Frantz
- 2016
- Tous publics
- 1h 53min
NOTE IMDb
7,5/10
18 k
MA NOTE
Au lendemain de la 1ère Guerre Mondiale, alors qu'elle était venue se recueillir sur la tombe de son fiancé, une jeune allemande rencontre un mystérieux Français.Au lendemain de la 1ère Guerre Mondiale, alors qu'elle était venue se recueillir sur la tombe de son fiancé, une jeune allemande rencontre un mystérieux Français.Au lendemain de la 1ère Guerre Mondiale, alors qu'elle était venue se recueillir sur la tombe de son fiancé, une jeune allemande rencontre un mystérieux Français.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 36 nominations au total
Avis à la une
I found this intensely moving in unexpected ways...yes, there were the conventional triggers of war, death, loss etc. but it was so much more complex than that. The choice of black and white seemed appropriate for the period, (other reviews have referred to some scenes being in colour, but I don't think I saw any color whatsoever...maybe I'm wrong) and reminded me of Japanese films made by Ozu which can also portray very deep emotions without anyone raising a voice. This was restrained, beautifully paced, and reflected a time when people held their feelings in, in order not to make others suffer more. I had no trouble finding the events and the behavior totally believable.
The end wasn't what I might have predicted, but it was so much more "right" than anything else could possibly have been. It was the sort of ending a confident director, who knows his characters, would give the audience. In my opinion, a beautiful film.
The end wasn't what I might have predicted, but it was so much more "right" than anything else could possibly have been. It was the sort of ending a confident director, who knows his characters, would give the audience. In my opinion, a beautiful film.
'Frantz' would be the perfect film to be aired by the bilingual Franco-German television station Arte. It's half German and half French. In fact, the film is about how these two countries come to grips with the aftermath of the First World War. There is a German and a French lead character, and both languages are spoken. This is unusual, but doesn't feel strange. The story starts in 1919, with a young widow visiting the grave of her fiancé, who died in France during the war. When she notices a Frenchman visiting his grave, she is taken aback. He presents himself as an old friend from the time the soldier studied in Paris. But little things reveal that this is not the whole story. Soon, the truth emerges and the story takes some surprising and moving twists. Acclaimed French director Francois Ozon has put a lot into this movie. It is an anti-war story, but also a bitter-sweet love story as well as a portrayal of a society suffering from a post war trauma. It is most of all an appeal for mutual understanding and rejection of prejudice. In this sense, the message is now more urgent than ever, in view of the growing support for populist and even racist politics on both sides of the Atlantic. The film is shot in beautiful and stylish black and white, perfectly capturing the elegance of the period. Ozon doesn't need any distracting subplots or flashy gimmicks, apart from the use of colour in a few scenes. I couldn't quite figure out the meaning of this. Some colour scenes are set in a different time frame, others seem to indicate the rare moments of happiness in a time that's full of grief and sorrow. The very last scene captures one of those moments in a wonderful way.
This is a story about how lying can be a good thing, a compassionate thing. When the female lead, Anna, goes to confession about her lies concerning her encounter with a Frenchman who seems to have known her dead finance, a victim of WWI, the priest in her German town tells her that her lies were totally forgiveable because they were meant well. This sounds simple, but the story is also about the aftermath immediately following WWI and the French and German feelings about one another's country and people. A film which begins perhaps in a mediocre way but becomes increasingly affirmative with the development of the plot.
This movie threw me for a loop. It got a good review in the newspaper I read, and a friend invited me to go with her friends, so I did. I was not expecting to be overwhelmed by one of the very finest, most beautiful movies I have ever had the good fortune to see.
To begin with, this movie repeatedly throws you for a loop. You are sure you know where it's going - or at least I was sure - only to discover that you were wrong and the characters have something else in mind. I can't explain any of that without spoiling it for you, which I won't, but suffice it to say that this movie is full of surprises.
It is also full of great acting. Understated, yes, but very great nonetheless.
And the photography, often black and white, is wonderful.
It's hard to write much about this movie without spoiling it for those who have not seen it yet, which I most certainly do not want to do.
So I will close by saying that I sat entranced through the whole thing - and that is no exaggeration. If you enjoy great acting beautifully photographed and directed, you will love this movie.
To begin with, this movie repeatedly throws you for a loop. You are sure you know where it's going - or at least I was sure - only to discover that you were wrong and the characters have something else in mind. I can't explain any of that without spoiling it for you, which I won't, but suffice it to say that this movie is full of surprises.
It is also full of great acting. Understated, yes, but very great nonetheless.
And the photography, often black and white, is wonderful.
It's hard to write much about this movie without spoiling it for those who have not seen it yet, which I most certainly do not want to do.
So I will close by saying that I sat entranced through the whole thing - and that is no exaggeration. If you enjoy great acting beautifully photographed and directed, you will love this movie.
Look, I'm not that guy to write reviews of movies online, and I'm not that guy to watch a love story with subtitles. But quite by happenstance I watched this film, and I was blown away. I didn't think I was going to make it at first, to be honest, due too the pace. But Paula Beer (whom I've never seen before this movie) kept me watching. What a great actress for this role! By the movie's end I was wishing for more, begging the movie not to end. I sat and stared at the credits' scroll (words I couldn't understand in French) and listening to the music. It's that good that I stared in awe at the credit scroll!
I'll now go back to watching Mission Impossible and Bourne movies (more my style), but I'll always remember Frantz, and a part of me will always wish that I could experience it again for the first time.
I'll now go back to watching Mission Impossible and Bourne movies (more my style), but I'll always remember Frantz, and a part of me will always wish that I could experience it again for the first time.
Le saviez-vous
- AnecdotesActor Pierre Niney was not a German speaker, so his co-star Paula Beer taped his lines in German and he learned them by ear, according to director François Ozon.
- GaffesA train seen crossing overhead is clearly powered by an American-made steam locomotive, and on the tender directly following it, the logo shape is that of the Chicago & North Western Railroad, which obviously didn't operate in Europe.
- ConnexionsReferenced in Honest Trailers: Jurassic Park 3 (2018)
- Bandes originalesUne amitié
Composed & Conducted By Philippe Rombi
Performed by Orchestre Symphonique Bel'Arte
(p) 2016 Cristal Records
Label BORIGINAL - Distribution Sony
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- How long is Frantz?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Frantz: El hombre que amé
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 474 971 € (estimé)
- Montant brut aux États-Unis et au Canada
- 880 883 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 745 $US
- 19 mars 2017
- Montant brut mondial
- 7 478 354 $US
- Durée1 heure 53 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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