Te3n

This movie is the official remake of Korean movie montage

Well, Te3N is a consummate example of excellent acting by Amitabh Bachchan, Vidya Balan & Nawazuddin Siddiqui. It is a remake of the famous and award winning 2013 South Korean movie- 'Montage', with few twists and turns. As the crime story unfolds, it keeps you wondering to it's possibilities. The film for not once lets you yawn(except if you're sleepy of course :P) I will suggest you to go through the trailer which intricately carves out the story line in gaps, obviously since it's a suspense thriller.

Now since you've seen this. let's talk about the Story Plot:

John Biswas, a grand-father (Amitabh Bachchan) is in deep shock even after 8 years of kidnapping of his grand-daughter, named Angela Roy. His own wife is very sick and wheel-chair bound. Despite all circumstances, he daily visits police station without fail. Coincidently he comes across a clue and simultaneously another kidnapping of same nature happens, baffling the police. Sarita Sarkar(Vidya Balan) is made to handle the case, while she is of little knowledge of Kidnapping cases, but still decided to go on with it. She thinks to demand help from Father Martin(Nawazuddin Siddiqui) who has been a former cop, and was involved in handling Angela's case. Thus, knowing the series of operations that happened in the past, he comes to support partially by providing clues. Rest all you will get to know when you go for the movie.

Let's hop to Acting now:

Though Amitabh Bachchan is a clear ruler out of all, but the co-cast do not fail promising delivery. Nawaz is always a fit-into-all. Vidya Balan is simply magnificent though her screen time is a little less.

Direction: Well, Ribhu Dasgupta has definitely had a great entry to Bollywood with a great ensemble of cast. The Direction is good and makes you feel into the story and impacts much realism.

Cinematography: Mostly we forget these aspects which make us trust in the story. The movie has appreciably captured the essence of Kolkata, the lanes, the market everything. You are familiar with the pain in the dimmed rooms, having tea or food with with perfect shots.

Dialogues: Well not many imapactful dialogues but a great attempt. I loved the one where Vidya says "Jo Khud Ka Kaam Na Kar Paaye, Wo Khua Ka Kya Karega?"

Music: Well, the music in the movie is all about pain, the background score will also relate you to that. It is soft to the ears and the heart. I would say some average pieces by Clinton Cerejo.

In all, I give the movie a 7/10. I suggest it is a one -time watch with a mind-boggling story and as already stated a good package of everything. Go ahead. :)

"Te3n," directed by Ribhu Dasgupta and released in 2016, is an Indian thriller that masterfully weaves a tale of grief, justice, and the relentless pursuit of closure. Inspired by the South Korean film "Montage," this gripping narrative takes viewers on an emotional journey that lingers long after the credits roll.

The film stars Amitabh Bachchan as John Biswas, a frail yet determined grandfather whose life has been overshadowed by the tragic kidnapping of his granddaughter, Angela, several years prior. Despite the passage of time, John remains haunted by the loss, finding solace in his daily routine of searching for answers while navigating the complexities of his grief. His performance is nothing short of magnificent, evoking a profound sense of sorrow and resilience that resonates deeply.

Supporting him in this heartfelt quest are Vidya Balan as a determined and compassionate police officer, and Nawazuddin Siddiqui as a cynical yet deeply invested investigator. Each character brings unique qualities to the story, with their performances adding layers of complexity to the narrative. Vidya Balan effectively portrays the balance between professionalism and personal investment, while Nawazuddin Siddiqui showcases a character grappling with his own demons, making for a compelling dynamic among the trio.

The storytelling in "Te3n" is nuanced and intricately plotted, gradually unfolding its layers of mystery. The film expertly keeps the audience guessing with its clever twists and turns. As John navigates the labyrinth of the criminal justice system, the movie not only captures his determination but also delves into the broader themes of parental love, loss, and the moral dilemmas surrounding vengeance and justice.

One of the standout features of "Te3n" is its atmospheric cinematography by Tushar Kanti Ray. The film captures the bustling streets of Kolkata, enhancing the story's depth and visually representing the grit and emotion of urban life. The sound design and score further elevate the tension, skillfully intertwining with the narrative to create an immersive viewing experience.

What sets "Te3n" apart is not just its engaging plot but its exploration of deeper psychological themes. It questions the nature of justice and the lengths one is willing to go to find closure. As John becomes increasingly desperate, his actions raise moral questions that resonate throughout the film, prompting viewers to reflect on their own definitions of justice and forgiveness.

While "Te3n" may not have garnered widespread acclaim upon its release, it deserves recognition as a poignant and thought-provoking film. The script's depth, combined with strong performances and expert direction, makes it a compelling watch for those who appreciate character-driven narratives and thrillers that offer more than mere entertainment.

"Te3n" is a gripping and heartfelt thriller that crafts a poignant story about a grandfather's relentless search for truth amidst unbearable loss. Its exploration of human emotions and moral dilemmas elevates it above conventional crime films, asserting its place as a memorable piece of cinema. For anyone searching for a film that will not only keep them on the edge of their seats but also touch their hearts, "Te3n" is undoubtedly worth a watch.

The genre of serious crime thriller has arrived in Bollywood. We have already had excellent films like 'kahani', 'talash' and now Ribhu Dasgupta gives us 'te3n'.

In 1997 I joined a queue under scorching midday sun to buy a ticket for 'Mrityudata' (one of Amitabh Bachchan's totally forgettable middle-age fares) and felt it was time to write him off. Twenty years down the line, he reigns supreme over the Indian film industry, going from strength to strength, reinventing and surpassing himself time and again. That itself could have been enough for 'te3n' but the director also decided to throw Nawazuddin Siddiqui, Vidya Balan and Sabyasachi Chakrabarti in. A viewing pleasure.

Many have complained about the slow pace. For me that set the tone of the story. An excellent story, told by an exceptional ensemble cast - the perfect fare for a lazy Sunday afternoon. We are told that the story-line has been taken from a Korean one, but its adaptation into the slowly decaying Anglo-Indian community of Kolkata has been flawless.

My only serious grouse is about Sabyasachi Chakrabarti. A brilliant actor, a versatile presence in the Bengali (large and small) screen. However, the way he has let his appearance go in recent years has been a source of terrible disappointment to his appreciative viewers.

The good: The movie, as the credits indicate, is derived at least partly from the Korean movie "Montage". The story is quite suspenseful and the director does a good job juggling between various interweaving stories and time periods. Performances from the lead actors are solid and little to fault there. The negatives: My main gripe with the movie is that it contains several idle moments which do not seem to serve much purpose to either the development of the plot or characters or the overall experience. Overall verdict: Otherwise, the script is solid and the movie is well worth a watch. It also continues the gradually building list of quality Hindi whodunits with West Bengal (more specifically Kolkata) as the backdrop after Kahaani and Byomkesh Bakshi. I would also recommend Baishe Srabon, an excellent thriller in Bengali language, for whodunit fans