Avant l'indépendance de l'Inde, de nombreux Tamouls du Sud de l'Inde ont été envoyés en Malaisie comme travailleurs sous contrat. Kabali, le protagoniste, se bat contre l'oppression. Après u... Tout lireAvant l'indépendance de l'Inde, de nombreux Tamouls du Sud de l'Inde ont été envoyés en Malaisie comme travailleurs sous contrat. Kabali, le protagoniste, se bat contre l'oppression. Après une longue peine d'emprisonnement, il est plus que jamais déterminé à se battre pour son pe... Tout lireAvant l'indépendance de l'Inde, de nombreux Tamouls du Sud de l'Inde ont été envoyés en Malaisie comme travailleurs sous contrat. Kabali, le protagoniste, se bat contre l'oppression. Après une longue peine d'emprisonnement, il est plus que jamais déterminé à se battre pour son peuple.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 6 nominations au total
- Meena
- (as Riythvika)
- Tiger
- (as Hari)
- Tamilnesan
- (as Nasser)
- Durai
- (as Uday Mahesh)
Avis à la une
Rajini lovers please watch the movie and please notice his dressing style. Its Awesome!!!
Makeup Artist has done a great job.
Dunno why people said its draggy, which I totally dint feel.
Watch the movie and come to a conclusion, don't listen to what people say( Includes my opinion too).
Please do not read reviews and go with the same expectation because people have different tastes.
I personally liked every bit of it.
Overall a nice move. Will not disappoint fans.
If someone ask me a one word review for the movie,my immediate answer will be 'Disappointing'.Nothing surprising as the scenario isn't new to Kollywood where the major share of well-anticipated movies,particularly in this decade has failed to generate a satisfactory response from the common audience and the critics alike.In simple words,the mass hype generated was too much for a half-baked emotional thriller like Kabali that moves in a lethargic pace for the most part of the narration.
Pa.Ranjith has made a mark on the Kollywood industry with his two odd films Attakathi and Madras that were utterly realistic and easily expected in the list of personal favorites of anyone who is seriously into Tamil movies.Kabali being helmed by Ranjith,there were clear assumptions from a major section that its going to be a realistic,slow-paced thriller rather than an out and out Rajnikanth film like Shankar's Sivaji or K.S Ravikumar's Padayappa.
The movie gave me a feeling that Thalaivar Rajnikanth was casted in a role that had shades of typical Ulaganayagan Kamal Hassan portrayals,particularly coming to the emotional sequences.The goose-bump sequences were minimal and elevated only by the grace and dialogue delivery of the superstar.
The pace was really an issue leaving side the initial sequences and choked a smooth narrative.The lack of logic in the screenplay was evident and turned a hiccup in multiple junctures in the clichéd storyline.The flashback sequences were comapritively realistic and presented well by Ranjith.
The climax turned unintentionally funny due to poor execution and could have dealt much better..The action sequences too were a mixed bag,with two fights being well-choreographed and two,especially the climax fight being a big letback.
Rajni movies are always known for repeated audience and cherishable mass sequences,but Kabali fails in this part too as there were only a hand full or even less number of memorable sequences that will stay in the minds once we are out of the cinema hall. There were rumors about a superstar making surprise cameo in the movie but didn't materialize.
None would point-out a single film where Rajnikanth failed to impress with his style and acting prowess and this time too the 66 year old actor has managed to pull off a really impressive performance as Kabaleeswaran,the good-hearted gangster.Another pick among the cast was Dhansika playing the role of a hit-girl giving out a refreshing performance.Radhika Apte was well-cast as the lead heroine,but couldn't deliver a standout performance as expected.Attakathi Dinesh's character was peculiar and made its presence felt ,the same time giving him a break from his usual village-oriented roles.The rest of the cast that includes Kishore,John Vijay etc did their part well.Taiwaneese actor Winsyon Chao failed to enact a menacing villain.
The songs and background score by Ranjiths favorite Santhosh Narayanan were adequate as far as the narration is concerned,but couldn't make much impact except for the 'Nerrupu Da' bit that created a huge buzz before the release.There were good number of interesting slow motion sequences by G.Murali who did his job well the camera.Cuts by Praveen K.L could have been better.
In all means,Kabali is an opportunity wasted by Pa.Ranjith who failed to utilize the charisma of the veteran actor to the fullest.Better less said about a thriller where the so called 'thrills' take a backseat.Give it a miss or watch it just for Superstar Rajnjikanth and his evergreen style of acting.
Rajni finally plays his age, a 60 year old gangster, out of jail in search of his missing wife and seeking revenge for those who destroyed his life. And this is good part of the film because it great to see Rajni the actor and not Rajni the star.
However, the issue I found with Kabali is writer director is not clear whether he should make a gangster or a serious drama film. There are times where Ranjith is telling us about the underworld in Malaysia run by Chinese and Indians. He also highlights the racial tension between the Indians and Malaysians. But on the other hand, he is also depicting a husband having visions about his wife and searching for her.
One of the main reasons Godfather II is considered one of the best gangster films is because it tells both the stories which such ease without losing its core - the life of Michael Corelone and the revenge story of Vito Corelone.
But unlike the Godfather series, Ranjith adds too much of emotions leaving us confused. So there are two beautiful scenes where Kabali meets his daughter for the 1st time and when he meets his wife after 25 years. Both scenes are very high on emotional quotient. Plus there is a long and meaningless climax and a twist in the end which I felt was not required.
Another problem with Kabali is the villain. Rajni's movies have strong villains. But Kabali lacks strong villains. Winston Chao and Kishore are neither menacing nor convincing and end up as any normal cartoonish villains thanks to the poor writing. Chao especially looks funny wear purple suits with funny expressions.
Apart from Rajani, the saving grace is his women co-stars. Radhika Apte is mind blowing as his long lost wife. Apte who is 30 years old gets into the skin and with ease plays the role of 50 plus year old. She and Rajani share a nice sweet old world charm and chemistry.
Other hand, Dhansika plays Kabali's long lost daughter who is also a contract killer. She also put up a nice performance.
Finally, Kabali is not the usual Rajani film. Its different. However, it had the potential to be a great Rajani film.
Le saviez-vous
- AnecdotesKabali is the first ever Indian film to be released in Malay language. Rajnikanth has a wide fanbase in Malaysia.
- GaffesIn the flashback scene,Tamilmaran comes to apologise to Kabali while he is eating with family, the scene is set at the backdrop of Merdeka Square, the scene is supposed to have happened 25 years back but modern buildings which was not yet constructed in KL can be seen.
Also in various other scenes, various cars which were not released in early 90's can be still be seen,.
- Versions alternativesIn Malaysia, the film was initially given a 18 classification due to violence but after undergoing cuts, the film was revised to P13 rating for theatrical release.
- ConnexionsFeatured in Dil Bechara (2020)
- Bandes originalesUlagam Oruvanukka
(Tamil)
written by Kabilan, Viveka and Roshan Jamrock
Produced by: Santhosh Narayanan
performed by Ananthu, Santhosh Narayanan, Gaana Bala and Roshan Jamrock
Meilleurs choix
- How long is Kabali?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 250 000 000 ₹ (estimé)
- Montant brut aux États-Unis et au Canada
- 3 903 095 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 157 621 $US
- 24 juil. 2016
- Montant brut mondial
- 4 388 789 $US