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MA NOTE
À Hiroshima pendant la Seconde Guerre mondiale, une jeune fille de dix-huit ans se marie et doit maintenant préparer la nourriture de sa famille malgré le rationnement et le manque de vivres... Tout lireÀ Hiroshima pendant la Seconde Guerre mondiale, une jeune fille de dix-huit ans se marie et doit maintenant préparer la nourriture de sa famille malgré le rationnement et le manque de vivres.À Hiroshima pendant la Seconde Guerre mondiale, une jeune fille de dix-huit ans se marie et doit maintenant préparer la nourriture de sa famille malgré le rationnement et le manque de vivres.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 10 victoires et 11 nominations au total
Ava Pickard
- Suzu (Young)
- (English version)
- (voix)
Kenna Pickard
- Harumi
- (English version)
- (voix)
Karen Strassman
- Rin
- (English version)
- (voix)
Melodee Spevack
- Kiseno
- (English version)
- (voix)
Michael Sorich
- Juro
- (English version)
- (voix)
Tony Azzolino
- Yoichi
- (English version)
- (voix)
Anne Yatco
- Additional Voices
- (English version)
- (voix)
Bailey Bucher
- Additional Voices
- (English version)
- (voix)
Bryce Papenbrook
- Additional Voices
- (English version)
- (voix)
Cherami Leigh
- Additional Voices
- (English version)
- (voix)
Christopher Corey Smith
- Additional Voices
- (English version)
- (voix)
- (as Christopher Smith)
Cindy Robinson
- Additional Voices
- (English version)
- (voix)
Cristina Valenzuela
- Additional Voices
- (English version)
- (voix)
Dane Price
- Additional Voices
- (English version)
- (voix)
Dorothy Elias-Fahn
- Additional Voices
- (English version)
- (voix)
- (as Johanna Luis)
Joe Ochman
- Additional Voices
- (English version)
- (voix)
- (as Joseph Whimms)
Julie Ann Taylor
- Additional Voices
- (English version)
- (voix)
Avis à la une
A coming of age story set during WWII depicting the story of Suzu a girl forced to marry away from her home. Viewers may find parallels to 'Grave of the fireflies' another animated Japanese film depicting war time struggles of the ordinary people. In fact the struggles of the everyman(woman) is heavily featured in this story of a young girl in a fish out of water situation while maintaining her inherent innocence in spite of the horrors of war.
It is very interesting how through this character and the gentle animated artstyle a story of war depicting horrible imageries from bombings, to explosions, to death can all seem innocent and calm. A particular scene of explosions in the air transitions perfectly to colourful splatters of colours in the sky in the eyes of our protagonist. Her innocence and naivete is challenged throughout the film yet through the many challenges she faces yet it is maintained constantly.
What's great about this film is that because of such a characterisation her struggles to daily life often seems even on par to that of the horrors of war, focusing on the everyman's struggle is a new and innovative way of viewing war, struggles from finding her way and managing rations. Such a character seems almost the opposite of war and bloodshed as she sets the tone for this film which seems unlike one that focuses on war setting In this corner of the world apart from the bunch. Yet we still witness the character mature and grow throughout even though she doesn't lose her sense of imagination and innocence, it's a tough notion to balance and goes against traditional ideas in a coming of age tale where a main protagonist must understand the 'true colours' of society, the world, humanity in order to come to fruition. By doing so solidifying itself as a staple supporting that of peace and the good in being ordinary.
It is very interesting how through this character and the gentle animated artstyle a story of war depicting horrible imageries from bombings, to explosions, to death can all seem innocent and calm. A particular scene of explosions in the air transitions perfectly to colourful splatters of colours in the sky in the eyes of our protagonist. Her innocence and naivete is challenged throughout the film yet through the many challenges she faces yet it is maintained constantly.
What's great about this film is that because of such a characterisation her struggles to daily life often seems even on par to that of the horrors of war, focusing on the everyman's struggle is a new and innovative way of viewing war, struggles from finding her way and managing rations. Such a character seems almost the opposite of war and bloodshed as she sets the tone for this film which seems unlike one that focuses on war setting In this corner of the world apart from the bunch. Yet we still witness the character mature and grow throughout even though she doesn't lose her sense of imagination and innocence, it's a tough notion to balance and goes against traditional ideas in a coming of age tale where a main protagonist must understand the 'true colours' of society, the world, humanity in order to come to fruition. By doing so solidifying itself as a staple supporting that of peace and the good in being ordinary.
