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Museo

  • 2018
  • 2h 8min
NOTE IMDb
6,9/10
6,4 k
MA NOTE
Museo (2018)
Regarder Tráiler [OV]
Lire trailer1:39
3 Videos
50 photos
CriminalitéDrame

Ajouter une intrigue dans votre langueIn 1985, a group of criminals mock the security of the National Museum of Anthropology in Mexico City to extract 140 pre-Hispanic pieces from their showcases.In 1985, a group of criminals mock the security of the National Museum of Anthropology in Mexico City to extract 140 pre-Hispanic pieces from their showcases.In 1985, a group of criminals mock the security of the National Museum of Anthropology in Mexico City to extract 140 pre-Hispanic pieces from their showcases.

  • Réalisation
    • Alonso Ruizpalacios
  • Scénario
    • Manuel Alcalá
    • Alonso Ruizpalacios
  • Casting principal
    • Gael García Bernal
    • Leonardo Ortizgris
    • Alfredo Castro
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    6,4 k
    MA NOTE
    • Réalisation
      • Alonso Ruizpalacios
    • Scénario
      • Manuel Alcalá
      • Alonso Ruizpalacios
    • Casting principal
      • Gael García Bernal
      • Leonardo Ortizgris
      • Alfredo Castro
    • 24avis d'utilisateurs
    • 65avis des critiques
    • 86Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 7 victoires et 32 nominations au total

    Vidéos3

    Tráiler [OV]
    Trailer 1:39
    Tráiler [OV]
    Museo
    Trailer 1:55
    Museo
    Museo
    Trailer 1:55
    Museo
    Museo
    Trailer 1:40
    Museo

    Photos50

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
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    + 43
    Voir l'affiche

    Rôles principaux49

    Modifier
    Gael García Bernal
    Gael García Bernal
    • Juan Núñez
    Leonardo Ortizgris
    Leonardo Ortizgris
    • Benjamin Wilson
    Alfredo Castro
    Alfredo Castro
    • Dr. Núñez
    Simon Russell Beale
    Simon Russell Beale
    • Frank Graves
    Leticia Brédice
    Leticia Brédice
    • Sherezada
    Bernardo Velasco
    Bernardo Velasco
    • Bosco
    Ilse Salas
    Ilse Salas
    • Silvia
    Lisa Owen
    • Sra. Núñez
    Eduardo García
    • Lalo
    Maite Suarez Diez
    • Jimena
    • (as Maite Suárez)
    Amaya Suarez Diez
    • Adriana
    • (as Amaya Suárez)
    Camila Robertson Glennie
    • Camila
    • (as Camila Robertson)
    Iker Brehm Mondragón
    • Iker
    Pilar Brehm Mondragón
    • Pilar
    Vanessa García Figueroa
    • Vanessa
    Esteban Garay
    • Esteban
    Gabriel Nuncio
    Gabriel Nuncio
    • Igor
    Natalia Garcia Agraz
    • Gaby
    • (as Natalia García)
    • Réalisation
      • Alonso Ruizpalacios
    • Scénario
      • Manuel Alcalá
      • Alonso Ruizpalacios
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs24

    6,96.3K
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    10

    Avis à la une

    8aysebetul-78072

    Nihilism or the reason why

    Nihilism in the film captivated me from beginning to end. While there are implications of cultural imperialism, the culture poisoning of the individual has also been shown. The institution of 'family' has been included in the dilemma as the institution to which the individual both wants to move away and which he remains attached. Many people have criticized the lacuna in the script, but I think this was left on purpose because the movie rejected the causality principle from the beginning. Sound editing tooks part in the movie as an actor/actress. The black woman with a bleeding nose at the party, the rubik's cube, and the people jumping into the water... Each symbol is skillfully placed.
    6gazferg

    Museo Is Not Just About The Heist.

    Museo was shown as part of the 2018 Melbourne International Film Festival (MIFF). It tells a great story with some quirkiness and comedic elements. As a Mexican movie, there are some aspects such as historical and political factors that are culturally-specific. These aspects made it difficult for me to comprehend totally, having no knoweldge of Mexican culture. It's not a criticism of the film, more a self-disclosure of my inability to relate to all of the content. This aside, there are many aspects of Museo which have universality: the relationship between parents and adult children, the humour, childhood friendships that continue into adulthood, the moments of pathos and family Christmas get-togethers, which is portrayed with great mischieviosness in Museo. These are built around the heist of the Archaelogical Museum, which is at the centre of the film. Museo also raises questions about storytelling which is in the background throughout the movie. Are stories which are passed down in narrative form always accurate or do they become embellished as time goes on? What is fiction and non-fiction? What is true and what is false? So that at the end of the movie the audience is left wondering how much of what is portrayed did happen. Gael Garcia Bernal as Juan (the brains behind the heist) steals the show (oops poor pun there .. lol). His sidekick Benjamin played by Leonardo Ortizgris makes up the pair and provides some of the funnier moments in the film. The film drags a little in the middle and could do with some editing. Overall, this is an entertaining film, which will have more salience for a Mexican audience.
    5vaguira

