Rangoon

The movie is good if you forgive the cliché ending. The performances of Kangana Ranaut and Saif Ali Khan is mind-blowing. Kangana Ranaut steals the show. Indeed, she is the 'Hero' of the movie. The cinematography is good. The film shows the INA version of anthem which is worth mentioning. Except for the climax, the movie is worth watching.

Rangoon is set in 1943, when the British colonials in India were fighting the advancing Japanese and Netaji Bose's Azad Hind Army on the country's north east along the Myanmar border and a resurgent freedom struggle under Mahatma across the country. On this wide and raging canvas, Vishal Baradwaj crafts a love triangle involving a clutch of plucky characters. Rusi (Saif Ali Khan) a Parsi aristocrat and an erstwhile action hero whose career was cut short by an accident where he loses a hand and becomes a movie producer. Nawab Mallik (Shahid Kapoor) is jamadar in the British Indian army. And, then there is Miss Julia (Kangana Ranaut), a daredevil movie star who complements the incomplete lives of both these men.

Kangana is fabulous as the pioneering action star of her times and is able to ace a role which is physically as well as emotionally demanding. She owns this part and explores its innocence, action, romance, confusions, arrogance, vulnerability as well obsession with aplomb. Shahid is excellent as the sincere jamadar Nawab Mallik who is torn between his mission and his love for Miss Julia. Saif is a natural as a bruised aristocrat who is driven to desperation to salvage his life and love slipping away. Of the competent supporting cast, the notable performances are from Saharsh Shukla as Zulfi, Miss Julia's make-up man and confidante and Richard McCabe as the British General Harding with a taste for Urdu poetry.

After completing his spectacular trilogy of Shakespearean tragedies with Maqbool, Omkara and Haider, in Rangoon, Vishal Bharadwaj presents an ambitious period drama set against the second world war and packs in a potent mixture of love, action, jealousy, deceit and more through lush visuals of Pankaj Kumar.

Vishal Bhardwaj also excels as the music director as he delivers a background score that accentuates the moods of the movie even as continues his fruitful collaboration with Gulzar and the duo have come up with some wonderful songs.

Rangoon, thus, presents quite a heady cocktail of fine performances, several stand-out sequences such as the conversation between Kangana and a captured Japanese soldier, both glib in their own languages, trademark humour, some great dialogues, superb songs and captivating cinematography. Yet, one feels that there is something amiss which stops it short of being a masterpiece that it seeks to be. The romance does not exactly set the screen afire, the narrative fabric couldn't consistently weave together the multiple strands, the length could have been a tad trimmer or perhaps, the finale could have been much more nuanced.

A great movie by Vishal Bhardwaj again. Seem to be a bit slow in the end but boils down later on. The story is spell bounding. Acting is awesome by all actors. Kudos to Vishal Bhardwaj. Simply awesome ! This movie will entertains you to the hilt and touches you in a manner that isn't as simple to decipher and understand as it seems to be. And why it should be? After all, it's a Vishal Bharadwaj movie.

Vishal Bhardwaj when comes to film making has a vision that is illustrated in his earlier ventures. The music in his movies always stand apart this could also be seen, as a highlight in this undertaking.

Rangoon is set up in the pro-independence India. This movie is different from his earlier Shakespearean outings Haider, Omkara and Maqbool. The Cinematography is excellent. The music is as usual the high point of the movie.

Leading cast is excellent, with Saif again portraying frightening and is reminiscent of langda Tyagi from Omkara.

Shaid deserves an applaud not as superlative performance as in Haider but still top notch.

Kangna again shows why she is considered as a queen of Bollywood . She dances and manages action sequences with ease.

The movie keeps the viewers engrossed throughout. The patriotic song Jan Gan man infuses patriotism when played and beautifully composed by Vishal.

Than what is the issue with this flick? The problem lies in the script of this movie. The last 20 to 25 minutes of the movie struggles and make it tedious for the viewers.

The climax is elongated and gives an unscrupulous taste to the movie. Overall an highly ambitious project from Vishal but the climax could have been glossy and absorbing which has always been a forte of his earlier movies. Also, regulars in Bhardwaj's flicks the likes Irfan Khan and KK Menon are missed. Overall a good watch

When you see such an ensemble, you ought to expect a lot from the movie. And when it's Vishal Bhardwaj's directorial, it seems to be a cherry on the cake. But here, the cake is not so delicious. After a slow first half, the movie progresses well in the second half but fails to impress. Bhardwaj's ambitious concoct of a love story against the backdrop of second world war seems loose. The story lacks crispness and does not look intense.

Coming to performances, Kangana is the hero of the movie. she effortlessly portrays her character of Julia, who is stuck between love and obligation. Her transition from a naive and beautiful girl to a strong and bold lady scintillates through her eyes. "Bloody hell".

Shahid is one fine actor who has been constantly diversifying his roles. And Vishal Bhardwaj always brings best out of him. He is terrific in this one too and let's his eyes do the talking.

Saif, with reminiscence of Langda Tyagi, gives one fine performance. His portrayal of an obsessive lover, who thinks that Julia is his to posses, brings a lot of conviction.

The last scene is way too dramatic, cinematography is good but unrealistic at times. Had the story been more crisp, it would have been a treat to watch these actors sharing the stage; but sadly it is not.