Lawrence: After Arabia

I think my heading sums it up best...

When they started with the opening scene I though it had to be part of the local adverts..... right?

Wrong.... Yes i went in knowing it was low budget & shot locally but even so I expected much better than this.

Everything about it was poor, opening music sounded like it was done on one of those toy xylophone's, sound quality abysmal, acting that would have seen those in a local production having non-speaking parts the following year, the direction... where to start.... I think you get the picture...

It really is one to avoid, i walked out after 30 minutes otherwise I would have been rolling in the aisles & watching it locally I suspect there were a few in the audience who were "extras" so I saved myself the shaming....

Looking through the reviews I suspect those giving high marks actually appeared in the film as I really didnt see anything worthy of more than a one.

It really was horrible & moreso as I admire & am fascinated by the TE Lawrence story.

Having watched it twice (with growing dismay) I have to say this film will probably be used by film schools to demonstrate how NOT to make a movie. The acting is, with few exceptions, terrible. Barber-Duffy as Lawrence puts in a wooden and unconvincing performance which is amply demonstrated by his first scene.

May of the scenes are framed so badly they highlight both the inadequacy of both sets and direction. (See for example the scenes where the Head of Intelligence briefs his agents, and the hospital scene later in the film).

Access to Clouds Hill was infamously limited: but why does the Director use the exact same bit of film (Lawrence arriving on his Brough to find the cottage door open), multiple times? It's just so obvious.

The blue-screen scenes which are meant to represent Arabia are simply atrocious. It would have been better not to use them at all.

I find it hard to believe the film has gathered so many awards.

On the positive side, (yes there is one) the Dorset countryside is beautiful and does evoke the landscape around Clouds Hill.

What a dreadful mess this film was. It took the most banal conspiracy theory about Lawrence's death and failed to offer any evidence in support of it. Didn't seem able to get anything right. Ok the bike had the right number plate and Clouds Hill seemed to get a look in. Given that what makes Lawrence especially interesting is what he did with the latter part of his life, this really was a wasted opportunity to add something. Now i have been told i need to write a longer review. Seems more helpful to keep it short and sweet. But that's not what this website seems to value. I suggest potential audience instead read the very helpful book published about Lawrence's death which highlights the weaknesses of an inadequately serviced bike and the good thing that came out of it; a recommendation at the inquest for riders to wear helmets which was followed up in the war for despatch riders.

Imagine an amateur dramatic society at its first meeting gaining access to film equipment & you have some idea of the quality of this film. Sound, photography & continuity were embarrassing in places & the glimpses of good acting brief. The story could have been so much more in depth & instead far too much time was spent on peripheral activity eg the funeral procession.

Having been looking forward to this showing for some time, with a keen interest in the life of T E Lawrence, I was sadly disappointed.

I applaud the director for giving it a go but the film was very poor and terribly shot. The acting, with a couple of exceptions, was a amateurish and the shots were over egged and tedious. A couple of beacons in the mist were the inquest scene (although terribly framed) I totally believed the actor presiding over the scene, I've seen him in lots and he's very believable, and the Cameo from Michael Maloney was enjoyable.. the rest were over acting I'm afraid.