Pathemari

The life of an expat is a very turbulent one. I would know as the son of an expat myself. The Keralan community would have never prospered as quickly as it did without the influence of the GCC states. It has encompassed sides of things I myself have faced being an NRI, such as the feeling of being a tool to facilitate the ease of another man's life, the delusion that life there means a quick buck is a garunteed, and the breakdown of family relationships. The perils of NRI can never truly be encompassed unless you are one and hence why I believe this movie did a seriously commendable job at addressing what it did. The film is very well made, the acting is excellent and the screenplay is wonderful. It should go down as one of Mammooty's most socially significant movies.

Fantastic movie from great director Salim Ahemed And Great actor MAMMOOTTY A best Class movie from Malayalam Pathemari is an interesting watch that tells you an already familiar story, but in a way that makes you sit up and realize that more often than not, the life of those we know living in the Middle East is not that cozy and comfortable as we often assume it to be. Or at least it was not for those who moved there before it became the buzzing urban centre it is today. A tribute to the hordes of Malayalis who leave home to go work in the Middle East to bring a better life to their families, Pathemari narrates the story of Narayanan (Mammootty) who travels to Dubai as a teenager and spends a major part of his life away from his parents, siblings, wife and children.

As far as the narration goes, the film takes you through familiar territory, like what we have seen in films like Arabikkatha, but let's just say that Pathemari is highly laced with empathy. At the end of the film, you can't help feel empathetic about the suffering and chronic homesickness that every Gulf Malayali or any expatriate would be going through for that matter.

Mammootty, as Narayanan, has delivered an impressive performance. You would really feel for this character who is caught between his own wishes and the needs of his family. Jewel Mary, as Narayanan's wife, has given a subtle yet strong touch to her character. One performance to watch out for is Siddique, who, despite very little screen time, has the most powerful lines and moments in the film.

The director, Salim Ahamed, has narrated this story with a pace and style that is now familiar to us through his last two films Adaminte Makan Abu and Kunjanandante Kada. To note are some one-liners that subtly pass through the scene, but says more than entire scenes put together. Madhu Ambat's camera holds you down from the opening shot. The opening credits of the film show you Dubai in a way you've probably never seen the Emirate before. Resul Pookutty's sound shows through, especially the portions where the sea is involved. Bijibal's score is beautiful and unobtrusive. It serves as the right backing for the manner in which the story has been told. Vijay Shankar's editing is seamless as it takes you to and fro from Kerala in the 60s and forward to the present day.

This film is made Without any exaggeration. 100% of natural. This film vividly Shows the reality of a person who works in gulf as a labor. Must watch film, specially the persons whose relatives are in gulf as a labor. In many scenes I couldn't control my tears as I'm related to this story!

When half a dozen of national award winners meet,one will not expect anything short of a memorable experience and Pathemari is nevertheless a truly remarkable piece of film-making that brims with grandeur from acting,directorial and technical brilliance.

Undoubtedly among the best films to come out this year,Pathemari is a heartfelt tribute to all those expatriates who struggled & is struggling hard for their loved ones without expecting anything in return.Director Salim Ahammed solidifies his position in Malayalam Cinema with yet another striking movie after critically acclaimed Adaminte Makan Abu & Kunjananthante Kada.

There's something masked behind the Yardley perfumes and colorfully covered chocolates that we correlate with a gulf returnee and Pathemari throws light on those numerous souls who had strong belief that the most important achievement in ones life is the betterment of his loved ones rather than his personal well-being-A hearty tribute in all means! For someone like me who has dealt with and known people like Pallikkal Narayanan in person,Pathemari gave a feeling as if I'm a part of the narration with a major share of hard-hitting dialogs and situations experienced before or heard of.

The climax portions were simply outstanding and Mammookka nailed it with his brilliant act that made it difficult to control tears rolling down the cheeks.If someone ask me the most touching movie of 2015 I watched from theaters ,my immediate answer will be Pathemari.Period.

Hats off to our pride Mammookka for the touching portrayal of Pallikkal Narayanan who reminded me of few I know in person.Megastar enacted various transformations in the life of protagonist excellently with necessary variations and perfection.A class apart you are,Mammookka <3 Siddique and Sreenivasan were impressive in their respective roles as Launch Velayudhan and Moideen respectively.Jewel Mary made her debut performance memorable.Saleem Kumar,Joy Mathew,Santhosh Keezhattoor etc come in supporting roles and did their part well.

Music & score by BijiBal was soulful and calls for repeated hearing.The title song in Shahabaz Aman's vocals was the best part of the album and blessed with thoughtful lyrics by Rafeeque Ahammed.Oscar winner Rasool Pookkutty did his best part with sound design.

This review ill be incomplete if I left out veteran Madhu Ambaat who captured the visuals brilliantly.Another name to be noted is of Pattanam Rasheed who did a commendable job in the makeup department producing convincing make-ups for various transformations of Narayanan.

Overall,Pathemari is a must watch film for all those who love good films that reflects life as it is.Watchout for the climax which is sure to bring tears to your eyes !

I have seen this movie several times, but when I watch it now doing a course of International Humanitarian Action I am able to find parallel between some of the struggles of the Malayali Migrants at that time of 1950s and also the Syrian Refugees struggling to reach Europe. This movie clearly shows the need to change Refugee laws and also better the condition of the refugees and Migrants in host countries. The other aspect which I felt this movie throws a spotlight on this the current treatment of Malayali Migrants from Middle East which has to an extend stayed the same since the release of the movie. This needs a change and this movie is an open question of why that perception change hasnt happened fully.?