This is by no means the first animated film from Japan about life in that country during the Second World War. Isao Takahata's Grave of the Fireflies came out in 1988, and while there are similarities, there are also many differences.
The lead character is called Suzu and we follow her life in and around Kure and Hiroshima before, during and after Japan's involvement in the Second World War. While there is no mention of the attack on Pearl Harbour, America's attacks on mainland Japan are shown in graphic detail. The hardship and suffering of the civilian population is the main focus of the film and punches are definitely not pulled.
All in all a great animated film, personally I'm going to try to watch more films directed by Sunao Katabuchi.
The lead character is called Suzu and we follow her life in and around Kure and Hiroshima before, during and after Japan's involvement in the Second World War. While there is no mention of the attack on Pearl Harbour, America's attacks on mainland Japan are shown in graphic detail. The hardship and suffering of the civilian population is the main focus of the film and punches are definitely not pulled.
All in all a great animated film, personally I'm going to try to watch more films directed by Sunao Katabuchi.
For a film that takes on a big and heavy-going part of history, I have to say I was very impressed with how sweet and touching In This Corner Of The World is. Although it's never an emotionally exhilarating experience, it brings a very nostalgic and intimate story to light with some beautiful animation and a unique look at the years before the bombing of Hiroshima, all making for a thoroughly engrossing and affecting film.
But first, let's just get across what doesn't quite work about this film. It's definitely important to know that this isn't an account of the Hiroshima bombing itself, nor is it a heavy-going war drama on par with something like Grave Of The Fireflies. That said, the first half of this movie doesn't quite deliver a strong enough story to make its more personal focus so enthralling.
As sweet and nostalgic as the film is, and as clever as using the historical hindsight to watch people live out their daily lives innocently in the old Hiroshima is, the plot for the first half just doesn't really take you anywhere. It's a pleasant and pretty account coming of age story, but it's a little too much like a slice-of-life drama to really give you that strong emotional connection to the characters right from the beginning, meaning that the film does take quite a while to really get going.
That said, once it shifts up into a more dramatic gear, things become very impressive. Now contrasting the hardships of a war context with the life that this young girl was building for herself, the film taps into an emotion that's rarely focused on, bringing a sombre atmosphere to what was such a sweet and pleasant story of nostalgia, by showing you what the true loss of war can be: an entire community filled with lives flourishing all over taken away.
And yet, the film remains surprisingly heartwarming even when it gets into some of the heavier-going parts of the history. Whilst there are many really sad moments that tug at your heartstrings, the determination of our main character as she negotiates an unimaginably harrowing situation is so uplifting, and brings out a brilliant beauty amidst all of the horror of war.
Which brings me to the animation. Styled in a similar fashion to many of Studio Ghibli's best works, this film not only looks beautiful, but its animation style plays a big part in its story. Throughout the film, we learn how the young girl loves to draw, which is even more apparent against the beautiful hand-painted landscapes.
But from her love of drawing come a series of stunning sequences in which we see the Japanese navy ships, as well as aerial battles and air-raids in the skies above Hiroshima turned into delightful and colourful paintings seen from the eyes of this young girl, heightening the sense of sadness when you think about such a happy and kind- natured character having her life turned completely upside down by the war.
Finally, when it comes to the atomic bombing of Hiroshima, I think that this film handled itself very well. In keeping with the notion that it's not a direct story about the event on the August 6th, 1945, the very moment itself isn't shown explicitly, and we continue to focus on the confused and gradually beleaguered people living in the city on the outskirts of Hiroshima.
Yes, the story does still bring to light the horrors of the aftermath of the bombing, but in that it continues to show some beautifully heartwarming and uplifting moments that emerge from the terror, and in the film's finale, it really shines with a bold and brave but utterly stunning demonstration of the strength of decent human beings in the face of the worst possible adversity.
Overall, I was very impressed by this film. Although it gets off to a very slow start, it compensates with a beautifully-executed second half, using the sweet and nostalgic nature of the first act to tug at your heartstrings when everything turns dark, and with the gorgeous animation style from start to finish, this film is a truly touching watch.
But first, let's just get across what doesn't quite work about this film. It's definitely important to know that this isn't an account of the Hiroshima bombing itself, nor is it a heavy-going war drama on par with something like Grave Of The Fireflies. That said, the first half of this movie doesn't quite deliver a strong enough story to make its more personal focus so enthralling.
