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Dunkerque

Titre original : Dunkirk
  • 2017
  • Tous publics
  • 1h 46min
NOTE IMDb
7,8/10
782 k
MA NOTE
POPULARITÉ
635
153
Dunkerque (2017)
Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.
Lire trailer0:31
18 Videos
99+ photos
Drames historiquesÉpiqueÉpopée d'actionÉpopée de guerreÉpopée historiqueActionDrameGuerreL'histoireThriller

À Dunkerque, des soldats britanniques, français et belges sont encerclés par l'armée allemande et évacués dans l'une des entreprises les plus ambitieuses de la Seconde Guerre mondiale.À Dunkerque, des soldats britanniques, français et belges sont encerclés par l'armée allemande et évacués dans l'une des entreprises les plus ambitieuses de la Seconde Guerre mondiale.À Dunkerque, des soldats britanniques, français et belges sont encerclés par l'armée allemande et évacués dans l'une des entreprises les plus ambitieuses de la Seconde Guerre mondiale.

  • Réalisation
    • Christopher Nolan
  • Scénario
    • Christopher Nolan
  • Casting principal
    • Fionn Whitehead
    • Barry Keoghan
    • Mark Rylance
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    782 k
    MA NOTE
    POPULARITÉ
    635
    153
    • Réalisation
      • Christopher Nolan
    • Scénario
      • Christopher Nolan
    • Casting principal
      • Fionn Whitehead
      • Barry Keoghan
      • Mark Rylance
    • 2.8Kavis d'utilisateurs
    • 581avis des critiques
    • 94Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 3 Oscars
      • 68 victoires et 236 nominations au total

    Vidéos18

    Final Trailer
    Trailer 0:31
    Final Trailer
    Now Playing
    Trailer 0:31
    Now Playing
    Now Playing
    Trailer 0:31
    Now Playing
    Official Trailer
    Trailer 2:27
    Official Trailer
    Trailer #2
    Trailer 2:12
    Trailer #2
    Trailer #1
    Trailer 1:08
    Trailer #1
    5 Inspiring Military Dramas to Stream
    Clip 2:06
    5 Inspiring Military Dramas to Stream

    Photos345

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    Rôles principaux87

    Modifier
    Fionn Whitehead
    Fionn Whitehead
    • Tommy
    Barry Keoghan
    Barry Keoghan
    • George
    Mark Rylance
    Mark Rylance
    • Mr. Dawson
    Tom Hardy
    Tom Hardy
    • Farrier
    Damien Bonnard
    Damien Bonnard
    • French Soldier
    Aneurin Barnard
    Aneurin Barnard
    • Gibson
    Lee Armstrong
    • Grenadier
    James Bloor
    James Bloor
    • Irate Soldier
    Tom Glynn-Carney
    Tom Glynn-Carney
    • Peter
    Jack Lowden
    Jack Lowden
    • Collins
    Luke Thompson
    Luke Thompson
    • Warrant Officer
    Michel Biel
    Michel Biel
    • French Soldier 2
    Constantin Balsan
    • French Soldier 3
    Billy Howle
    Billy Howle
    • Petty Officer
    Mikey Collins
    Mikey Collins
    • Soldier
    Callum Blake
    • Stretcher Bearer
    Dean Ridge
    Dean Ridge
    • Soldier at the Gap
    Bobby Lockwood
    Bobby Lockwood
    • Able Seaman
    • Réalisation
      • Christopher Nolan
    • Scénario
      • Christopher Nolan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs2.8K

    7,8782K
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    Avis à la une

    9tomsview

    Capturing the spirit

    For a teenager today, Dunkirk must seem even more distant than the Boer War did to my generation growing up just after WW2. For some, Christopher Nolan's film may be the most they will know about the event.

    But it's enough in some ways because even if it doesn't show everything that happened, maybe it goes as close as a film could to letting you know how it felt.

    "Dunkirk" focuses on a number of characters who are inside the event, living it minute by minute.

    Tommy, the soldier at the centre of the story, seems at first glance to be the antithesis of the Dunkirk legend. Maybe he fits a New Millennium sensibility rather than a 1940's one, more like a contestant on "Survivor". He does show initiative, but a soldier who throws away his weapon then "helps" wounded to the rear risked a court martial in every army from the Roman Legions on. The lines of stoic soldiers waiting patiently on the beach, the enduring image of the evacuation, seem almost like a backdrop as Tommy and his mate run through them.

