy and before long brutal murders are happening.

RED Christmas starts off with an abortion bombing and it grows every bit weirder as it moves along. I'm not going to say this movie is a complete success but there's no question that it contains some pretty bizarre ideas and a bizarre execution. This film isn't what I'd consider good but there are enough weird ideas that make it entertaining to watch and then you throw in the graphic violence and you're probably looking at something that is going to gain a cult following.

As I've said throughout, I give writer-director Craig Anderson credit for attempting to go to a very dark place and create a bizarre holiday tale. The killer here is a deformed creature and also a haunted human who just wants to know why his mother was willing to kill him and not love him. A lot of horror films try to give their killers origin stories or some sort of weak backstory but this film here actually delivers something rather strong and something that can make you think. I mean, for a horror picture that's really saying something.

With that being said, the execution wasn't the greatest and there's a point around the forty-five minute mark where things get rather stale and slow down to a very big crawl. I'd also argue that some of the points of the story could have been expanded on but the 82-minute running time didn't allow for that. Performance for the most part were good and especially Wallace as she gets a good meaty role to work with and she does a very good job with it playing a character who must face her face and see the damage it has had on her future.

As I said, gore hounds will be extremely happy as there are some pretty brutal murders here that have all sorts of CGI blood being thrown around. Technically speaking the film was well-made and has a very professional and good look to it. RED Christmas isn't a masterpiece or even a good movie but there are enough good moments to make it worth sitting through.

I generally like aussie horror films a lot, quite a few gems in the outback and such & this one, despite the ratings, was a very intriguing choice - A directional debut by an aspiring filmmaker who put his all, financial and mental, in making a low-budget slasher about an aborted fetus seeking revenge on his family. How did it go? Considerably well, I'd say.

"Red Christmas" is, overall, quite the messy amateur horror flick, a comic slasher that's, for the most part, self-conscious enough. The plot is morally questionable, I suppose that's where some of the bad ratings come from - the movie tackles subjects of abortion and down syndrome in not exactly the most sophisticated ways. However, I'm not taking points away from it because of those themes. I take points away for the entirety of story simply being average. The first half an hour is decent, the dysfunctional family theme works, the introduction of the villain is decent - but all gets more murky as the movie goes on. Basically, in the core it's a Slasher, so, everyone's familiar with the tropes. I thought the cast did a pretty good job, there were definitely enough over-acting moments and the characters can be cartoon-ish, but the performances provided some entertainment. Dee Wallace gave her best as the life-tired and caring mother, confronted by her past traumas. "Red Christmas" has some cool and creative kills while also managing not to rely solely on violence - gorehounds will find something to their liking. Visually it was equal parts good and chaotic, muddled - we got dynamic and creative camera work that sometimes goes well overboard, candy-colored and contrastive cinematography with lighting that raises an eyebrow every now and then & inescapably, a vibe, a sense of student-like filmmaking.

I believe that by any general/objective standards "Red Christmas" is average at the most, but for the genre fans & b-movie fanatics it can be a fun holiday horror that smells like independence, effort and both defeated and lost filmmaking challenges. My rating: 5/10.

Personally I don't think this film has a political agenda, either pro-life or pro-choice. All the characters are awful IMO. I think the reason for the bad reviews comes down to politics. Christmas + abortion. What a heartwarming combination! but if you can get past that, I actually really enjoyed the film. It wasn't as shallow as the typical hack and slash horror flick. No, not every scene was realistic, but so what? Very few horror films are. Recommended for anyone that isn't politically sensitive and enjoys horror.

Red Christmas features a memorable character in the form of Cletus: rescued as a fetus from an abortion bin and raised to adulthood by a pro-life priest, he hides his deformed appearance under bandages and a big cloak, and goes in search of his mother, Diane (Dee Wallace), looking for some maternal love. But when mom rejects him (again), he picks up an axe and takes revenge by hacking his way through her dysfunctional family.

Like the elephant man, only uglier, Cletus is a sympathetic character driven to kill when all he wants is a motherly hug and some loving words; this makes him a rather unique movie maniac, but one deserving of a much better film. Writer/director Craig Anderson might have created an impressive killer, but he doesn't do the slobbering freak justice, his film suffering from a weak script and dreadful dialogue, crappy acting, horrible lighting (unnatural green, red and blue colours) and duff direction. Dee Wallace used to be a Hollywood A-lister, and it's a real shame to see her appearing in such rubbish, but she's only got herself to blame: she is the producer of the film, after all.

As for the whole Christmas setting, it is purely incidental, having no real bearing on the plot: Cletus could have turned up on Shrove Tuesday and it wouldn't have made much difference (except that the title wouldn't work so well and Anderson's garish lighting scheme would feel even more out of place).

3.5/10, rounded up to 4 for the scene where a guy has his head pushed onto some kind of spinning device (it was hard to make out exactly what it was) and his eyeballs turn to mush and burst out of the sockets.