Blade of the Immortal

In Japan during the feudal era, disgraced samurai Manji (Takuya Kimura) agrees to help young girl Rin (Hana Sugisaki) seek revenge against Anotsu Kagehisa (Sota Fukushi) and his Itto-ryu, a band of master fighters and killers. One samurai and a little girl may not seem like much against a veritable army of warriors, except that Manji has one distinct advantage: 50 years ago he was infected by "bloodworms" thanks to a mysterious priestess, and now he's seemingly immortal.

Ultra violent and with streaks of dark comedy running through it, this is an excellent samurai action film for those with a strong stomach for such mayhem. The performances are good, and I was very impressed with Hana Sugisaki as the vengeance seeking young Rin. There are lots of interesting costumes and characters, and although the movie runs nearly 2 and a half hours, that seems necessary to make room for all of the plot points. While most of the story is resolved by the end, some things are left unexplained, such as who or what the priestess is who wanders in and out of the story. That may be left for potential future installments, although as this proved to be a disappointment at the Japanese box office, any sequels look unlikely.

One of the major selling points of this movie is that it is the "100th film from director Takashi Miike." He's had an interesting, and obviously very prolific career, that in many ways matches the Japanese film industry of the last 25 years, with its many highs and lows. Due to the often shocking, offensive, and absurdist material in many of his films, critics both in Japan and elsewhere have been slow to warm to him. This latest movie has many of the classy touches of 13 Assassins, but with the added manga-inspired videogame qualities of many Japanese action films. I recommend it to fans of the samurai genre, but I don't know if it would win any new fans to the genre.

Fairly decent movie. There are some inconsistencies between this and the anime but that didn't bother me that much. And the anime is not that great to begin with. It's an enjoyable watch in the end.

What I didn't like: Manji's relationship with Rin is very basic. They almost never interact after the introduction scene. Rin screams. A lot.

The most anticipated film for me for 2017. As a film writer, I look out for the quality of script and production. After watching the film 7 times in Tokyo, I can say the film's production was world-class. Cinematography, film editing, sound design, sound editing, production set design, costume design, hair and makeup, music are other aspects to die for. Miike had done an excellent directing job on the cast, especially its leading role, Manji (Takuya Kimura). Miike had successfully brought the best out of Kimura, shedding his KimuTaku's branding. In the film, Kimura portrayed Manji through and through. I almost forgot I was watching an idol actor who used to characterize squeaky-clean images in TV dramas. The role was so deep that you believed it was Manji's story and his immortal life that you really care about. Of course, the film will not be complete without the fine acting skills from co-stars. Hana Sugisaki, Sota Fukushi and Erika Toda had put on their ultimate to-die-for performance. The fighting scenes were artistically choreographed. The sound of swords clanging made your heart beat in sync with its rhythm. The script was well paced. There were moments of thrilling fights and there were moments of quietness. Lighting played a key role here in telling the story effectively. The cinematography told another story on its own. Every frame was a postcard. In my opinion, it was a successful adaption from the manga. What a great way to celebrate Miike's 100th film.

Yes, there's A LOT of blood since this is a Takashi Miike film and it's always a pleasure to see Kimura Takuya do his thing on screen. For anyone familiar with the genre, what was unexpected, but welcome, was the treatment of characters trying to find their way, each with their own sense of motivation, and reflections on the murky way of revenge. Ultimately everyone that picks up their weapon must deal with their own demons and justifications.

A long time ago, my introduction to Miike didn't quite work for me. My first experiences with his movies were weird and not satisfying to say the least. But that happens sometimes when you see something you are not used too. This is his 100th (!!!!) movie, yes you read that right, and he already had his 101 played at some festival in the summer, so who knows how many he has done in the meantime.

But with this one, he kind of stays in a classic story line. You still get a bit of crazy, but it's pretty straightforward. So the story of Swordsman who finds himself in more than a bind due to his "life"-circumstances (a curse of sorts), is bitter, until a woman comes and asks him for help. We do know where this is going, but it still is filled with colorful characters, some very nice action scenes and a general sense of having fun while watching it all unfold! Predictable it may be, but that does not take anything away from the movie in the end