Mad to Be Normal
- 2017
- 1h 46min
NOTE IMDb
6,0/10
1,9 k
MA NOTE
Ajouter une intrigue dans votre langueDuring the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit... Tout lireDuring the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit.During the 1960s, a renegade Scottish psychiatrist courts controversy within his profession for his approach to the field, and for the unique community he creates for his patients to inhabit.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Avis à la une
In the 60's a revolutionary treatment for mental illness was tried. A psychiatrist set up a place for mentally ill patients to live without medication or electric shock. They were left alone to freely act out their delusions & madness. Of course they weren't allowed to inflict harm on themselves or to each other. The doctor lived at the center with them. They each had their own room but were monitored 24/7 around the clock. If it appeared no progress was being made by letting them work through their stuff on their own LSD was offered. A couple of drops on their tongue would be administered but only with the patients permission. This movie tries to tell me that this was a neat-o experiment without any overwhelming problems but I'm sure in real life situations occurred that were not shown in the movie.
When an excellent cast turn in strong performances - David Tennant, Elizabeth Moss and Gabriel Byrne are all outstanding in the lead roles - how can you end up with an unimpressive, unaffecting film? Can't be the subject matter - RD Laing was a fascinating, divisive, bold, brilliant, reckless public intellectual whose opinions and ideas about psychiatry and society challenged the established order of, well... everything.
I'm sorry to say responsibility for this mediocre, somewhat messy film lies with writer/director Robert Mullan. The dialogue is often cliched, the scenes poorly constructed and the direction oddly distant and static. All of which makes for a rather uninvolving experience, which is a great pity given the talent at his disposal not to mention the compelling story there to be told. There's simply no real point of view to get hold of.
Laing's work remains acutely controversial, genuinely reaching for something even he as a highly qualified practitioner with a highly original brain and skilled writer could not quite realise. There's an argument his deep insights were too far ahead of his time, but equally he might just have been so damaged, deluded and egocentric that he didn't care who or what got broken. Some of that is there in the film but despite the warm colour palette this exploration of a more interesting British counterpart to the likes of Timothy Leary and Arthur Janov fails to engage, and leaves you cold.
I'm sorry to say responsibility for this mediocre, somewhat messy film lies with writer/director Robert Mullan. The dialogue is often cliched, the scenes poorly constructed and the direction oddly distant and static. All of which makes for a rather uninvolving experience, which is a great pity given the talent at his disposal not to mention the compelling story there to be told. There's simply no real point of view to get hold of.
Laing's work remains acutely controversial, genuinely reaching for something even he as a highly qualified practitioner with a highly original brain and skilled writer could not quite realise. There's an argument his deep insights were too far ahead of his time, but equally he might just have been so damaged, deluded and egocentric that he didn't care who or what got broken. Some of that is there in the film but despite the warm colour palette this exploration of a more interesting British counterpart to the likes of Timothy Leary and Arthur Janov fails to engage, and leaves you cold.
Set in the 1960's, the film centers on the rather revolutionary psychiatric treatments of the time conducted by Dr. R. D. Laing. David Tennant stars as Laing, who was strongly opposed to accepted treatments such as electroshock therapy and tranquilizers for mental illness ,believing more in non-drug (except for LSD) and more natural therapies. Most of Laing's work took place at Kingsley Hall, between 1965 to 1970 in East London.
Elisabeth Moss co-stars here as Angie Wood, a graduate student at Columbia, who while attending one of Laing's lectures is completely taken in by his charismatic persona and they will soon begin a relationship. There's a most solid cast in the movie, including Gabriel Byrne and Michael Gambon.
Unfortunately, the film itself despite its fine cast, became a real slog for me to stay with, with its very deliberate pacing and quite depressive tone. Also, for whatever reason I wasn't able to really connect with the characters as presented.
Overall, I thought this drama had some quite interesting aspects to it, but I was not able to emotionally connect with the characters here , and combined with the other factors as mentioned, I can't say it was entertaining.
Elisabeth Moss co-stars here as Angie Wood, a graduate student at Columbia, who while attending one of Laing's lectures is completely taken in by his charismatic persona and they will soon begin a relationship. There's a most solid cast in the movie, including Gabriel Byrne and Michael Gambon.
Unfortunately, the film itself despite its fine cast, became a real slog for me to stay with, with its very deliberate pacing and quite depressive tone. Also, for whatever reason I wasn't able to really connect with the characters as presented.
Overall, I thought this drama had some quite interesting aspects to it, but I was not able to emotionally connect with the characters here , and combined with the other factors as mentioned, I can't say it was entertaining.
As one with direct experience with the psychiatric hospitalization system, I would highly recommend this movie to any mental health professional. It presents a revolutionary, yet obvious take on how to treat mental illness and how to improve the quality of life for a patient who is suffering, by simply treating them like a human being in need of love and attention. David Tennant and Elisabeth Moss both presented the philosophy of such an endeavor well through their performances. This is a truly human story and a wonderful sneak peek into what can happen if we use our common sense and do what we feel is right. Unfortunately even today, many years after the events of this story, there are still challenges to overcome to give mentally ill patients the best care they deserve and focus on their needs above all. Are we protecting them or protecting ourselves from them? Speaking from the inside, I would say I'm not so sure.
Mad, liberating 60's. Peace, love, sex, grass, time of hope for a different world, the hope long extinguished and barely remembered. Here comes Dr. Laing, the reformer, trying to change the cruelty of mental health treatment. Or to be precise the maltreatment. Treatment would presume decisions that benefit the patient, the maltreatment was perpetuated to make it easier on society to remove the suffering mental patients from public eye and concern. In this jerky, meandering flick Dr. Laing comes off as a troubled man who could have used some TLC himself. Sadly, we still don't know what to do with mental illness, apart from medicating. Fifty plus years later we are overdue for a new Dr. Laing, perhaps one with less personal baggage, thus harder to dismiss and remove.
Le saviez-vous
- AnecdotesNearing the halfway point, Laing jokes with two of his daughters about his mother, who has made a doll, dressed it like Laing and named it "Ronald," and sticks pins in it, to give him a heart attack. Laing died of a heart attack in 1989.
- ConnexionsFeatured in Film '72: Épisode #46.3 (2017)
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- How long is Mad to Be Normal?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Ah Bir Normal Olsam
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 81 725 $US
- Durée
- 1h 46min(106 min)
- Couleur
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