666 Road

Southbound is unlike most Horror films, belonging to a sub-genre I would define as "intertwined". 5 different stories leading to and deriving from each other: Two friends on trying to get home, a girl band trying to get to their next gig, a man trying to go home to his loving wife, a brother trying to rescue his sister, and a family on vacation before their daughter goes to college. Sufficing to say nothing ends well.

The common ground for the tales is the actual ground, as they all seem to be taking place at the same location, referred to as "the middle of nowhere" and giving a strong sensation of Hell itself. Also, all the characters seem to be tuned in to the same radio station, where the DJ hints of his awareness to their sins and struggles. In each story, the protagonists (if you can call them that) have secrets in an escalating level of severity, and I guess the moral is that Karma always catches up to you.

Seeing as how each story is around 17 minutes in average, it's quite challenging for me to rate the film as a whole. The screen writing is by far the best feature, as the stories leave you confused, wondering, desperate and lost. Some fine shooting and cinematography as well, especially during the beginning of The Accident part (great work from directors and screenwriters Roxanne Benjamin, David Bruckner and Matt Bettinelli-Olpin). The acting is also good, but the each of the cast is given little screen time, so it's hard to say anything more. I will say that all the cast is largely unknown, and still showed a lot of promise.

All in all, Southbound would appeal to fans of more "artistic" Horror films. It's unusual and quite unique, leaving the audience with an uneasy sense of bewilderment. While not my preferable sub- genre, I was very impressed with it and enjoyed it to the last second.

I read too many glowing reviews, which increased my disappointment I feel.

The good: the concept of the 5 loosely related, lurid stories is clever, as is them taking place all in the same desolate area. If you like creepy, graphic horror, that's also present. Also, very imaginative monsters in some of the stories.

The bad: It's not fleshed out enough. I don't need exposition, but these stories are so unexplained it's almost like they ran out of money when filming the picture. And it's so low-budget that it was hard for me to get invested in the characters. The entire concept of what this town might intrigued me, but nothing is explained and I came away wanting more.

Great concept, but lackluster execution.

Referenced Joyce's novel since the same impenetrability and circular narrative style are apparent in "Southbound", an "indie" now playing in very few theaters; only one in the NYC area. It is a movie made up of five connected stories in which the end is the beginning, hence the circular feeling; the same feeling derived from reading the Joyce work.

Although there's no intellectual challenge here, "Southbound" is a cut above the 'slasher' film in technical achievement; it is well-written and acting is surprisingly good. The script is better than normally found and retains the confounding motivation and irrationality predominant in films of this type. But it is a 'slasher' and there are buckets of blood everywhere, with lots of gruesome scenes.

"Southbound" is not for all tastes, but if you like horror movies and the uneasy feeling and sudden blasts of 'scare', this one is for you. It is better than many mainstream films of the genre and should be in many more theaters. But be sure to wear a slicker to protect from blood spatter.

This quote makes a whole lot of sense since It seems like all our characters are in purgatory. They are hopelessly lost or have committed heinous crimes, and they are now in a place where they cannot escape, and are stuck in an endless loop.

Wraith demons appear from the start of the film and look like they are after fresh souls, or waiting for death to occur. This is why they seem to appear spontaneously throughout the film when bad things are about to happen.

Southbound is an anthology that follows a different set of characters through five interlocking stories that are all linked to the main plot, and by the end, everything seems to come together nicely in one big circle.

I'll admit the film is pretty well done. It speeds through the stories quickly, it was intriguing and full of mystery and action, and so while you want to find out more about a previous tale, you don't the chance to stop, reflect and catch your breath.

I wish more films were done like this. There will always be pros and cons but the film did what it intended. It had a favourable story, it had gore, it had mystery, it did have some gritty and unsettling moments, and it fits in very nicely to the horror genre.

The only real negative I can say about this film is that it doesn't delve deep enough into character development. We don't know much backstory, and what has transpired in the past. And therefore your connection with the characters is not as strong as it could be.

However, something always seems to catch up with them. And even though there is a lot that we aren't aware of, most of it doesn't matter since you can get a good enough grasp on the situation, and can sense that in the end, the outcome will be unpleasant.

A quick note on the hospital scene which was one of the most brutal, visceral and disgusting scenes I think I have ever witnessed in a movie to date, it kept you a little frozen in shock, but was also, the edge of your seat cinema.

We get wraithlike skeletons, cults, murderers, a creepy abandoned hospital, some weird townsfolk, and some monster elements sprinkled into the five stories. The DJ was a nice touch and effortlessly blended into when a story had ended, and when the next one was about to begin.

This is one of those surprise horror movies that have a fulfilling story and a decent ending. I recommend this film if you are a horror fanatic, as I think you will be pleasantly surprised.

7/10.

Im a sucker for short horror stories and southbound has 5 of them. Long story short, the stories dont make sense and have little to no connection. There is no context, what you see is what you get. I thought the second story with the driver was really really good and i would love to see a full movie of this, the other stories were meh to ok at best. Without the second story i would have rated this 4 stars.