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Ajouter une intrigue dans votre langueA propaganda documentary about North Korea that reveals a few hidden facts because the director continues filming between the scripted scenes.A propaganda documentary about North Korea that reveals a few hidden facts because the director continues filming between the scripted scenes.A propaganda documentary about North Korea that reveals a few hidden facts because the director continues filming between the scripted scenes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 10 nominations au total
Avis à la une
Mansky deserves every possible praise for this piece. To make this movie despite DPRK's restrictions necessitated a lot of courage. If they were caught smuggling the footage out of North Korea, the harshest sentence wouldn't have missed them.
This film is a testament to the horrible conditions the North Korean people must live in and portrays a perfect behind the scenes look to the inner workings of the North Korean propaganda machine. The people in the DPRK's government coming up with this idea mustn't have really been the sharpest tools in the shed, inviting a foreign respected director to shoot stupid propaganda piece I could've shot.
I'm proud that the Czech Republic had its hand in financing the film and thus helping to open the eyes of the world to the mental abuse of every single North Korean citizen taking place every single day. Bravo to the three crew members and their courage!
This film is a testament to the horrible conditions the North Korean people must live in and portrays a perfect behind the scenes look to the inner workings of the North Korean propaganda machine. The people in the DPRK's government coming up with this idea mustn't have really been the sharpest tools in the shed, inviting a foreign respected director to shoot stupid propaganda piece I could've shot.
I'm proud that the Czech Republic had its hand in financing the film and thus helping to open the eyes of the world to the mental abuse of every single North Korean citizen taking place every single day. Bravo to the three crew members and their courage!
10Red-125
This European documentary about North Korea has a Czech title--V paprscích slunce--translated into English as Under the Sun (2015). (Google Translate says The Rays of the Sun, which I think works better.) It was written and directed by Vitaly Mansky, who is Ukrainian.
The film was made in the Democratic People's Republic of Korea (DPRK), which we call North Korea. Somehow, director Mansky got permission--or was asked--to film a "documentary" about a typical family in Pyongyang. The star is a young girl, Lee Zin-Mi.
What the filmmakers tell us in text on the screen is that the "documentary" they were making was totally artificial. Their North Korean handlers rehearsed every scene, and had no qualms about total fabrication of plot. (As just one example, Lee Zin-Mi's father is not an engineer. However, for the "documentary," he is an engineer who consults with workers at a clothing factory to help them increase their production.)
What the North Koreans didn't know--or didn't understand--was that director Mansky kept the camera rolling continually. We hear and see the North Koreans telling people what to say and do, and then we watch the scene when the people say it and do it. Sometimes we watch the scene twice, because the North Korean handlers don't like the way it turned out the first time. So, this really is a documentary, but it's a documentary about making a false documentary.
What stands out in every scene is that the whole city revolves around endless praise for the late Kim Jong-il, who was the supreme leader of the North Korea from 1994 to 2011. Now, along with praise of Kim Jong-Il, we hear continuous praise of Kim Jong-un, his son.
Kim Jong-un holds the titles of Chairman of the Workers' Party of Korea, Chairman of the Central Military Commission, Chairman of the National Defense Commission, Supreme Commander of the Korean People's Army, and presidium member of the Politburo of the Workers' Party of Korea. Kim was promoted to the rank of Marshal of North Korea in the Korean People's Army on 18 July 2012, consolidating his position as the Supreme Commander of the Armed Forces. (All this from Wikipedia.)
Poor Lee Zin-Mi has the same fate as all of her friends--a life where she participates in ceaseless devotion to Kim Jong-Il and Kim Jong-un. It's hard to tell whether she obtained any special rewards for starring in the documentary. Nothing is real, so nothing on screen can be trusted.
Actually, that's not true. Twice Zin-Mi breaks into tears. No one comforts her--they basically suggest that she stop crying so they can continue filming. The documentary may be false, but the tears are real.
