Ajouter une intrigue dans votre langueRobert Frank revolutionized photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy r... Tout lireRobert Frank revolutionized photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy ride, revealed with unblinking honesty by the reclusive artist himself.Robert Frank revolutionized photography and independent film. He documented the Beats, Welsh coal miners, Peruvian Indians, The Stones, London bankers, and the Americans. This is the bumpy ride, revealed with unblinking honesty by the reclusive artist himself.
- Réalisation
- Scénario
- Casting principal
- Self
- (images d'archives)
- Self
- (images d'archives)
- (as Robert Downey)
- Self
- (images d'archives)
- Self
- (images d'archives)
- Self
- (images d'archives)
- Self
- (as Ed Lachman)
- Self
- (images d'archives)
- Self
- (images d'archives)
- Themselves
- (images d'archives)
- Self
- (images d'archives)
- (as Harry Smith)
- Self - photographer
- (as A-Chan)
Avis à la une
Frank was a Swiss emigrant and his presence and background at times dominates the film. There's no doubt who it's about, and he has great belief in his opinions. It would seem director Laura Israel and Frank have a huge depth of understanding, and this probably made the film possible. I doubt he'd be easy to work with in such a project.
The challenges of the film are primarily the length and breadth of Frank's work it aims to cover, and whether it should be a sequential journey or a thematic one. As it unfolds, an hour and a quarter isn't very long for such a body of work, and it must have been challenging to decide what to leave out. The result feels a bit superficial – nothing really gets the time needed to deliver its just desserts. The story is more temporal than thematic, but there's enough jumping around to force concentration and at times uncertainty. It leads to a feeling that Robert Frank's life might have been almost as chaotic as the ambiance the film creates. It contrasts in my mind with the more focused, linear determination of Bill Cunningham's New York, which I think succeeded better, with a similar but possibly an easier task.
If you haven't heard of Robert Frank, or aren't familiar with his work, then this is a great introduction – but it isn't an end in itself. It might just open some doors of interest.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 76 134 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 382 $US
- 17 juil. 2016
- Montant brut mondial
- 76 541 $US
- Durée1 heure 22 minutes
- Couleur
- Mixage