Ajouter une intrigue dans votre langueMore than 2,000,000 Americans are victims of home burglary each year. How safe is your neighborhood?More than 2,000,000 Americans are victims of home burglary each year. How safe is your neighborhood?More than 2,000,000 Americans are victims of home burglary each year. How safe is your neighborhood?
- Réalisation
- Scénario
- Casting principal
Juan-Pablo Veizaga
- Steve
- (as Juan Pablo Veiza)
Missy Merry
- Lisa
- (as Melissa Merry)
Avis à la une
Awh Found footage, a genre that at one point I was very interested/obsessed with, after I watched Blair Witch project I was very interested in finding other movies similar to it. Some years back I remember searching for similar films and really only being able to find like 4 or 5 legit ones. Then Paranormal Activity was released and the genre became extremely over-saturated, now a new found footage movie is released just about every week and they bast majority of them are absolute crap. Is "The Break In" a fresh new take on the genre, or is it more or less the same old crap we have been fed in recent times.
The film follows Jeff Anderson (played by Justin Doescher who also directs the film) who has just gotten a new smart phone which has prompted him to film every little thing in his house for really no reason at all. He has a cute wife named Melissa (Maggie Binkely) who is pretty much the most understanding/calm female I have ever seen in a horror film. Jeff has just recently installed security cameras in his house due to their being a break in in the area. Ultimately these cameras prove to be useless since the high majority of the movie is filmed from the perspective of Jeff's phone.
The Break In suffers from the same things that plague all these types of movies, more filler than actually thrills, no interesting characters, and a bland shock ending that is meant to leave you on the edge of your seat but really only left me shrugging and bored. That's really all there is to this flick, you spend the majority of the film watching Jeff and his Girlfriend kill time by shopping, hanging out with their friends, and talking about the fact that Melissa is pregnant. All that leads up to one big shock in the last 3 or 4 minutes of the film.
The Break In had me slightly intrigued when it first started, non paranormal story line and some decent acting, but in the end it was just another bland found footage film. I think it's time we let this genre die, at least for while.
3/10
The film follows Jeff Anderson (played by Justin Doescher who also directs the film) who has just gotten a new smart phone which has prompted him to film every little thing in his house for really no reason at all. He has a cute wife named Melissa (Maggie Binkely) who is pretty much the most understanding/calm female I have ever seen in a horror film. Jeff has just recently installed security cameras in his house due to their being a break in in the area. Ultimately these cameras prove to be useless since the high majority of the movie is filmed from the perspective of Jeff's phone.
The Break In suffers from the same things that plague all these types of movies, more filler than actually thrills, no interesting characters, and a bland shock ending that is meant to leave you on the edge of your seat but really only left me shrugging and bored. That's really all there is to this flick, you spend the majority of the film watching Jeff and his Girlfriend kill time by shopping, hanging out with their friends, and talking about the fact that Melissa is pregnant. All that leads up to one big shock in the last 3 or 4 minutes of the film.
The Break In had me slightly intrigued when it first started, non paranormal story line and some decent acting, but in the end it was just another bland found footage film. I think it's time we let this genre die, at least for while.
3/10
I felt like this whole movie was basic everyday conversation. It was flat. I can't believe that I was already 55 minutes into the movie and just feeling what little suspense there was. I was left confused with so many questions. The plot was not strong or even fully developed. I was very annoyed at the cellphone-found footage format that the movie was set in.
The actors were great and very strong. They did a wonderful job at bringing the characters to life. The movie could have been so much better especially given the craft of the actors.I felt like their talent went to waste.
I am just overall confused with this one.
The actors were great and very strong. They did a wonderful job at bringing the characters to life. The movie could have been so much better especially given the craft of the actors.I felt like their talent went to waste.
I am just overall confused with this one.
I was really impressed by the originality of this film. I love watching Indie films, but oftentimes they aren't original and / or seem actually amateur (which, let's face it... if you're going to produce a film, shouldn't it be GOOD? Anyway..!). So this movie was GOOD. I was genuinely interested for the duration of the movie. And it's not long either, which was fine with me. It caught my interest. I liked the story. The acting was good. And it appealed to me throughout. I am giving it a thumbs-up because I ALMOST didn't watch this movie because of a couple negative reviews I saw, but then decided to (especially since it's only about an hour). I'm glad I didn't let their uncalled for negativity ruin my potential to watch a good movie! I'm excited to see more from Doescher. He really seems to have a creative mind and know what he's doing. Way to go, The Break-in!