    The man who embodies the spirit to the full is Dawson, the civilian captain of the Moonstone. He is the sort of man who wins wars; the bloke who sticks to the task when others buckle under pressure; "There's no hiding from this thing son," he says to an officer whose nerve has cracked, all the while steering his little boat towards Dunkirk.

    The scenes of aerial combat look so real it makes all other depictions pale in comparison. Peter Jackson once planned to do a remake of "The Dam Busters", but possibly Christopher Nolan would add another dimension to the retelling. The brilliant special effects serve the story. Much of the panorama of Dunkirk is glimpsed almost incidentally from the cockpit of fighter planes or by men struggling in the water.

    There are surprises for anyone who thinks they know the story or have seen documentaries or other recreations of the event; it's very different to the crowded Dunkirk of "Atonement".

    An unsettling score helps heighten the tension in a film that has you holding your breath in scene after scene.

    This is a film that demands more than one viewing.
    7kdimitrisfe

    Maybe 7,5/10 but not more

    I love Christofer Nolan. Great director. Great movies. No doubt about that. But unfortunately I think the movie was boring. It had awesome fight scenes, with different camera angles, music, costumes but it did not keep you at the edge of your seat like his other movies.

    Almost no dialogue. You can say that it is realistic, because it is a war scene but the viewer needs to know something about the characters in order to identify with them. I felt like I was watching on youtube different war scenes in a 2 hours movie. It did not create the suspense I was hoping.
    6mraos

    Hipsterish affectation of an "artistic" war movie.

    This movie is so paper thin I really can't write much about it. So many missed opportunities in a film about one of the most spectacular and complex battles of WWII. I can see what Nolan tried to do here, a kind of British "Thin Red Line" (there's even wind in the grass, lol, i kid you not), but he failed spectacularly. There are no memorable characters to be found here, and one wonders even if there are any actual characters at all. Not one, not one of them has any semblance of a character arc. Not one. Again, I see how Nolan tried to convey the impersonality of war and insignificance of the individual but he did it with such a heavy, clumsy hand, providing us with no counterpoint with which to drive the point home. It's basic screen writing stuff really. I'd expect such ineptitude from a first year film student but not from a supposed "master of the craft".

    But anyways, this could have been forgivable if the film was more about the event itself, but it fails at that too. After watching the film, you'd be given to believe that the Battle of Dunkirk was fought by three Spitfires (100 were lost over the beeches alone), 1 German heinkel, a couple of stukas, 2 destroyers or a dozen or so boats... Oh yes and maybe a few hundred men standing quietly on a beach, doing nothing except desperately trying to look morose and dejected in a faintly passive-aggressive way. It's ridiculous. We are talking about total and absolute chaos happening there, hundreds of thousands of rifles alone discarded on the beach, not to mention guns, artillery, trucks... Burning and sinking ships of all sizes all across the horizon, parts of beaches inaccessible from rotting corpses washing up with tides. This was actually way bigger than D-Day landings in terms of men and equipment stuffed in a very small patch of land. Half a million desperate men stuffed in a small town, bombarded incessantly and under constant attack from bombers. Where did all those people defecate, what did they eat ffs? I wanted to know that, really. That at least would have given some much needed humanity to the so-called-characters Nolan keeps yanking around like so much puppets. So many missed opportunities there...

    If Nolan wanted to do a tight little film about isolation and desperation of being on the loosing side of the war, he had plenty of other places and battles to choose from. Just ask around. Or if he simply had to insist on Dunkirk, then we should have seen this total chaos all around our protagonists, in the background at least - that would have served as a really powerful, so desperately needed counterpoint to the individual suffering and heroism.

    And this brings me to the final point. The movie is one tone only. A monotone repetition of sights and emotions we've seen and experienced before. No one cracks a joke. No one really breaks down. No one has an embarrassing moment. There are no ups and downs, it's just some morose faceless robots performing obvious actions leading towards a bleedingly obvious goal. One single emotional and narrative tone from the beginning to the end. The entire emotional and narrative content of the movie would have fit snugly into a 20 minute short, and that is pretty much how long it takes before you start yawning. The best thing that can be said about the movie is that individual scenes are well directed and worth experiencing. But that is the real problem here - the film is constructed as a series of impressive "experiences" rather than cohesive piece of drama (And this particular historical event is almost uniquely stuffed with dramatic opportunities. It's almost as if golden-age Hollywood writers wrote the script for the actual event.) In other words, it's a Dunkirk theme park rather than a movie. You take rides. And that's it. And even those become repetitive after a while.
    8Danielpotato

    Christopher Nolan created an impressive blockbuster on World War 2, with the focus on survival.

