Lorsqu'ils entendent les cris d'un jeune garçon, un frère et une soeur s'aventurent dans un champ d'herbes hautes pour le sauver, mais se retrouvent vite piégés par une force sinistre qui le... Tout lireLorsqu'ils entendent les cris d'un jeune garçon, un frère et une soeur s'aventurent dans un champ d'herbes hautes pour le sauver, mais se retrouvent vite piégés par une force sinistre qui les désoriente, et finit par les séparer.Lorsqu'ils entendent les cris d'un jeune garçon, un frère et une soeur s'aventurent dans un champ d'herbes hautes pour le sauver, mais se retrouvent vite piégés par une force sinistre qui les désoriente, et finit par les séparer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 3 nominations au total
Harrison Sloan Gilbertson
- Travis
- (as Harrison Gilbertson)
Gracie Callahan
- The Mud Woman
- (non crédité)
Annie Chen
- Mud Person
- (non crédité)
- …
Peter D'Souza
- Mud Person
- (non crédité)
- …
Everett Smith
- Mud Man
- (non crédité)
- …
Mike Tracz
- Grass Person
- (non crédité)
Amanda-May Wilson
- Mud Person
- (non crédité)
- …
Avis à la une
First of all i didnt read the book. so if you wanna read a review that based on the book my review is not for you.
second, i saw lots of negative comments and when i checked those writers some of them never wrote a review before and they created accounts recently. it is like they are anti marketing the movie.
In the Tall Grass starts pretty quick and leaves no time for audience to get bore. the movie grows more and more after each twisted turning point of events. it had suspense, mystery and twists. i like the acting from everyone and generally child actors at horror movies annoys me but Tobin (Will Buie Jr. ) did nice job for a child actor.
Lightning and effects were good so you see some mysteries. the movie doesnt have a gore fest but i felt like im in the edge to see whats going on, and each time some twist happens. i love that affect on me.
the movie is not a cheap gore fest it just builds a mysterious events and goes from there, and like many Stephen King novels the ending wont explain you so much either. so it was not a surprise for me.
i would highly recommend to mystery-thriller fans this movie but as i said earlier i didnt read the book so i cant compare with the source material. so maybe my review also not that suitable for some
In the Tall Grass starts pretty quick and leaves no time for audience to get bore. the movie grows more and more after each twisted turning point of events. it had suspense, mystery and twists. i like the acting from everyone and generally child actors at horror movies annoys me but Tobin (Will Buie Jr. ) did nice job for a child actor.
Lightning and effects were good so you see some mysteries. the movie doesnt have a gore fest but i felt like im in the edge to see whats going on, and each time some twist happens. i love that affect on me.
the movie is not a cheap gore fest it just builds a mysterious events and goes from there, and like many Stephen King novels the ending wont explain you so much either. so it was not a surprise for me.
i would highly recommend to mystery-thriller fans this movie but as i said earlier i didnt read the book so i cant compare with the source material. so maybe my review also not that suitable for some
Stephen King - I should have known. All the ingredients are there. So as you can guess then, I have not read the novel this is based on. But I did like the basic idea/theme this is build upon. Actually the very beginning is very strong and that carries throughout the movie.
While it does that, the movie itself feels like it loses a bit of traction, once every character and piece is introduced. I can only imagine (no pun intended), how this is written and how much plays in the mind of the reader. As a movie there are limitations, especially when it comes to one dimensional portrayals - or what feels like paper thin motivation at least. Still enough suspense here and overall a good horror movie.
While it does that, the movie itself feels like it loses a bit of traction, once every character and piece is introduced. I can only imagine (no pun intended), how this is written and how much plays in the mind of the reader. As a movie there are limitations, especially when it comes to one dimensional portrayals - or what feels like paper thin motivation at least. Still enough suspense here and overall a good horror movie.
The problem seems to be that some people can't handle the delightful subtlety of some of King's work. Light on plot, sure, but that's not the point. There's a single POINT of plot and everything else is only there to frame it and illustrate it. King thrives in a terrible sense of wrong. Disjointed, twisted, tied-in-knots, all of it ...wrong-but-real. Especially in the short-stories and novellas, King hyper-focuses on a POINT of something terrible and wraps detail around it.
Some adaptations are better than others. This one is really not bad. It's pretty good. The sense of wrong is prevalent, but not insistent. I love the concept of knotted, non-linear time. But even that isn't all of it. (And if you want to look, there ARE sub-plots in the relationships between the characters. But they aren't the point!)