    A missed opportunity

    I looked forward to watching this movie for taking on a fascinating story. Having such an incredible base to work on gave this film so much potential. Gael's involvement usually entails quality. Not in this case. Other than some good performances (including Gael's), the rest is mediocre. The script, the flow, the adaptation. They did not even stick to the story! That was the easy part and it was such a good story. All in all, a missed opportunity.
    7johnnyfoley-46397

    Great Concept, cool cinematography, average execution

    The movie had a really cool/interesting story to pull from and I thought they did a pretty good job at keeping the story going, though there is one part where the plot drags a little. There were some really great and interesting cinematography. The movie over all is okay, would give it a 7.5 if I could. I think the film is worth the watch but make sure to read the actual story afterwards.
    8Alexander_Blanchett

    Good crime comedy

    An entertaining and funny mexican road movie/heist movie. The story is about two friends who decide to rob an archeological museum. Gael Garcia Bernal givres a hilarious performance as an actor who plans the whole thing and thinks more about himself. Leonardo Ortizigris was also okay. The screenplay was full of wit and the film itself very entertaining. A fine direction and very cool locations and settings. The story might not be the most original one but the characters are quirky and its fun to watch them. Also the dynamics between the characters made the movie good. Simon Russell Beale was also good in his short appearance. Its a bit overlong and surely could have been shorten. Still a fun film and I recommend it for everybody who is looking for simple but smart fun.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The movie is a fictionalized account of what was called "The Heist of the Century", with the obvious changes. In reality, it was performed by two veterinary school students, actual names Carlos Perches and Ramon Sardina. The movie portrays the events of the actual robbery quite accurately, including museum guards being careless due to a Christmas celebration, the amount and type stolen pieces, the method of escape, as well as the first suspicion of the heist being done by professionals working for international art dealers and the 50 million pesos reward offered by the museum. Later, the film comprises time periods and combines several characters into a single one. In reality, the thieves managed to avoid capture for four years: Perches and Sardina went to Acapulco, when they tried to sell the pieces to drug lord Jose Serrano and his mistress, a popular cabaret dancer nicknamed "Princesa Yamal". Serrano introduced them to Salvador Gutierrez a.k.a. "El Cabo", another drug lord, who promised to sell the artifacts and estimated a price tag of one billion dollars. Two of the pieces were given to Serrano in exchange for cocaine by Perches, while Sardina apparently gave him seven as evidence they were the actual robbers. The police, in the meanwhile, had lost track of the pieces and closed the file, in part by the fact of the Museum not having a complete inventory of the stolen artifacts until much later, with the first reports showing wrong or incomplete records. Finally, in January 1989, the Mexican Federal Police arrested "El Cabo", who gave them all the leads to find the robbers. Perches was arrested in April at his house, along with his brother and the rest of the stolen artifacts. Five more people were arrested, including Serrano's mistress, an Argentinean showgirl called Cristina Gonzalez -both later released- and an American named Nathan Clevenger, the apparent buyer. In total, 111 of 124 pieces were recovered and returned to the museum. However, the whereabouts of Ramon Sardina and the nine pieces he and Perches gave away is still unknown.
    • Citations

      Benjamin Wilson: What are Satelite-folk like, then?

      Juan Núñez: A Satelite-folk is a person so tired from work, they'd rather watch TV than be with their family. What's on TV tires them, so they go to bed more tired. Their dreams tire them too. They wake up looking like crap, so tired. And one day, just like that, they die from exhaustion.

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    FAQ18

    • How long is Museo?Alimenté par Alexa
    • Where can I find this film? !! Definitely want to see it from looking at trailer!

    Détails

    Modifier
    • Date de sortie
      • 26 octobre 2018 (Mexique)
    • Pays d’origine
      • Mexique
    • Langues
      • Espagnol
      • Anglais
    • Aussi connu sous le nom de
      • Museum
    • Lieux de tournage
      • Palenque, Chiapas, Mexique(location)
    • Sociétés de production
      • Detalle Films
      • Distant Horizon
      • Panorama Global
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 148 505 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 16 554 $US
      • 16 sept. 2018
    • Montant brut mondial
      • 762 284 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 8min(128 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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