Transfiguration

Milo (Eric Ruffin) is a quiet black teen obsessed with vampires in the New York City hood. He gets bullied by the local kids. He is haunted by the death of his mother and lives with his older brother. He is befriended by Sophie (Chloe Levine) who lives with her abusive grandfather. One day, Milo is approached by a young white couple from out-of-town looking for drugs.

At about the point of the white boy, I was expecting the big turn. Certainly, I wasn't sure it would go down that road. When that happened to the white boy in the basement, I was hoping that road be forgotten and the story would go down the more logical road. The police, the gang, and the brother could combine to be a harrowing realistic tale. Nevertheless, this is very solid indie with an interesting twist. Chloe Levine could be a future star. Milo is a little too quiet to truly know.

I think if I hadn't read a few reviews (even if they were not marked as containing spoilers!) I would have enjoyed the movie more. I think it tries to play with the uncertainty of not knowing who or what Milo is in reality, but reading everyone's specific comments about it kind of spoiled it for me. I guess is too late to warn anyone, anyway... Still, it's quite a simple story, a serial killer boy and his motives and obsessions. Good acting, somehow interesting characters to certain point, but very little development on them and the story itself. On the downside, the very slow pace makes it feel longer than it is. Also, (on the technical side) the shaky hand-held camera got me annoyed 15 minutes into the movie, it literally NEVER stops shaking in ANY shoot of the movie, which I think is definitely not a good thing, cinematography style should look for a balance and use different styles for different situations. Still, not a bad movie or confusing like many were saying in their reviews (what's confusing here?), but definitely NOT A HORROR movie! It's a violent drama, but there's no horror here, so if that's why you're after, look somewhere else.

although this is categorised as horror on IMDb and Netflix, i would argue that this film debut by writer/director Michael O'Shea is really more of a psychological thriller. it's a very slow-paced, but highly compelling, philosophical character study

Eric Ruffin gives a great performance as the leading character, who appears to be autistic: he has a special interest in vampires, aversion to eye contact, reduced affect display, selective mutism and a seemingly limited understanding of social norms, though there's clearly something else at play, driving the strange compulsions which are one of the primary focuses and key mysteries of the film

Larry Fessenden, actor and director of Habit (one of my favourite vampire movies), makes a cameo appearance. the script and dialogue are well-written and inspire analysis and meditation. i enjoyed this quite a bit and look forward to seeing what else O'Shea comes up with in or has in store for the future

I have been waiting to see this movie for a few months now. It just recently got released to DVD so I picked it up. I'm a very tough movie critic, especially when it comes to horror films and even more specific: vampire films.

We have seen the extreme violent and evil natured vampires, and then there are the ones with some empathy and humane features. This film is the latter of the two.

The film isn't based mostly around the sole plot of the vampire, but more around the "vampire's" surroundings, interactions, thought processes, and interests. A select few will really resonate with this movie. If you were ever the different kid at school, it's almost a trip down memory lane. Milo is a selective talker and generally unafraid of bullies, whether at school or around his housing project, and takes it with stride. "It is what it is," he says to the other main character Sophie. Sophie is a bit of a polar opposite of Milo. She is more of an extrovert and not afraid to make the first move. Of course, this creates some friction between the two but that eventually will develop into what I think the movie is honestly about.

This movie isn't centered around his vampiric tendencies: whether they are real or not is for you to decide. It strives more for two people who don't feel they belong or exist in this world. One feeling that way towards the beginning and shifting to the other towards the end. The movie doesn't flesh out much of Milo's background or Sophie's, but I think that's the point. It would have been less interesting if you knew more about either. This isn't one of the best movies I've seen all year, but it has been this week's best by far.

The movie centers around the human condition more than anything, and how people learn to cope with it, or sacrifice to make something larger than themselves be improved or saved.

Don't get me wrong, this film is definitely a slice of life dealing with vampire elements, but it's also about two confused individuals trying to figure out things together. I liked the ending personally, it jumped into a moment of Milo's life and jumped out of it with two people's lives changed for the better or worse. It's completely up to you. This won't scare you, it's more of a drama/crime/mystery. But I loved it. I would honestly give it a solid 6 out of 10, which means I thoroughly enjoyed and will probably show it to someone or watch again myself.

It was a very blood sucking satisfying but, "realistic," as Milo says so much during the movie, reality. It is a more toned down Let the Right One In, but I would say it leans towards that type. So it's up to you if you are interested in a semi complex layered story that has to do with vampire elements.

I would rate it 6 out of 10, but I went with a 7 so it hopefully secures the solid 6 it deserves.

Almost a modern reimagining of George Romero's Martin meets Let the Right One In - both of which are referenced by name in the film - this goes real deep into childhood trauma and poverty through the lens of being a young Horror movie fan. I think a lot of Horror fans relate to the genre to deal with the trauma of the world, to some degree, and this is a moving exploration of that (as well as themes of self-loathing and social isolation).