Place à l'impro

Hi film makers. Here a free tip. Never make movies about people that are supposed to be funny, and then show what is supposed to be funny. No actor ever, ever ever ever, manages to make that not cringe worthy. They come close here, but maybe as close as anyone ever will be.

Here the thing: We see a lot of improv comedy, and it is supposed to be funny, and the audience is laughing because it's funny. (in other words, we are told that is funny or not) Here's the problem: we get to see what the audience is seeing and it's NOT funny. That really takes me out of it. And even if it WERE funny, we would know it was probably scripted, and scripted improv, well that's not very funny. (I realize the improv scenes a probably a blend of script and not, any-who, it not funny)

Let's say you made a movie about the worlds funniest joke. It would be a lot smarter to not show the actual joke and just let the mind wonder about it. As soon a you show the joke, well, it ruins it, because chances are it's not the funniest joke ever. See?

OK. With that said! Most of the improv seems quite natural though, and the acting is good. I didn't find the movie very funny, but I think where it shines is in the drama. Because this movie has some pretty good, heart felt points about human behavior. It's got some tense scenes, and quite a few times it hits quite close to home. (At one time I was like: wow, that character is me. NOT gonna say who)

I sort of wish they had solved the improv-thing in another way, by maybe not showing so much of it, or making it supposed to be cringey. I don't know.

It's a sad movie, not really a feel good one, and that's good.

"I think for anyone - male or female - in improv, the biggest thing to get over is the fear. I think every improviser has that." Rachel Dratch

Don't Think Twice makes you think more than once about not just the enormous demands of comedy, including fear of failure, but also about doing anything for a profession that may give you little to no compensation other than the joy of doing what you love and are good at.

More than anything else, this comedy makes a poignant comment on the irony of talented people making it while other talents struggle never to be recognized. Miles (writer-director Mile Birbiglia) feels it painfully as he sees Jack (Keegan-Michael Key) win a spot on Weekend Live (no doubt, Saturday Night Live) while Miles and his other colleagues labor in the lesser venue of NYC on the improv team, The Commune.

As the title of their improv group suggests, their work is communal, depending on an effort for which individual spotlights have no place. Ironically, Jack wins the Weekend Live job partially by standing out doing a solo routine even though his colleagues warned him against it.

Don't Think Twice does an effective job of showing the inherent contradictions of communal support and individual talent. In the matter of a romance between Jack and Sam (Gillian Jacobs), the tensions between their emerging rewards for their talent and sacrifice are subtly displayed in their loving routines and their personal love.

You would not be surprised to know how difficult it would be to determine which bits in the movie are improv and which are rehearsed, so good are the performers. Even that puzzle supports a theme about the intersection of reality and artifice, a benign clash between the creative improvisation and the spontaneity of life itself. Both bring their rewards and disappointments.

Here is a comedy with touches of real life--hey, I think that's what life itself is all about.

this sucked. didn't finish it, and don't have to. not enticing enough for a drama, not funny enough for a comedy. Got halfway through without laughing. Enjoy a lot of these actors' past performances but this is trash. my review needs to be longer to post so this line is irrelevant. do not watch this movie

Great insight into improv side of the comedy world and the struggles and emotions involved with trying to fulfill the dream of stardom. Both funny and touching,the film follows the ups and downs of each member of an improv troupe as they attempt to find their niche while dealing with day to day struggles with family, relationships and each other. It doesn't have light sabers or magical creatures, but if you can get past that (because you're an intelligent adult with a sense of humor) then I would recommend this film. The casting was perfect and I've added this film to a short list of movies that I can go back to at anytime and enjoy.

One of the best movies of the year. Grounded, realistic, funny, and bittersweet. If you want a pure comedy, this isn't the movie for you. It certainly is funny, but it is also spend a fair chunk of the movie on characters and conflict. It's dramatic parts actually ended up working better than the comedic elements for me.

The acting was surprisingly very good for actors who have made their names in comedy and improv. Gillian Jacobs and Chris Gethard were the standouts, though each of the actors has at least one standout moment.

Not for everyone certainly, but very good and one of the best of the year. I think I'll finally get around to seeing Birbiglia's other movie "Sleepwalk With We" now.