Colossal
- 2016
- Tous publics
- 1h 49min
Gloria est une fêtarde sans travail contrainte de quitter sa vie newyorkaise et de rentrer chez elle. Quand une créature géante ravage Séoul, elle réalise peu à peu qu'elle est en quelque so... Tout lireGloria est une fêtarde sans travail contrainte de quitter sa vie newyorkaise et de rentrer chez elle. Quand une créature géante ravage Séoul, elle réalise peu à peu qu'elle est en quelque sorte liée à ce phénomène.Gloria est une fêtarde sans travail contrainte de quitter sa vie newyorkaise et de rentrer chez elle. Quand une créature géante ravage Séoul, elle réalise peu à peu qu'elle est en quelque sorte liée à ce phénomène.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 9 nominations au total
- Waitress
- (as Melissa Montgomery)
- Expert #1
- (as Charles Raahul Singh)
Avis à la une
Upon watching, the true underlining meaning becomes more apparent and it touches on a more dark subject matter, that apparently was lost on some viewers. It is a very real world dynamic in the relationship between Gloria (Anne Hathaway) and Oscar (Jason Sudeikis) that was well executed in this manner of storytelling.
It very difficult to say why this film is worth watching without "Spoilers", but I enjoyed this film; even the second time around, watching it on Netflix just recently.
Don't expect a moral payoff, any wisdom, any heartwarming feels. It's a perfectly good way to kill a couple of hours.
I found "Colossal" (2016) much more interesting, dark and deep then i thought i will be after reading a premise. This isn't your typical comedy staring Jason Sudeikis - it isn't funny movie, except if you are looking for some very dark comedy.
Premise here looks like from a mind of Spike Jonze of Charlie Kaufman. Although it isn't as brilliant as those two might have made this movie - i loved the story overall and movie itself.
Ovreall, "Colossal" is a kinda fresh take on a premise. There is a very dark humor down below, but i enjoyed it very much in a first place because of very solid writing, pacing (at running time 1 h 43 min this movie never dragged) and not by "a numbers" movie. Good, underrated movie.
At about the same time a gigantic monster begins stalking Seoul. Gloria discovers a connection between this monster, herself and her tragic relationships with men and the bottle.
Endearing qualities of the film include touching scenes, powerful underlying themes and independent charm. Yet the storyline is disjointed and lacks effective transitions. Gaps need to be filled in the writing/directing. Hathaway, Jason Sudeikis and Tim Blake Nelson are fun to watch, yet Nelson seems somewhat restrained. Seen at the Toronto International Film Festival.
Le saviez-vous
- AnecdotesAnne Hathaway was in the second trimester of her pregnancy while filming the movie.
- GaffesIn the final flashback to Gloria and Oscar's youth, a comic book is shown falling from Oscar's backpack. The back cover of the comic features a partial quote from David S Goyer and mentions his films Batman Begins (2005) and The Invisible (2007). The flashback occurs twenty-five years before the present day of the film, so either Colossal is set in 2032 at the earliest -- which does not appear to be the case -- or the book is an anachronism.
- Citations
Gloria: [throws the bar keys towards Oscar] Here! There are your keys; I'm not coming back to your shitty bar!
Oscar: [picking up the keys] Yeah you are.
Gloria: [panting] Oh yeah?
Oscar: Yeah.
[Throws the keys at Gloria with enough force to hurt her]
Gloria: [holding her stomach in pain] Ow!
Oscar: [calmly] You're gonna keep working at the bar, or I'm gonna come back here tomorrow, and destroy an entire neighborhood.
Gloria: [through her teeth, bringing her face close to Oscar's] Then I'll come back and I'll kick your fucking ass!
Oscar: [still calm] No you won't. I'm done being Mr. Nice Guy.
[Knocks her to the ground. Gloria grunts in pain as she hits the ground hard]
Oscar: [leans down, calm] see you at work?
[Gloria looks up at him speechless]
Oscar: I'll see you at work.
- ConnexionsFeatured in WatchMojo: Top 10 Anticipated Releases of April 2017 (2017)
- Bandes originalesToda Est Energia
(Techno version)
Written by Joe Crepúsculo (as Joel Iriarte Parra)
Performed by Joe Crepúsculo
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Ella es un monstruo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 029 287 $US
- Week-end de sortie aux États-Unis et au Canada
- 120 226 $US
- 9 avr. 2017
- Montant brut mondial
- 4 531 320 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Rapport de forme
- 2.39:1