If that triple combination, which seems to be so common nowadays (movies such as Creep, They Look Like People, The Good Neighbor), makes you tingly, you will probably enjoy this. But if you're not the biggest fan of either found-footage or mumblecore, which I admit I'm not, then this might fall a bit flat. The 10/10 reviews are friends of the filmmakers. It's way too obvious—not sure who you think you're fooling with a 10-star review that is your only review on IMDb. I think the 1- and 2-star reviews are a bit harsh, though.
I was moderately entertained until the last ten minutes of the film, which really soured me on it. Let me run through the pros and cons.
Pros: The basic set-up is simple, but intriguing enough to hold promise: an engaged couple, Jeff (Doescher) and Melissa (Binkley), who are expecting a baby, and prone to anxiety, start freaking out when they hear of others in the neighborhood being burglarized. Jeff gets a new phone and gets obsessed with recording everything on it, especially when he notices anything suspicious. Although they come off as a bit smarmy and bougie at first, the dynamic between Jeff and Melissa is good, and as the tension between them and the impending threat of a home invasion ratchet up, I felt myself on edge waiting for them to confront the danger, as you know they eventually will. Not much happens, as it is mostly dialogue, and thankfully I found the writing and delivery fairly engaging and convincing for this mumblecore style. One of the characteristics of mumblecore is naturalistic and sometimes improvised dialogue taking precedence over action; this dialogue is often contrived and is as likely to take me out of the film as immerse me in it. Dialogue that is trying desperately to be "natural" or "quirky" just sounds so obviously forced that it really isn't "realistic" (and I am bothered by the whole notion of films having to be "realistic" anyway). I'm not sure why I found the dialogue in The Break-In better, other than it felt, for the most part, like the way people would talk to each other, with a believable inflection and affect that was neither flat nor too over-the-top "actor-y."
Cons: First, the title is boring and isn't going to pull many people in, unless you're a sucker for home invasion fare, which this film only halfway is.
Next, while I enjoyed the dynamic between Jeff and Melissa, the friendship between the neighbors felt forced; they talked too much about how they loved being friends with and living next door to them. And the neighbors just aren't as good actors, though you don't really get to see them do too much.
Third, if you're going to do found footage, don't add outside music into the film. It always makes me stop and think, "This shouldn't be here." It's sparse, only used during the creepy night scenes when Jeff thinks someone is trying to break in, but at the end, there's a particularly egregious use of poppy music that's supposed to tug at your heart strings, which is baldly manipulative. Finally, most importantly, the last ten minutes is a mess, for several reasons that I won't go into because of spoilers. I'll just say that one problem is that it violates the found footage premise in more than just sound—we get an image that we later find isn't "real." This feels like a cheap move to trick the viewer. Then the "twist" ending, whether you see it coming or not, again feels too manipulative and not really earned.
One last note: although "horror" is the first genre tag, I don't consider this horror very much. There is an atmosphere of anxiety, which I associate with thriller, rather than a sense of dread, which I associate with horror. Still, that line is blurry, and mumblecore is pushing hard on that boundary. If you like movies such as Creep and They Look Like People, you might enjoy this, but if not, you might avoid it. For me, I'm split down the middle; it's good for a single watch if there's nothing better. Streaming free with Amazon Prime. 5/10
I was moderately entertained until the last ten minutes of the film, which really soured me on it. Let me run through the pros and cons.
Pros: The basic set-up is simple, but intriguing enough to hold promise: an engaged couple, Jeff (Doescher) and Melissa (Binkley), who are expecting a baby, and prone to anxiety, start freaking out when they hear of others in the neighborhood being burglarized. Jeff gets a new phone and gets obsessed with recording everything on it, especially when he notices anything suspicious. Although they come off as a bit smarmy and bougie at first, the dynamic between Jeff and Melissa is good, and as the tension between them and the impending threat of a home invasion ratchet up, I felt myself on edge waiting for them to confront the danger, as you know they eventually will. Not much happens, as it is mostly dialogue, and thankfully I found the writing and delivery fairly engaging and convincing for this mumblecore style. One of the characteristics of mumblecore is naturalistic and sometimes improvised dialogue taking precedence over action; this dialogue is often contrived and is as likely to take me out of the film as immerse me in it. Dialogue that is trying desperately to be "natural" or "quirky" just sounds so obviously forced that it really isn't "realistic" (and I am bothered by the whole notion of films having to be "realistic" anyway). I'm not sure why I found the dialogue in The Break-In better, other than it felt, for the most part, like the way people would talk to each other, with a believable inflection and affect that was neither flat nor too over-the-top "actor-y."
