Kalo Pothi, un village au Népal

The fundamental premise of "Kalo Pothi" very much evokes memories of Kiarostami's "Where is the Friend's House," a film that I hold in high regard by the way. Both works strive to weave the innocence and naivety of childhood into a broader political and societal narrative.

Whilst the Iranian film achieves this integration with remarkable finesse, maintaining its core theme throughout without hiccups, this Nepali production occasionally strays from its central theme and subject, and this inconsistency ultimately emerge as the primary issue of the writing.

Although I commend the effort put into it, the messaging regrettably resonates with less than half the intended impact.

There are lots of excellent Nepalese movies that should get recognition from international level. Movies like Kalo Pothi, Bulbul, White Sun, Saanghuro, Prakash, Loot, Pashupati Prasad should be realesed through Netflix, Prime Videos and other OTT platforms. We can dub in Hindi and English with subtitles. If there is low chance to get immediate popularity but it will be very significant for the future. Our industry is getting better day by day and Prem Geet 3 could be the best example. We need to work on quality cinema presenting our language, culture, history, religious aspects and value of eastern society.

JAY Nepali Cinema!!!

Movie kalo pothi is a movie for those who wants to see rather a different timing story , Story that are related but in a different way.

While watching movie , I experienced the lives & living of the mugu people exactly which are explained & truth.

Even there's a vast differences in caste factor of living in Nepal in those times however now , the friendship between the Boys with despite the having caste that may allow people of the time to have relationship with , is what makes the movie into a good story.

Combining many stories with the small stories are the top work of the team.

overall I recommend you to watch it , if you want movie with different taste.

The events in this movie takes place in Mugu during the Maoist insurgency of 2001. The first thing you need to know about this movie is that the main characters don't speak nepali as we know it. Its hard to understand what they are saying and sometimes it feels like they are speaking a completely different language. There are nepali subtitles to help clear things out but if you are someone like me who don't have much talent in reading nepali then you probably wont understand most of the dialogues which unfortunately includes punchlines, ongoing jokes and some serious poetic lines as well. But its alright if you don't understand the dialogues because this movie speaks volumes through its visuals. Actually most of the storytelling is done through visual camera-work rather than dialogues. The cinematography is breathtaking and you cant really go wrong in placing the story against the backdrop of Mugu, which in itself is a very beautiful place.

The screenplay is brilliant, the acting top notch. Every character is brilliantly played. The child actors were specially good. There are very raw imagery of village life portrayed in this movie. And im surprised how dedicated these actors were to be involved in such a audacious project and to give their 100 % by sometimes even chewing on straws picked up from ground. And we thought Leo was a good actor just because he ate raw fish.

But what really amazed me was the score. The sound track is hauntingly beautiful and fits perfectly with the movie. Its ominous and sad and at the same time very thrilling and assuring. The sound quality of the dialogues and ambiance was top notch.the dialogue delivery felt very natural.

Now onto my gripes. What i really cant understand is why the director chose to film every scene in this movie from a static viewpoint. Yes it works for sceneries as it gives a very cinematic look. But it doesn't make sense to film people talking in that technique. Specially because the acting is so damn good in this movie. It wouldve been really nice if he had filmed some dialogues in shot reverse shot or even over the shoulder. But i guess the director had a reason and logic behind it. Maybe i completely overlooked it. Oh and why cant nepali filmmakers use proper gun props. The pistols used in this movie looks so damn fake its ridiculous.

Kalo Pothi is a Mud-esque tale about loss and learning to let go. It explores themes such as innocence, growing up, violence and the impact it has on people.

The movie Kalo Pothi is a Nepali movie directed by Min Bahadur Bham. This movie is set around the northwestern part of Nepal and is the first Nepali movie to be screened at the Venice Film Festival. The highest-grossing Nepali movie overseas, it was also the first Nepali movie entered in the Academy Awards.

The story revolves around two kids - Khadka Raj Nepali as Prakash, Sukraj Rokaya as Kiran. The story is based on the personal life experiences of the director and has an emotional connection to him. The lead character Prakash is an old childhood friend and Kiran reflects the director himself. Through the movie, he is portraying aspects of Nepal that are often neglected in mainstream narratives - the minutiae of village life and the marginalization caused by the caste system that is rarely a focus for Nepal's urban-centric cinema. Bhamhas successfully infused the production with the real look and feel of his native region.

The movie was released on September 4, 2014, with an investment of Rupees 30 million. The director was honored by the then President of Nepal with the National Talent Award for his contribution to art and culture, and the movie was nominated for the Best Foreign Language Film Oscar.

So It's a must watch masterpiece movie.