Jack Goes Home

The downward spiral into madness Jack Goes Home tries to imbue falls short. What's left is a disjointed film wondering what it wants to be.

While I do agree we get to see a different side of Lin Shaye from what we see in the Insidious chapters, I felt her performance to be over the top and wrought with cliché moments à la Mommie Dearest.

Rory Culkin gets everything thrown at him including the kitchen sink, yet never deviates from the mouth agape, detached look expression he sports throughout the film. His acting skills are far superior to what we see play out during the movie.

Natasha Lyonne makes a cameo appearance at a receptionist desk. It makes you wonder if she said her four lines as a favor to Dekker. Fortunately for Lyonne, she can make a desk look good. It's unfortunate for us that we only get a glimpse of her.

On a positive note, there were a few creepy scenes any horror fan would enjoy. And it was also a beautifully shot film. There was enough glimmer of hope buried within Jack Goes Home to make me interested in Thomas Dekker's next move as a director and film writer.

"There's nothing to do or say. Um... we live, we drive, we crash, we die. Had to happen sometime."

Coincidentally, I have just seen "Marrowbone". A film about someone who has difficulties in processing the loss of a loved one. And when I was about halfway with "Jack goes home", I realized that I was watching a similar story. And it might be that the ultimate outcome is identical. I wasn't far wrong. And to be honest, I thought this intriguing film slightly better than the previous one. And this only because of the brilliant acting of Rory Culkin. A portrait about how madness takes over someones personality.

I hadn't seen the name of the actor who's playing the leading role. So I was wondering for a long time where I had seen that face before. And when I finally found out his name was Culkin, it hit me. Damn, he looks a lot like his brother who made a couple of burglars their lifes a hell in "Home Alone". But I must confess that his acting performance surpassed everything that his famous brother Macaulay ever did. As Jack, Rory displays a whole range of feelings and moods. From pride to indifferent. From sadness to calmth. One moment he tries to unravel an old family secret. The next moment he flees into a daze of alcohol and drugs. He even experienced homosexual delusions. And all this after he was forced to return to his parental home because his father died in a car accident.

It's clear from the start that something isn't right. That indifference with which Jack tells his pregnant wife that his father died. Even though his father apparently was pretty important to him. The way in which he tells in detail about his beheaded father, is strange and frightening. On the other hand though it's strangely enough also funny in a certain way. The behavior of his mother Teresa (Lin Shaye) is also strange. Perhaps the traumatic effect after the accident? After her outburst during dinner about whether she should or should not mourn about the loss of her husband, you start to think she's relieved about that loss. Are those dark family secrets real? It results in a complex mother-son relationship which escalates as the film progresses.

"Jack goes home" is such a movie that makes you feel uncomfortable. Despite the total lack of bloody or frightening images (even with a creepy attic in the house), there's this constant feeling of tension. The psychological chaos is a constant in this film. "Jack goes home" balances between a ghost story and a psychological family drama. Jack is involved in a battle with his personal demons and seems to be gradually losing his grip on reality. And even though the characters are of such a nature that there is always the danger of relapsing in overacting, the main actors ensure that they do not fall into that trap. It feels like I'm repeating myself, but the acting of Rory Culkin is fascinating. For me this movie is worthy a watch. In other words, a must see. And if you get the chance to see it, let me know if I'm totally wrong!

There is a list published of the events that cause the most stress and trauma in the human experience. The #1 "event" listed is death of a spouse. Surprisingly, losing a parent is not that high up on the list,although many of us would beg to differ. There are many events not included in the list. Culkin is phenomenal as the snotty hipster turned severely emotionally damaged as he delves into secrets long left behind in his old childhood home that he revisits. I mean, he really was incredible. The mother play equally well, as the Mother From Hell (my words) who has occasional slips of the tongue where you think she may actually be normal. She is not. No one in this movie is normal - no one. Everyone is broken in some way. This movie is incredibly dark - it really was too dark for me, but I can't fault it for that - it did keep my interest and the acting was superb. It did leave me feeling unsettled - I won't soon forget this movie. But I wish I could. Make of that what you will. I do question the retention of memories of trauma, but I am not a mental health professional. However, I obliged for purposes of watching this movie. Oh - and yes, it is a creepy movie. There are fine lines between what a tormented mind can come up with, what really happened and what is happening in the world beyond us. I found this movie had elements of Sybil, Flowers in the Attic and The Changling (the old one with George C. Scott, not the Jolie one which is a different movie of the same name).

Starts out slow with a boy going home for his father's funeral. Then things start to heat up with secrets from the past coming out with what seems to be some supernatural occurrences/entities. It proceeds deeper into the rabbit hole of twisting confusion of what/who is truly real/alive and what who is demonic/spiritual or is the main character having a psychotic break. Towards the end there seems to be some clarification on what is real, while leaving a lot of unanswered questions about the past and then it tries for another twist.

It tries to do too much at once and seems to fail to truly accomplish anything in the end.

Jack (Rory Culkin) seems cold to the news of his father being decapitated in a car crash. His pregnant girlfriend Cleo (Britt Robertson) is away visiting her parents. His lesbian friend Shanda (Daveigh Chase) finds him disturbingly sleepwalking. He goes home to care for his mother (Lin Shaye) and uncovers hidden family secrets. Shanda joins him.

Thomas Dekker is an actor trying to branch out into filmmaking. There is some good creepiness mostly due to Culkin's disturbing acting. This is a psychological horror which is outside the norm. Dekker's work is professional but lacks an excitement. There are moments of tension but it never maintains its intensity. It all adds up to an uneven attempt with some interesting aspects.