Gyeongseonghakyoo: Sarajin sonyeodeul

The Silenced is by no means your ordinary supernatural film featuring teenage students in a school of Victorian setting. Sure, it has the elements above featured in the film. But Director Lee Hae-young bravely mixed and revolutionized them into a horror tale of colonialism. Sadly though, it never reached its potential to stand out and will leave the audience divisive.

Set in 1938 during the Japanese occupation in Korea, a sick young girl named Ju-ran/Shizuko (Park Bo-young) is transferred into a girls' boarding school that is disguised as a sanitorium to recover her health. Through its tame opening, there's an eerie and creepy atmosphere as we follow Ju-ran entering the boarding school. When Ju-ran arrives, the film successfully distinguishes itself from typical boarding school horror films. All of these kids look fine. There's no signs of supernatural being in the school. But the chills that I got tell my senses that something's wrong and glued my eyes to the screen.

As Ju-ran settled, the film seems more straight to a slow drama where she bonds with her new friend Yeon-deok (Park So-dam) and tries to adapt to her new environment. However, Lee Hae-young smartly inserts some disturbing moments and behaviors from Ju-ran surroundings that reminding us this is still a horror film. Those moments are greatly balanced with the drama of Ju-ran and Yeon-deok's bonding and made the first act a pleasant time to watch.

Slowly, however, Ju-ran started to sense something is wrong with the school from her friends and teachers as well as her treatment. I really appreciate how Hae-young decided to not approach the films with typical jump scares, but rather, with slow-burning atmosphere building to terrorize the audience. This is achieved through most of the supporting cast performances that make the audience experience spine-chills and how the abnormal moments are inserted in unexpected places. Unfortunately, these potentials are never achieved as the film second-act being too slow, dwindling anywhere without moving the story forward added with its beautiful yet misplaced music cues that lose the film tension.

Still, even when the story didn't move forward, the character did develop and there's still an emotional attachment that audience could relate to. I personally love on how Ju-ran changes not only from her health but socially as she became braver to interact with others and her speech being more fluent. Park Bo-young, who's performance is popular from A Werewolf Boy (2012), shows more range of talent in this film. The breakthrough are from Park So-dam though, who already attracts me from its charming aura yet a cool demeanor that is so similar from Parasite (2019). Praise also needs to be given to the production team and cinematographer Kim Il-Yeon that beautifully captures the visuals, making the film bearable to watch even with its flaws.

The audience might be divided on how the mystery was resolved. As I mentioned several times above, this is by no means a typical Victorian horror. There's a social context mix with a history of colonialism that truly creates a horrifying moment for those who could relate. However, for those that don't, the revelation could be off-putting and the third act could appear to be ridiculous and over-the-top. Personally, I did felt the latter but I can't deny that I enjoy it and still have sympathy for all of the characters thanks to its strong development in scriptwriting.

The film is a mix-bag. However, if you're bored watching typical horror films and try to find a slow-burning terror with great characters and cinematography, then The Silenced might be a recommended choice for you.

The Silenced, or the title literally translated as "The Lost Girls" have all setups you want to see in a mystery boarding school/orphanage movies. It includes mysterious rules, secret room, long dark halls, and confused school girls. This movie set in Japanese occupation era in Korea, where an all-girls sanatorium/boarding school to prepare them to go to Tokyo for a scholarship while recovering their physical health. But, little did a sickly girl who are new in the house, students are missing one by one.

While all seems perfect and I am ready to love this, I encounter myself in a confusing situation where I can't differentiate all of the students' faces. They wear uniform, they share same hairstyle, quite same body type, and I am trying enough to focus on their facial features to determine who's who and I give up and only knows who is she after her name is mentioned. Although this is very subjective and minor to the whole movie, I feel this situation withdraw me to join the buildups to the climax. But ... only if the buildups are good.

Another problem is, I think the movie is too dragging to explain or showing something. It's good at first because we have some bases to know what you may expect in terms of gore/jumpscares/violence you may encounter in the movie, but some depictions (like the main character having treatment in bed) happens for at least five times without any major development. It makes me difficult to follow the narration and to build the anticipation to the climax.

When the climax is happening, I was quite entertained, but it's too stale after watching many buildups, so it just felt flat. I like it more if the buildups can be more focused on one theme and cut the drama scenes. With lots of conflicts without any sort of increasing tension (and I don't know who's who), it seems that the climax (with quite obvious resolution) can't justify the movie as something worth watching, compared to movies with similar themes.

Even though it's quite low in my perspective, for those who like some glimpses about what's happening in Japanese occupation (although it's probably not quite accurate either), you'll like this one. I, for instance, like how they used Korean and Japanese language interchangeably in the movie to depict what is the status of the language in that era. More than that, I guess you can have yourself a try if you like this kind of movie, but I'm sure it's easy to find another movie that have better buildups, and you can differentiate the actors' faces.

Usually the South Korean Cinema makes very great movies and quite often memorable horror movies. However, it would be impossible to keep making such movies. And "The Silenced" (aka "Gyeongseonghakyoo: Sarajin Sonyeodeul") was a deviant from the usual impressive line of horror movies to make it out of South Korea.

I hadn't heard about "The Silenced" before I stumbled upon it while browsing the horror selection on Netflix. Being a fan of the horror genre and being particular fond of Asian movies, then of course I would give "The Silenced" a go. However, it turned out to be a less than mediocre experience.

The story is about a girl who is sent to a remote boarding school where things seem quite out of place. And in order to survive, the new student must uncover the secrets stored within the walls of the school.

"The Silenced" wasn't scary at all, it was not even a thriller; it was, a best a mystery laced with supernatural elements. As such, then it was a major disappointment, because I had expected it to be more within the typical horror genre; a genre that South Korean Cinema does so well.

It should be said that the acting in the movie was quite good, and that is what kept me sticking with the movie to the very end. Even after that preposterous turn of events after the reveal of what was actually going on.

The story in "The Silenced" just wasn't particularly riveting, nor was it particularly memorable. I have seen the movie to the end, but I am sure that the movie will soon fade from memory, because it just didn't manage to find any foothold.

"The Silenced" was a disappointing movie to me, and as such I am rating it a mere 4 out of 10 stars. If you enjoy a good South Korean horror movie, then there are far better choices available.

The plot is indeed a bit all over the place, especially in the second half, but I loved the movie nonetheless. The acting was very convincing and I felt very sympathetic to the girls. While not strictly a horror movie, this is a must see.

You can ask yourself many things with this. From morality (to mortality I guess), to group dynamics, to children with bad influences to bullying. Of course it's not that the movie points everything out, or spells everything out. Also for a movie playing mostly inside a building, this is very "far out"! There are some pretty strange things going on and by the end of it you will catch up.

Of course, the end will split a lot of people. Because while we are aware this is nothing ordinary, what we get to see is way extra ordinary. Is that something the movie can pull off? I'd say more no than yes, but it depends on the viewer. It's well done overall and it can be a pleasant watch, if you let it