    The most important lesson in the history of our humanity, surpassed in genre, religion among other moral aspects, is simply the survival of the species or a human being in question. Our most basic instinct is survival and when we unite, forgetting our differences (as a group of Individuals, not nations), for the sake of our survival and our well-being, the human race shines in the most intense sense possible. The cooperation between several elements, to come out alive from a complicated situation.

    One scene, caught my attention when a group of Allied soldiers were surrounded in a ship and this same ship was being attacked on all sides by the German troops. One of the characters was being forced out of the ship to see if the tide sea was rising or not. Out of fear, this character did not want to leave the ship, it was when an English soldier replied: for the others to survive, one person has to die.

    The theme of this film is survival, especially surviving in a difficult situation, is in itself a great victory

    Nothing is better expressed in this film and executed in a way with as much talent as Nolan achieved in making with this film. Not only by itself, the message is passed to the audience in a clear and perfect way as is demonstrated in small scenes that help convey this message and build a fitting end to the film itself.

    The film goes straight to the narrative and action of the movie without losing in passing with interesting monologues, unlike Inception, a film in which Nolan himself created a character with the sole purpose of explaining the rules of this universe for the audience, this is the apex of Nolan as a Film director and he performs his work in a simple and exemplary way. So Dunkirk is his smaller commercial movie, but with the bonus without unnecessary scenes that could crumble the experience of the film.

    The performances are excellent and accompany the director's talents (the direction of the film itself) and the script in a cohesive, simple and direct way, highlighting Fionn Whitehead, Mark Rylance and of course the very competent Kenneth Branagh. These excellent actors help immerse the audience in the cinematographic aspect of the movie itself to make the experience as real and emotional as possible.

    Again, congratulations to Nolan for choosing actors relatively unknown to the general public, but outstanding in their work of acting. Instead of trying to choose famous actors (whose private lives are always in the mouths of the people and the magazines), these people are celebrities and not actors. For this reason I never managed to pass the first act of Saving Private Ryan. Spielberg made a mistake filling his film with the most popular Hollywood All Star cast of famous actors at that time (their lives were so exposed that it was hard to see those people as soldiers or survivors of WWII). At this point, Nolan fared better than Spielberg.

    By completing this great experience, special and sound effects are applied in an exemplary way and these same technologies make almost perfect use of the IMAX screen. The technical and aesthetic aspects are very good, as it comes this habit in this type of film with this type of budget (105 millions). The cinematography is very good (almost perfect, like in most of Nolan movies) and the camera movements are agile and very beautiful.

    See the aerial combat of the characters of Tom Hardy (Farrier) and Jack Lowden (Collins) in aerial planes that looked with great and amazing beauty in fighting against the planes of the Germans. A technical amazing work of Nolan and his production team. Amazing, no doubt. Especially on the IMAX screen, where the film shows all its beauty, and if there is a movie that deserves to be seen in IMAX, it is one, this new work of Christopher Nolan, no doubt. The ambitious ideas of the filmmaker and the great sequences in parallel assembly that characterize his works. Making the storytelling move to viewers in three different locations (The Mole, The Sea and The Air). In a cohesive, precise and confusing way. This film shows a great talent of Nolan, and it reaches his talent to create sequences in parallel assembly the characters of the film in a brilliant way. The soundtrack composed by the veteran Hans Zimmer is amazing, Hans in turn creates a memorable theme for the theme of World War II. Fantastic and great.

    The great and only problem I see that disturbs the experience of the film is limited by the PG-13 and thus limit the blood and violence, for God's sake, it is a film about a war blood and violence are common. At times it seemed like I was looking at some scenes and these same scenes seemed so artificial and displaced from the film itself, like the scene of the soldiers corpses coming to the beach, or the English troops being smashed by the sinking ship (two clear examples that PG-13 influenced negatively the movie).

    One problem that some people go through seeing this movie is the lack of depth in some characters, however there are characters with depth, but not the kind of depth shown through dialogues or exposition. Nolan wanted to show something bigger. And I think Nolan did it. Nolan created in this movie to show the question of survival and its consequences in the lives of the people close to war and the soldiers who were fighting in that war. He wanted to show us how and survival define us, and I think he got the message very well across this movie. Even for this, he sacrificed some dramatic depth. Depth for certain characters, however Nolan passed a larger message, which surpasses any dramatically deep element. Nolan wanted to get something bigger. And in my opinion he did it.
    10georgebwofford-44106

    Unapologetically, I can say this is one of the best war movies ever made

    If you read through the swarm of negative reviews, you might notice a common theme: boring, dull, lack of characters. It's incredibly disappointing that they seemed the miss the entire point of the film.This is not a film about heroic soldiers triumphing against all odds while blowing up Nazis with transformer-esque explosions.