We saw this movie at the excellent Little Theatre in Rochester, NY. On the small screen you'll miss some of the amazing pageantry that surrounds praise of Kim Jong-un. However, it will work well enough.
The film was made in the Democratic People's Republic of Korea (DPRK), which we call North Korea. Somehow, director Mansky got permission--or was asked--to film a "documentary" about a typical family in Pyongyang. The star is a young girl, Lee Zin-Mi.
What the filmmakers tell us in text on the screen is that the "documentary" they were making was totally artificial. Their North Korean handlers rehearsed every scene, and had no qualms about total fabrication of plot. (As just one example, Lee Zin-Mi's father is not an engineer. However, for the "documentary," he is an engineer who consults with workers at a clothing factory to help them increase their production.)
What the North Koreans didn't know--or didn't understand--was that director Mansky kept the camera rolling continually. We hear and see the North Koreans telling people what to say and do, and then we watch the scene when the people say it and do it. Sometimes we watch the scene twice, because the North Korean handlers don't like the way it turned out the first time. So, this really is a documentary, but it's a documentary about making a false documentary.
What stands out in every scene is that the whole city revolves around endless praise for the late Kim Jong-il, who was the supreme leader of the North Korea from 1994 to 2011. Now, along with praise of Kim Jong-Il, we hear continuous praise of Kim Jong-un, his son.
Kim Jong-un holds the titles of Chairman of the Workers' Party of Korea, Chairman of the Central Military Commission, Chairman of the National Defense Commission, Supreme Commander of the Korean People's Army, and presidium member of the Politburo of the Workers' Party of Korea. Kim was promoted to the rank of Marshal of North Korea in the Korean People's Army on 18 July 2012, consolidating his position as the Supreme Commander of the Armed Forces. (All this from Wikipedia.)
Poor Lee Zin-Mi has the same fate as all of her friends--a life where she participates in ceaseless devotion to Kim Jong-Il and Kim Jong-un. It's hard to tell whether she obtained any special rewards for starring in the documentary. Nothing is real, so nothing on screen can be trusted.
Actually, that's not true. Twice Zin-Mi breaks into tears. No one comforts her--they basically suggest that she stop crying so they can continue filming. The documentary may be false, but the tears are real.
We saw this movie at the excellent Little Theatre in Rochester, NY. On the small screen you'll miss some of the amazing pageantry that surrounds praise of Kim Jong-un. However, it will work well enough.
A foreign crew is somehow given permission to shoot in North Korea. The term "documentary" is a bit far-fetch here, since everything is actually staged by an escort crew that supervises, scripts, directs and rehearses every scene being filmed.
If you want to see what George Orwell's NINETEEN EIGHTY-FOUR would look like if it became real life, watch this documentary.
Watching it, I got strong vibes of movies such as EQUILIBRIUM, METROPOLIS, SLEEPER and THE PRISONER. Basically, every movie which depicts life in a state of dictatorship becomes a reality here and Orwell's book is the bible. All the elements from his book can be found here: Pictures of the leader at every corner, a constant state of war with military at every corner and as the center of every class in school, brainwashing the minds of people since an early age and basically turning them into human robots that would obey everything they are being told to do and learning how to hate the Japanese and Americans, production is always told to be getting "more efficient", TV constantly broadcasts programs about the leader, his military and war, and you hardly see anyone smiling.
This is life in a constant state of fear and it's a living nightmare.
The movie is far from perfect – many scenes are way too long and repetitive, tighter editing could have made wonders here – but its value lies in the achievement of showing a surreal regime that is almost impossible to believe that still exists in the 21st century and showing how "reality" can easily be fabricated.
Good cinematography and excellent musical cues by Karlis Auzans.
6.5/10 Highly recommended
If you want to see what George Orwell's NINETEEN EIGHTY-FOUR would look like if it became real life, watch this documentary.
