Good Tidings

What's the only thing better than one killer Santa? Three of them! I must say, this film exceeded my expectations big time. Despite being a bit on the low budget side, the acting was good, the story was unique and the soundtrack was awesome. Stu Jopia (who played one of the killer Santas) would also serve as one of the film's writers and producers, while Stuart W. Bedford served as writer, producer and director. And seriously, the film's soundtrack by Liam W. Ashcroft is truly outstanding.

I saw Good Tidings at the Grindhouse Planet Film Festival.

It was pretty standard horror fare. A group gets locked in a court house during the Christmas season and gets tormented by three killer men in Santa suits. A couple of pretty effective grizzly moments aren't enough to balance out the over-long, boring sequences of the Santas staring and cackling as their hostages say things like 'please don't do this' etc.

You could cut out half an hour easily and although that wouldn't leave you with much of a film, that is kind of the problem. There is simply not enough plot and not enough imagination to justify this being feature length. In a year which has seen so many brilliant (admittedly higher budget) single-location horrors come out, (Green Room, Don't Breath, The Invitation) Good Tidings simply can't complete.

A trio of sociopathic serial killers, wearing santa claus outfits and masks, target a group of squatters who are held up in a vacant courthouse building for the holiday season.

We follow the de-facto leader of the squatters as he; a recovering addict; one of the main organizers of the group; and a guy they just met and took in; try to survive and attempt to exact justice...or vengeance...for their now deceased friends.

Clearly the largest and most intimidating santa is the dominant force of the trio; with the two others coming off as probably inbred- definitely mentally-ill- twins. There's not much context given to the narrative...it's all just a senseless violence splatterfest.

But the characters are developed pretty well.

The acting from the two female leads- particularly the woman who plays the main organizer- is excellent. Her trauma feels truly genuine.

However, what the guy goes through requires some suspension of disbelief...though, by this point you are invested in their survival...so it's not too bad.

There's quite a bit of gore- which is hit or miss. The use of sausages as intestines was pretty cheesy, but the finale was badass. And overall the special effects are pretty good.

In the end, it's entertaining enough, if you are just looking for senseless Christmas violence.

But I felt it could have had more depth with a little more attention to detail. 5.5 out of 10.

Arriving at a homeless shelter, a man joins his fellow homeless members in a closed-down bank for the shelter when they notice a trio of escaped mental patients dressed as Santa Claus is going around killing everyone and forces his friend to rely on his old Army Veteran skills to save them.

This here was a decent enough though flawed genre effort. One of the strongest elements to be had here is the heartwarming nature of the setup at the shelter. The beginning here brings us into their hardship of the season and what they're doing to make the best of it in the grandest Christmas traditions despite being unable to enjoy the finer things in life and to notice that everyone here is getting into the holiday spirit before the rampage starts is rather nice. The scenes of the group coming in and taking over the bank killing them off one-by-one carries a nice sense of shock at the audacity to go through the plan the way they do like the scenes of them chasing through the building generate some pretty tense moments. There's a nice sense of action and brutality between these continuous confrontations taking place throughout the bank as the group tries to outwit and survive the group which leads to some great deaths and some nice gore. These are really all that work here. There are a few flaws to be had here. The main issue with this one is the decidedly underwhelming killers who provide this one with some troublesome moments throughout here. That they're clearly unhinged mental patients that aren't capable of doing anything in a manner that should make people scared of them is a major stumbling block as a gang of them who take a stand against the intruders will overcome them rather easily considering their slow speed and incapacitated mental facilities who can't fight fair. Anyone who would've taken a fight to them would've been able to overcome them easily the way they're addicted to childish toys and games and becomes far more obvious how they're able to stand up to them later on. The other issue with this one is the continual reliance on characters getting tied up and dragged away by the killers instead of outright killing them. While this plays into their simplistic nature and toying with them is what they would be comfortable with, that they're clearly smart enough to come up with the plan and execute it to the point of success as well as they have which shows there's a level of planning and viciousness to their methods. Yet rather than do something chilling with the killers' interactions with the captured victims it favors demented gift-giving rituals or just simply standing there chuckling at them. This isn't scary at all and is repeated far too often to make any kind of impression. Coupled with the off-screen kills whenever something should be happening and this one does come down quite a bit.

Rated Unrated/R: Graphic Violence and Graphic Language.

I would have loved to have been more generous But I really could not give this more than three stars. In spite of apparently being made with a budget of only £15,000 and with a fine allegorical undertone of Christmas being cruel to the poor, I have to be honest and cannot rate it higher.

This whole homage to exploitation and slasher movies of decades gone by simply does not work. The acting and special effects were decidedly dodgy and at times I felt like I was watching a Home movie.

Of course I can feel a little bit guilty by not offering a little bit more praise but I also feel I must be honest. After all, what can one expect for £15,000?