    This is a movie about scenes, not characters. -and every scene is memorable, from the bombings to the torpedoes to the aerial dogfights. My co-worker, who is obsessed with WW2 planes, noted how incredibly perfect they got the British Supermarine Spitfire from the roar of the Rolls-Royce engine to the rattle of the components in the cabin. The accuracy and intensity of the dogfight was captured perfectly as well, mimicking the aerial maneuvers, firepower and damage in a realistic and dramatic fashion. The torpedoes noticed only moments before impact with it's slow monotonous movement sent chills of realization down my spine. Even in the beginning of the film, the way in which the Nazi leaflets were presented gave you some glimpse into the panic and anxiety felt by those soldiers.

    I felt the "lack of characters" was realistic and served the film as well. War is not about larger-than-life personalities with specialized weapons being bad-asses. It's about nameless and faceless soldiers facing an existential crisis, the possibility of randomized death, and how they can either respond with despair or hope.

    If you want characters you can root for and a happy ending where the bad guy in vanquished, then there are plenty of movies for you. But if you want a small glimpse into the despair, anxiety, hope, courage, and will of the British WW2 fighters then there is no better film ever made than this one.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      According to Sir Kenneth Branagh, roughly thirty Dunkirk survivors, who were in their mid-90s, attended the premiere in London, England. When asked about the movie, they felt that it accurately captured the event, but that the soundtrack was louder than the actual bombardment, a comment that greatly amused writer, producer, and director Sir Christopher Nolan.
    • Gaffes
      The Luftwaffe did not start painting fighter aircraft nose cones yellow until later in 1940. However Christopher Nolan has admitted this was done deliberately to make the German aircraft easier to identify by the audience.
    • Citations

      Blind Man: Well done, lads. Well done.

      Alex: All we did is survive.

      Blind Man: That's enough.

    • Crédits fous
      "The following Dunkirk little ships recreated their courageous and historic journey for this film: Caronia, Elvin, Endeavour, Hilfranor, Mary Jane, Mimosa, MTB 102, New Britannic, Nyula, Papillon, Princess Elizabeth, RIIS I"
    • Versions alternatives
      In Spain, the film was projected on 2.35:1 screens in the 2.20:1 aspect ratio. But the film was finally projected with black bars on the four sides of the screen. This same situation happened with Jurassic World (2015) and just before the film started a text appeared on the screen explaining the 2.00:1 aspect ratio fitting on the 2.35:1 screen adding black bars up an down. Dunkerque (2017) didn't show any explanation before the film.
    • Connexions
      Featured in Film '72: Épisode #46.1 (2017)
    • Bandes originales
      Variation 15 (Dunkirk)
      by Benjamin Wallfisch

      Produced by Hans Zimmer

      Based on a theme by Edward Elgar

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    FAQ23

    • How long is Dunkirk?Alimenté par Alexa
    • If there were literally 1000's of armed soldiers on the beach, why wasn't it possible to all shoot at one plane at a time as it approached? Out of a few thousand bullets surely the chances of hitting the plane would be high?
    • What does "The Mole: One Week, The Sea: One Day and The Air: One Hour" mean?
    • Is the story line based on the real-life experiences of Commander Charles Lightoller at Dunkirk?

    Détails

    Modifier
    • Date de sortie
      • 19 juillet 2017 (France)
    • Pays d’origine
      • Royaume-Uni
      • Pays-Bas
      • France
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langues
      • Anglais
      • Français
      • Allemand
    • Aussi connu sous le nom de
      • Dunkirk
    • Lieux de tournage
      • Urk, Flevoland, Pays-Bas
    • Sociétés de production
      • Syncopy
      • Warner Bros.
      • Dombey Street Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 100 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 189 740 665 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 50 513 488 $US
      • 23 juil. 2017
    • Montant brut mondial
      • 533 696 799 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 46min(106 min)
    • Couleur
      • Color
    • Mixage
      • Sonics-DDP
      • Dolby Digital
    • Rapport de forme
      • 2.20 : 1

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