You, Me and Him

David, David, David - do you not read scripts before you agree to appear in childish panto? The only redeeming contribution to this pile of excrement is the casting director - she / him must have a touch of genius to attract good character actors to sign up to a life un-enhancing period of agony before the camera, the faster this is buried and Ms Aitkens gets back to her media studies degree the better.

No spoilers here. This is just the best fun ever. Well done Showtime for snapping it up. Written and helmed by Daisy Aitkens it does what it's supposed to; makes 'em laugh, makes 'em cry. But mainly laugh. With a rumoured budget of only $3million God knows how they managed it. I guess if you get the script right the good actors will follow and the young Brit pack guys seem to have piled in here. David Tenant, Lucy Punch and Fay Marsay headline an excellent cast aided and abetted by the usual gang of oh so polished and subtle UK character actors that we expect in these Downton days. It is about two women, a couple couple, who despite being total opposites, go together as comfortably as yin and yang symbols. One is the business woman with her sharp suits and mind, the other an anguished artist with seemingly permanent artists block. Their warmth, vulnerability and loving humor gives the movie its whole feelgood thing. Then they get pregnant at the same time. And there is the third side to the triangle in the form of David Tenant who goes into a hilarious new high gear as the neighbour from one of the outer suburbs of hell. But no more. Go see, have a great laugh and take a tissue.... For the tears thank you people!

I loved it! Absolutely fabulous!

I mean I finished the film thrilled (and dabbing my eyes) because it was way better than my expectations. I think it's one of the best romantic comedies that I've seen in a long time. It's so funny yet so sad, just like life! It's so good to watch something that feels raw and honest and yet still makes you giggle. There was so much vulnerability to the script. This is where cinema should go.

I'm so glad that it was made in the UK because the US would have drowned out so much of the sincerity. The film was so, so good. I connected with every character and fell in love with them all. I was there and felt the pain, happiness, and love.

It's fantastic to see a lesbian relationship not treated with sugar-coated, kid gloves, but like a real, living and breathing human relationship - and all the crap that comes with that. Olivia and Alex have terrific chemistry which is undeniable. David Tennant needs to do more comedy.

I laughed, I cried... it moved me! Ten stars!

Faye Marsay stole the show in here, a not-so-feel-god comedy drama that will most likely go unnoticed by most. It has some strengths in funny moments but it's definitely not enough.

Enjoyment: 4/10 Relevance: 2/10 Acting: 3/10 Script: 3/10

Final grade: 4/10

I was very excited to see this as I am a big fan of David Tennant, but sadly this film left me with a sinking feeling by the time it was over.

The good: I am amazed they were able to make this film with a budget of under $160,000. That is incredible and I give the filmmakers huge kudos for that. There were also several good to great performances. Faye Marsay was wonderful, as were David Tennant and Sarah Parrish. And I even laughed once or twice.

The bad: The writing was not good. It doesn't matter how top notch the talent is, the writing dragged them down. There were moments that were just so ridiculous (and not in a good way) that my suspension of disbelief was compromised and I just kept repeating: this is awful, who thought this was a good idea, etc.

Another big problem I had was that there was very little chemistry between the two main characters (supposedly lesbians in a loving relationship). We don't see much evidence of this at all (it was more being told something vs being shown something). The women hardly touched, hardly kissed, and most of the time didn't seem like they even liked each other. For a romantic comedy, there was not a lot of romance. Instead we start the film at two truly horrible decisions being made that should make any sane person turn tail and run from such dysfunction. Most of the film has the two people not even talking let alone trying to fix their relationship. By the end of the film there is a voiceover sort of giving a recap and it's not clear whether the two are even together. I don't consider it a successful romcom if you can't see whether two people are together, but need to wait until you are told whether they are or aren't. Again, I blame the writing and directing choices.

I debated whether or not to include a spoiler, and I won't. BUT there is an event that happens in the film that made me so angry to have watched it, because I thought I was going to be watching an edgy though fun and light hearted romcom. It was traumatic and heartbreaking and not implied in any official chatter around the film. I almost stopped watching right then and there. This film is being sold as a rom-com, but people should know going into it that it is in no way fun or light hearted.