Cons: First, the title is boring and isn't going to pull many people in, unless you're a sucker for home invasion fare, which this film only halfway is.
Next, while I enjoyed the dynamic between Jeff and Melissa, the friendship between the neighbors felt forced; they talked too much about how they loved being friends with and living next door to them. And the neighbors just aren't as good actors, though you don't really get to see them do too much.
Third, if you're going to do found footage, don't add outside music into the film. It always makes me stop and think, "This shouldn't be here." It's sparse, only used during the creepy night scenes when Jeff thinks someone is trying to break in, but at the end, there's a particularly egregious use of poppy music that's supposed to tug at your heart strings, which is baldly manipulative. Finally, most importantly, the last ten minutes is a mess, for several reasons that I won't go into because of spoilers. I'll just say that one problem is that it violates the found footage premise in more than just sound—we get an image that we later find isn't "real." This feels like a cheap move to trick the viewer. Then the "twist" ending, whether you see it coming or not, again feels too manipulative and not really earned.
One last note: although "horror" is the first genre tag, I don't consider this horror very much. There is an atmosphere of anxiety, which I associate with thriller, rather than a sense of dread, which I associate with horror. Still, that line is blurry, and mumblecore is pushing hard on that boundary. If you like movies such as Creep and They Look Like People, you might enjoy this, but if not, you might avoid it. For me, I'm split down the middle; it's good for a single watch if there's nothing better. Streaming free with Amazon Prime. 5/10
I've been browsing Amazon Prime to find some thrillers/horror movies to watch and came across this movie. It seemed to get some good reviews, so I thought I'd give it a try. I wish I'd found something else.
First, it is in the same vein as "Paranormal Activity" or "Blair Witch" in that it is shot in the first-person camera perspective. So, not very original there.
Second, the story takes a long time to get going. As in, 65 minutes. It isn't until the last twenty minutes of the movie that it *maybe* gets interesting. Other than that, it is the main character just babbling on and on while recording on his phone. Maybe the story seems original, but when you add in the way it was shot and lack of any meaningful story development it ends up being the same Hollywood recipe.
Third, they throw out a clue here and there about what the end game is (which I'm not going to mention), but I'm sure you can put it together. The "twist" (if you can call it that) seems more like an after thought or a really forced desire to be original--especially since it took so long to reach the climax.
The end result is an uninspired story line that is capitalizing off of the success of thrillers before it. It strikes me as a "get rich quick" scam. No wonder the run-time is one hour and eleven minutes; there isn't enough story to have even 90 minutes of film.
I guess if you're bored it's a way to kill time. Or maybe put it on the background at a party. You don't really have to watch the film to figure out what was going on.
First, it is in the same vein as "Paranormal Activity" or "Blair Witch" in that it is shot in the first-person camera perspective. So, not very original there.
Second, the story takes a long time to get going. As in, 65 minutes. It isn't until the last twenty minutes of the movie that it *maybe* gets interesting. Other than that, it is the main character just babbling on and on while recording on his phone. Maybe the story seems original, but when you add in the way it was shot and lack of any meaningful story development it ends up being the same Hollywood recipe.
Third, they throw out a clue here and there about what the end game is (which I'm not going to mention), but I'm sure you can put it together. The "twist" (if you can call it that) seems more like an after thought or a really forced desire to be original--especially since it took so long to reach the climax.
The end result is an uninspired story line that is capitalizing off of the success of thrillers before it. It strikes me as a "get rich quick" scam. No wonder the run-time is one hour and eleven minutes; there isn't enough story to have even 90 minutes of film.
I guess if you're bored it's a way to kill time. Or maybe put it on the background at a party. You don't really have to watch the film to figure out what was going on.
Le saviez-vous
- AnecdotesThe knife that Melissa uses in the beginning to make dinner is the same knife used at the end of the film.
- Bandes originalesTreasured Soul
Performed by Michael Calfan
Produced by Warner Music Group
Produced by Spinnin Records
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Lieux de tournage
- Baltimore, Maryland, États-Unis(Jeff and Melissa's House)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 12 minutes
- Couleur
- Rapport de forme
- 16:9 HD
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By what name was The Break-In (2016) officially released in Canada in English?
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