Watching it, I got strong vibes of movies such as EQUILIBRIUM, METROPOLIS, SLEEPER and THE PRISONER. Basically, every movie which depicts life in a state of dictatorship becomes a reality here and Orwell's book is the bible. All the elements from his book can be found here: Pictures of the leader at every corner, a constant state of war with military at every corner and as the center of every class in school, brainwashing the minds of people since an early age and basically turning them into human robots that would obey everything they are being told to do and learning how to hate the Japanese and Americans, production is always told to be getting "more efficient", TV constantly broadcasts programs about the leader, his military and war, and you hardly see anyone smiling.
This is life in a constant state of fear and it's a living nightmare.
The movie is far from perfect – many scenes are way too long and repetitive, tighter editing could have made wonders here – but its value lies in the achievement of showing a surreal regime that is almost impossible to believe that still exists in the 21st century and showing how "reality" can easily be fabricated.
Good cinematography and excellent musical cues by Karlis Auzans.
6.5/10 Highly recommended
This would be a great documentary if permitted so by North Korea. However, movies transfer emotions from the location or situation to a person watching it. As my summary says, it did it perfectly. We cant really see what is happening inside North Korea and how people live their every day lives but this certainly gives an idea how it may be in reality. It still leaves a great deal of details to our imagination but certainly gives us a hint.
I will not comment or review this piece from a technical point of view as I could not focus on this part watching this. What we need to focus on, are certain aspects of life in North Korea and this staged documentary surely gives us an overview. You end up feeling upset, angry and at the same time heartbroken and in tears.
Filmmakers deserve thumbs up for trying to achieve the impossible and they did the best from what they have been permitted to get and still came out of country all together and alive.
I will not comment or review this piece from a technical point of view as I could not focus on this part watching this. What we need to focus on, are certain aspects of life in North Korea and this staged documentary surely gives us an overview. You end up feeling upset, angry and at the same time heartbroken and in tears.
Filmmakers deserve thumbs up for trying to achieve the impossible and they did the best from what they have been permitted to get and still came out of country all together and alive.
Under the Sun was well-received at Austin's SXSW Film Festival. It is a surreal film which was filmed by a Russian director who was given extraordinary access to film a family in Pyongyang, North Korea. Of course the entire film was scripted by the government and the director and his crew were monitored by government minders. The product is a picture of the family eating dinner, the young girl in class, the parents at work and everybody following the script. The young girl gets to join the children's union, a group that bears a striking resemblance to Hitler Youth. It is like a scene out of George Orwell that would fit well in Leni Riefenstahl propaganda film. Oddly, perhaps by accident or carelessness, the North Korean minders sometimes allowed the film crew to film some scenes where they are given instructions on what they want done in the next scene. The overall picture is eerie and it is difficult to tell whether the people just obey out of habit or out of fear. Are they complete automatons in most bizarre regime in the world? Do they even understand that there is alternative reality or have they been completely brainwashed to believe that they live in some sort of workers' paradise? While a little repetitive at times, Under the Sun is fascinating and rare chance to see inside the most isolated and repressive country on Earth. Recommended if you can deal with this sort of material.
Le saviez-vous
- Crédits fousThe script of this film was assigned to us by the North Korean SOE. They also kindly provided us with an around the clock escort service, chose our filming locations and looked over all the footage we shot to make sure that we did not make any mistakes in showing the life of a perfectly ordinary family in the best country in the world, with a daughter preparing to join the Children's Union - her first step on the way to becoming a part of the system dreamed by the Great Kim Il-Sung.
- ConnexionsFeatured in Eshenepozner: Vitaly Mansky (2020)
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- How long is Under the Sun?Alimenté par Alexa
Détails
Box-office
- Budget
- 390 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 105 036 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 454 $US
- 10 juil. 2016
- Montant brut mondial
- 305 993 $US
- Durée
- 1h 46min(106 min)
- Couleur
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