À la poursuite de Ricky Baker

Taika Waititi is starting to make some real waves in the film making industry. It's as simple as this - every film he makes, people like. In fact, people like them so much he's been trusted with the directorial duties in the next 'Thor' film 'Thor: Ragnarok'. That's big and shows people trust him with making their film. That decision was made prior to the release of 'Hunt for the Wilderpeople' but I can confirm that this film will do his reputation no harm. In fact it's going to do it a lot of good. It's a very fine film and in my opinion his best yet.

I thoroughly enjoyed 'What We Do in the Shadows' but my one qualm with it was I felt it lacked a story to drive the humour. The man learns from his errors fast though and there is no such problem here. The story, while simple, is a driving force and makes sure things never get mundane or boring. Also helping this is a terrific cast of actors. Julian Dennison in the lead role blew me away and showed comedic timing far beyond his years. Sam Neill was as fantastic as ever and every cameo throughout is terrific and hilarious in its own way.

The film not only manages to make us laugh though, it also has a heart. There are some very sad and moving elements to the film which are handled exquisitely by Waititi. He makes us think and sobers us occasionally but never takes us away from the fun time we're having with the story. There's a lot more to the film than I expected going in. It has layers and works on a lot of levels. I can't say enough good things about this film. An absolute pleasure to sit through.

I saw this movie last night in Hokitika. There was a queue outside, which caused comment enough amongst the locals, as this never happens. The cinema was packed with an amazing demographic of people, for example, on one side of me were toddlers with their Mums, on the other a lone hunter-type and behind me a group of retired farmer ladies. I think this speaks volumes on the draw of this film. To put it simply, it ticks all the right boxes. Everyone in Aotearoa (NZ) will know these characters in some form or another; from the gruff old bushman, to the earthy mother figure and the chillaxed cop. It is that familiarity that makes it more engrossing and funny. But not just here, its mix of subtle bathos and pathos will make it universally appealing, of that I am certain. In short: Good on ya, Taika! 'Marvellous' film!

A brilliant funny movie that still respects the sadness that happens in life but tries to show you that fun and laughter can still be our main focus.

I think this is the best so far of Taika Waititi's films and recommend it to anyone to see. I saw it after a long-tiring week at work and I half expected to nod off in the cinema theatre because I was so tired. But I didn't. I laughed and chuckled most of the way through the film and came away re-energized and very happy I had gone.

Would see again if the opportunity came up, which is likely as most of my friends are raving about it and a few are wanting me to go with them to see it again!

This movie is really good - I have to say I enjoyed it and would probably see it again.

A far more developed example of what Waititi can do as a director and storyteller; the film has examples of pathos, comedy, action, drama, art film, satire, good cinematography and even a few decent VFX shots. His last film, vampire mockumentary "What We Do in the Shadows" was a lot of fun but also a narrative disappointment, despite NZ media committing to expose the film and help generate sales. Something of a misguided indulgence, "Shadows" made the mistake of letting three or four (very) minor indie celebs improvise in digital for many, many hours, then the director tried to create a concrete whole in editing and post. Didn't work. Great intro though.

Hunt for the Wilderpeople focuses on the life of Ricky Baker - a young, overweight, orphaned juvenile offender that idealizes hip hop and creates haiku poetry as a method of externalizing emotional conflict, due to the influence of counseling and therapy sessions. Stuck in New Zealand's sub-par youth welfare system (known for endless governmental restructuring with little or no substantive improvement), Ricky ends up on a rotting farm somewhere in the rural back blocks with foster parents.

The film clearly shows elements of the barren, social realist film of early 80s NZ, but with bigger, better cinematography, and Waititi's indie sense of the quirky and offbeat. "Quirky" can become a meaningless attribution in today's market of indie features where anybody and everybody can have a go at being "quirky" to make up for budget and spectacle, but this film also has real nuance and character development, and a quality cast that seem to get the idea of being a bit "quirky" and "meta" without forgetting that emotional investment is what an audience really needs to feel involved with the story. Rachel House is hilarious. So's the director in an excellent cameo.

Some of the early scenes don't read as naturally as they could, and also Tioreore Ngatai-Melbourne's mother in the film is referred to but is never actually seen for unknown reasons. In addition, New Zealanders might complain about the films location improbabilities, but that's been standard practice in US features for years. Cool movie!! Go see it!!

New Wes Anderson?/ Live action Pixar's Up?/ Herzog road trip flick?/

All these things and more/ Hunt for the Wilderpeople/ Is one of a kind/

Taika Waititi/ Blends Conchords' quirky humour/ With blunt honesty/

It's an oft-told plot/ Here, stripped of (most) cliché, and/ Adorably sharp/

No adoption tale/ Treats its heartwarming heartbreak/ With such frank sweetness/

In Waititi's world/ Rude haikus voice real trauma/ Death is nonchalant/

He finds poignant joy/ In the saddest images/ Peace in a barn fire/

But lost in the woods/ With a brave dog named Tupac/ Old man and boy heal/

Learning life lessons/ In New Zealand's lush splendour/ As they hide their poop/

Good ol' grumps Sam Neill/ And Julian Dennison/ Are pricelessly cute/

Wry, no-nonsense laughs/ Battling boar and Rachel House/ Gleeful cartoon foe/

As the pace ramps up/ Tender character beats meet/ Thelma and Louise/

And a denouement/ So crisply wholesome there'll be/ Something in your eye/

A tiny triumph/ Mighty but unpretentious/ With humongous charm/

One of the year's best/ Don't miss these Wilderpeople/ The skux life chose you!

-9/10