Geomeun sajedeul

By now you seen one exorcism you seen them all, right?

The Priests tells the tale of a little girl processed by a old demon that needs two holy men to drive it out. The process is so standard, it comes off as cheesy. They use all the clichés of exorcisms to try to creep you out but it all comes out very dull.

the most interesting parts are when the Koreans add some of their own culture into the Catholic religion in order to perform demon hunting, like the fact that one of the priest had to be born in the year of the tiger in order to battle this particular demon.

The Priests also had a strange buddy cop element to it with a seasoned Priest who seen everything twice and his hard attitude expresses it, is force to team up with a young rookie Priest who has not even finished his studies. Although, this element of the movie seems to be used only to pass time and is not that appealing

It was interesting to see Korea's take on the process of possession, but not interesting enough to support a whole film.

I was entertained by this Korean film with two priests unofficially assigned to remove the devil from a teenage girl. The acting is top notch and the script has a decent sense of humor. As a Catholic with some knowledge of my church's beliefs, I found the story to be well done. Nothing new in the popular theme but I was o.k. With the result.

Normally eastern horror movies would dabble in traditional myth or folklore, for example the haunting of girl with white dress and long hair which plagues Japan, China and even Indonesia. It's a pleasant surprise that a Korean movie tries to incorporate possession and religious tone into this genre. By maintaining respect from the original source and using it in unique atmosphere, this is a commendable as well as a successful excursion to other side of horror.

A young deacon (Dong-won Kang) is called to assist Father Kim (Yun-seok Kim) in the exorcism of a young high school girl. Both men have no connection before, and their personalities are too far apart. This is not the usual mentor and student relationship, the older Father is weary and brash which makes him a contrasting character to the young deacon. However, necessity ensures that they have to work together.

The first act is admittedly rather slow, it gives a nice look of the priests' lives and appreciated details about possession. However, this tends to stall a bit as the movie strolls through some subplots that are not necessarily crucial to the story. It ramps up significantly as the two priests walk closer towards possessed girl, at this point visual dims to portray dark premonition against the bright light of modern city.

This is suspense build up and showcase of exorcism done right. Its unusual oriental vibe works in the movie's favor by clashing the cultures together. Details like traditional rituals, tight apartments and occasional bleak view on metropolis splendidly set up the ambiance. The cinematography used is extremely chilling and engaging, viewing the struggle in creepy close encounter. This rings especially true when they face the malicious entity.

At its peak this is one of the most eerie displays of the genre. The exorcism in the east uses enigmatic theme and unorthodox setting to conjure novelty and gripping terror.

Exorcism movies are far too common in the film industry. With rather rigid formulas to evoke horror and uninspired screenwriting and directing, even something recent like 'The Possession of Hannah Grace' that comes with a new premise, could not trespass the overused pattern. However, The Priests shows possibility that an exorcism movie may still have a bright future.

Between his controversies, an exorcist and his new assistant, a deacon with a trauma, must perform an exorcism to a girl who in her edge of physical endurance, along with deadly terror that brings upon them.

The short premise may sound too familiar to us. The ambiance of horror and dialogues between priests, also quite known already in this kind of movie. However, what's different is how the movie narrates with the deacon's perspective. With light nuance in the beginning, The Priests gives new perspective, comedy and drama, which never quite well delivered in my exorcism-movies experience. Rather than being flat and boring, this attempt makes the buildups to the climax (the exorcism scene, of course), becomes more suspenseful and interesting. I am surprised this movie can pulled this off, since this formula is quite overused in Korean films I watch so far, but somehow it's different.

What's also makes this movie more interesting, is how the movie humanize the priests not over the top. Sometimes, the priests in many movies deal with faith problem, and we have the realization moment. This movie, while quite following similar pattern, also depicts the imperfectness and goofiness in the men who serve for the church. The rapport not makes me overly emotionally invested, but it's good enough to makes me stay interested.

The next good thing, sometimes you will listen many exorcism scenes do anything with various languages spells and so on without any explanation, but this movie gives more background to the exorcism and what is the nature of the devil. It gives more sense of depth to the movie, and I like it a lot. The appearance of a traditional Korean shaman also spices up the movie, bringing sense of reality that in the dangerous time, it is not uncommon to try different methods to overcome evil. This particular thing, is not explored well in Western movies that often portray the exorcism in only certain way.

While all's been very positive to me, I am not a fan of many clichés that happen throughout the movie (really, I've seen three Korean movies today and they all have car accident scenes) and how the exorcism scene feels quite dry rather than a blast to pay the buildups. I highly recommend this movie for those who longing for a good exorcism film, with drama plot added. It's not full of twist, but shows us that in doubt of this kind of movie, with right formula and plot, even your standard exorcism movie plot can be a gem.

This was actually really scary at times, and later quite disturbing as the possession intensified. I did find it a bit slow moving somewhere around the mid point, but it was still interesting, though. The ending is awesome! It gets really exciting with a possessed pig, police chase, cars crashing left, right and center, and a priest running out of time. Wow!