Le Dernier Vice-Roi des Indes

An entertaining and well-acted movie covering (a version of) the events around partition. The problem with these historical movies is 1) they are skewed to the narrative of the production team and 2) they do not capture the scale & complexity of the geopolitical realities prevailing at the time. Nonetheless, the atmosphere of chaos as the sub-continent is divided is well portrayed and underpinned by some stunning archive clips.

Honestly looking at the trailer, I was expecting a story that was made for TV but attempted to be bold enough to grace the big screen. I couldn't be anymore wrong. The last viceroy of India is tasked with leading the country before its eventual independence which soon turns into a communal massacre. The Partition of India back in 1947 is an important moment of modern history where this drama serves as a reminder of the monumental loss during the nationwide migration. Over one million souls lost their lives during the violent conflict between Muslims and Hindus, with many families being torn apart through abrupt segregation. Given that the director was the granddaughter of a survivor, there is a personal touch to the melodrama that unfolds. From simple quibbling of deciding which food items, people and furniture remain in India or are sent to Pakistan to the more serious issues of rationing supplies to refugee camps. Chadha deftly embeds the culture of India to the heartbreaking partitioning process, allowing the balance for historical importance and a fictitious romance to coincide together. The latter sub-plot, resembling a 'Romeo & Juliet' scenario, seemed to be the primary focus of the first act which unfortunately detracted from the main and far superior plot of India's independence. However the story gets back on track during the second half which quickly grabs your attention back. Bonneville and Anderson gave satisfactory performances, although occasionally lacked emotional conviction. Also the melodrama became too excessive at times, trying too hard to make you tear up. Credit where credit is due though, I did shed a tear towards the end which was certainly the most poignant act of the entire film. I do love a good "running through the crowd" scene. A slightly uneven start irons itself out towards the end to produce a sumptuous and important historical drama that will leave you reaching for the tissues by its conclusion. Atleast I know what a viceroy is now...

Beautifully made movie with two main story lines: a political-world- line, and a very personal-love-line. Somehow it was so true about how life IS or CAN BE that it moved me and touched my heart deeply. Besides: Great actors (good casting!) and very beautifully spoken language. Whoever spoke was so good at it! (I'm into voices for my profession).The movie is a blueprint-story for all countries that have suffered and had profits from countries that were their 'masters'. It also shows that there are all sorts of 'masters'. Besides, that it's time to become brothers and sisters. the other storyline makes clear that LOVE can be something very special, especially when you live in between millions of countrymen and there's all kind of wars going on.The director points it out very clearly!!Good for her, because this could have ruined the movie, but it somehow didn't. GO!!

Maybe, I am not fair. But , more than a decent film , it represents for me, nothing more or less. It is a good introduction to one of the most siignificant events after the end of WWII. It is a good example of beautiful performances and inspired script. But the mixture between political problems and the love story of a Hindi young man and his Muslim girlfriend it seems, for me, a mistake, used for give more force to dramatic side. It is a touching film and that is the result of the final confession of director but , the high desire to impress is, in few scenes, too much. Sure, it is a film for see. A moral lesson about a century more than about a country. But, something is missing and something is too more. Conclusion - a decent film about dramatic events.

The picture Viceroy's House directed by Gurinder Chadha was screened out of competition at the Berlinale.

The film tells the story of love between Jeet and Aalia set against the historical scenes surrounding partition of India in 1947. Their differing religious backgrounds become a source of conflict as the colonial rule terminates and India gets divided into Muslim Pakistan and secular India.

Queen Victoria's great-grandson Lord Mountbatten arrives to Delhi as the last viceroy; he has the task of trying to make the smooth transition of power. The film broaches serious problems and is a skillful examination of the political turmoil of that time.

The picture is shot in a dynamic fashion, has good camera-work and even has some humor. The film shows well the everyday life of the last viceroy of India, many interesting details create the unique atmosphere which is complimented by the soft sense of humor. It is a lavish production, features many impressive crowd scenes, beautiful interiors and exteriors as well as costumes.

Some flaws of the film include that the romantic subplot was less developed than the historical narrative, which was shown in a more interesting way. Bonneville's acting as Lord Mountbatten is very convincing.

Read more at: http://indie-cinema.com/2017/02/viceroys-house/