As sweet and nostalgic as the film is, and as clever as using the historical hindsight to watch people live out their daily lives innocently in the old Hiroshima is, the plot for the first half just doesn't really take you anywhere. It's a pleasant and pretty account coming of age story, but it's a little too much like a slice-of-life drama to really give you that strong emotional connection to the characters right from the beginning, meaning that the film does take quite a while to really get going.
That said, once it shifts up into a more dramatic gear, things become very impressive. Now contrasting the hardships of a war context with the life that this young girl was building for herself, the film taps into an emotion that's rarely focused on, bringing a sombre atmosphere to what was such a sweet and pleasant story of nostalgia, by showing you what the true loss of war can be: an entire community filled with lives flourishing all over taken away.
And yet, the film remains surprisingly heartwarming even when it gets into some of the heavier-going parts of the history. Whilst there are many really sad moments that tug at your heartstrings, the determination of our main character as she negotiates an unimaginably harrowing situation is so uplifting, and brings out a brilliant beauty amidst all of the horror of war.
Which brings me to the animation. Styled in a similar fashion to many of Studio Ghibli's best works, this film not only looks beautiful, but its animation style plays a big part in its story. Throughout the film, we learn how the young girl loves to draw, which is even more apparent against the beautiful hand-painted landscapes.
But from her love of drawing come a series of stunning sequences in which we see the Japanese navy ships, as well as aerial battles and air-raids in the skies above Hiroshima turned into delightful and colourful paintings seen from the eyes of this young girl, heightening the sense of sadness when you think about such a happy and kind- natured character having her life turned completely upside down by the war.
Finally, when it comes to the atomic bombing of Hiroshima, I think that this film handled itself very well. In keeping with the notion that it's not a direct story about the event on the August 6th, 1945, the very moment itself isn't shown explicitly, and we continue to focus on the confused and gradually beleaguered people living in the city on the outskirts of Hiroshima.
Yes, the story does still bring to light the horrors of the aftermath of the bombing, but in that it continues to show some beautifully heartwarming and uplifting moments that emerge from the terror, and in the film's finale, it really shines with a bold and brave but utterly stunning demonstration of the strength of decent human beings in the face of the worst possible adversity.
Overall, I was very impressed by this film. Although it gets off to a very slow start, it compensates with a beautifully-executed second half, using the sweet and nostalgic nature of the first act to tug at your heartstrings when everything turns dark, and with the gorgeous animation style from start to finish, this film is a truly touching watch.
This is my first anime film and I am glad I chose it. It combined a good (if meandering at times) story, excellent animation, unique art, and appropriate history together to produce a wonderful (if long) film. The characters do not take advantage of the medium except in dream sequences or when something untoward occurs. This keeping the film in reality is one of its strengths. Another strength is what I feel to be the accurate portrayal of Japanese citizens during the war. I have read a great deal and feel this might actually be a very good teaching tool about the hardships and loyalty born by the Japanese people during WW2. And, finally, with my limited knowledge of Japanese culture, I thought this offered a valuable insight into how the culture works and what is important to the people. For all these reasons, plus the beautiful animation and art in the film, I am glad this was my first experience with anime.
If you have chance to watch this movie, no matter what you must. And if you like it, you had better go looking ofor original manga book. I have been huge fan of original manga work but am still surprised the quality of this animation version. It was so true to original and yet what added has all tasty meanings. I found this masterpiece of animation as a rare case of triumph being transitioning media.
Le saviez-vous
- AnecdotesWith a runtime of 168 minutes, the extended version is the longest animated film ever produced.
- Versions alternativesA rumoured extended version, supposedly titled "Kono Sekai no (Sara ni Ikutsumono) Katsumi ni" ("In This Corner (and Other Corners) of the World"), has supposedly ~30 minutes of additional footage, that is reported to emphasize the relationship between Rin, Shusaku and Suzu. Slated to premiere in mid-December 2019.
- ConnexionsFeatured in In This Corner: Then and Now (2017)
- Bandes originaleskanashikite yarikirena
by Kotringo
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- How long is In This Corner of the World?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 172 147 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 205 $US
- 13 août 2017
- Montant brut mondial
- 19 496 308 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Dans un recoin de ce monde (2016) officially released in India in English?
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