La promesse

It's a shame that this film's IMDb page has effectively been hijacked by trolls because it covers a politically sensitive topic. Over 90% of all voters have either given it 1 or 10 stars, clearly attempting to sway the rating one way or another without actually watching the film and judging it on merit. 'The Promise' doesn't actually focus on the Armenian genocide itself, rather it is set during the final years of the Ottoman Empire and centers for the most part on a developing love triangle involving the main character.

Looking at this film objectively and without joining the many others in disputing its historical accuracy, I thought 'The Promise' was an impressive and well-made drama film. The plot is engaging and well-constructed and is effective in balancing the telling of historical events with an emerging romance. It also looks great - the production and cinematography is excellent and it features some stunning scenery. Unfortunately the genuine ratings and reviews for this film have been drowned out by so many one-line one-star fake reviews.

I was curious which version of the Armenian Genocide this movie would tell. A fiction, that 1.5 million Armenians, 500,000 Greeks, and 250,000 Assyrian Christians were victims of a "civil war?" Or would its makers place responsibility where it belongs -- on the leaders of the Ottoman Empire in WW-I?

To this day, the Turkish government refuses to admit the crime and its supporters took great lengths to derail this movie by flooding internet cinema sites with poor 1.5 ratings to discourage Americans from seeing the film. This, despite the courageous efforts of Turkish dissidents and opposition political leaders who have dared to speak up on the ugliest episode in their country's history.

The story portrayed against the backdrop of this crucial period of history is a simple one. A gifted medical student, Michael played by Oscar Isaacs (Inside Llewyn Davis/Ex-Machina/A Most Violent Year) whose acting matches the intensity of the times -- receives his betrothed's dowry to complete his medical education in Constantinople. Michael arrives just as the genocide begins and falls in love with the beautiful Anna, an Armenian music protégé --performed by French-Canadian Charlotte Le Bon (The Hundred Foot Journey/The Walk) who lives with her lover Chris Meyers, an AP reporter determined to expose the genocide (played by Christian Bale (Empire of the Sun/American Hustle/American Psycho).

Director Terry George, a native of Belfast, Northern Ireland (Hotel Rwanda/In the Name of the Father/Hart's War) skillfully factors in crises of the heart without trivializing the gravity of the horrific massacre in Anatolia.

I digress here to confess a lesson learned. Coming from a Hellenic heritage scared by 400 years of Ottoman occupation, I expected a larger Greek presence in this movie. My ethnocentric desire to see a Greek army coming to the Armenians' rescue, made me miss entirely the message conveyed in this work. I selfishly asked "...why were my people left out of this flick?" Fortunately, as the end of the movie approached, two thoughts came.

First, the Armenians deserve to have THEIR story told uncluttered by others. Besides, at least we Greeks HAD a country to escape to.

Second, I realized that my people were in the movie and yours were, too. The Cambodians under Pol Pot, Native Americans, the Armenians and the victims of Naziism in Europe: Gypsies, Homosexuals, the horribly so-called "Mental Deficients" the peasants/workers of Russia, and of course, the Jews, are all our people!

Perhaps someday when we realize that our Humanity is all we have to share with one another, such movies will no longer be necessary.

God bless all the people who made this fill possible. Not just for the Amermenian genocide perpetrated by the Turks, but for the Greeks and Assyria s also.

On another note, it it completely insane how there are so many 1 star reviews on a movie of this caliber. I guess it helps reveal the evil is still alive to this day when it comes to this subject.

I saw this movie at the Sonoma International Film Festival, and although I felt like it could have been edited tighter, it was an amazing story that I'm glad that I experienced. The acting was great, the period costumes and sets were flawless, and the story that it told was heartbreaking and needed to be told. I doubt there was a dry eye in the house (my wife and I certainly cried).

...but that still hasn't been done justice. "The promise" is slightly better than its predecessor of the same theme, "Ararat". The scenery and settings, specifically of pre-War Constantinople are in fact, breathtaking (if not a bit fanciful). The story is entirely linear and unfortunately falls into trap of turning into a "refugee" movie, similar to "Beyond Rangoon", or the much more masterful "The Inn of the Sixth Happiness"; where the protagonist enjoys a wonderful life until civil conflict forces them and a group of refugees to have to escape somewhere. I think the worst part about "The Promise" is the historical revisionism; The American Ambassador to the Ottoman Empire (played by James Cromwell) was indeed Jewish, but absolutely no "Schindler", in that he did absolutely NOTHING to save Armenians...not a single one. So, the movie has to invent a fictitious American journalist (played by Christian Bale) so Ambassador Morganthau can "save" him, somehow redeeming his role in the genocide, when the reality was Morganthau was the one who sat around and documented what was happening from accounts flooding his office while doing nothing. Yet, once again, it is a story that needs to be told, so I'm keeping that in consideration in my rating.