I'm a country-boy. I grew up in farm country. And not even truly LARGE farms, by national standards! As a kid with wide freedom to roam, (free-range, as they say) there was a fear, a wariness of things like the wide corn fields. They are so huge, so endless. Half-way through you start to wonder if you are lost, how you might get out; the doubts begin to creep-in and fear takes root. Things turn sinister as the leaves of the corn give you sharp, paper-cut-like pain, drawing blood as you run through it. ...And that's in the day-time. Try it at night... and the Unknown can grow to fill the edges of the whole world. I know it. I loved it. And I carried a cheap samurai sword everytime I went out to the woods or the fields after dark.
There's some of that in this movie. And with an actor that makes a really good bad-guy. And special effects that do very well to portray a terrible, amorphous, unnameable concept.
This is a well done move. Salute to the director, who took a short novella of treacherous ideas and made a decent 90+ minutes.
Some adaptations are better than others. This one is really not bad. It's pretty good. The sense of wrong is prevalent, but not insistent. I love the concept of knotted, non-linear time. But even that isn't all of it. (And if you want to look, there ARE sub-plots in the relationships between the characters. But they aren't the point!)
I'm a country-boy. I grew up in farm country. And not even truly LARGE farms, by national standards! As a kid with wide freedom to roam, (free-range, as they say) there was a fear, a wariness of things like the wide corn fields. They are so huge, so endless. Half-way through you start to wonder if you are lost, how you might get out; the doubts begin to creep-in and fear takes root. Things turn sinister as the leaves of the corn give you sharp, paper-cut-like pain, drawing blood as you run through it. ...And that's in the day-time. Try it at night... and the Unknown can grow to fill the edges of the whole world. I know it. I loved it. And I carried a cheap samurai sword everytime I went out to the woods or the fields after dark.
There's some of that in this movie. And with an actor that makes a really good bad-guy. And special effects that do very well to portray a terrible, amorphous, unnameable concept.
This is a well done move. Salute to the director, who took a short novella of treacherous ideas and made a decent 90+ minutes.
This is the 3rd Netflix feature film Stephen King adaptation (Gerald's Game, 1922) and, for what it's worth, I think they can surely make some more. "In the Tall Grass" is not flawless, but it's entertaining, aesthetically pleasing & there's great bits in an otherwise mixed bag.
A lot of people are and will call "In the Tall Grass" pointless or empty, and it's true that its biggest flaw is the near miniature plot. The story never leads to anything shocking, huge or, well, to nothing quite satisfying enough. The shallowness of the main story line is compensated with shabby side plots of some of the characters. Sadly, I have not expierenced the novella and can't do any comparisons. I've read a LOT of King though. Besides the story, there were other aspects that kept me watching & engaged. Compliments to the cinematographer and camera & sound crews - technically "In the Tall Grass" is a treat, the stylistic solutions add a lot to the atmosphere & the sound design is the kind that can give you goosebumps given that you have the hardware of a melomaniac. Besides the technical side of the movie the acting's also top level, as much as it could be taking into account the script & characters. You'll probably find yourself not caring for one or few of them, but if one thing's for sure it's that Patrick Wilson most definitely doesn't fail to entertain. The pacing is quite fine - the middle part might get slower but it picks up again.
Overall "In the Tall Grass" is a mood piece, if you're not looking for a lot of substance, this is a good horror movie to watch loudly & in the darkness. I'll eat up any Stephen King adaptation and this one's grantedly above average. My rating: 7/10.
A lot of people are and will call "In the Tall Grass" pointless or empty, and it's true that its biggest flaw is the near miniature plot. The story never leads to anything shocking, huge or, well, to nothing quite satisfying enough. The shallowness of the main story line is compensated with shabby side plots of some of the characters. Sadly, I have not expierenced the novella and can't do any comparisons. I've read a LOT of King though. Besides the story, there were other aspects that kept me watching & engaged. Compliments to the cinematographer and camera & sound crews - technically "In the Tall Grass" is a treat, the stylistic solutions add a lot to the atmosphere & the sound design is the kind that can give you goosebumps given that you have the hardware of a melomaniac. Besides the technical side of the movie the acting's also top level, as much as it could be taking into account the script & characters. You'll probably find yourself not caring for one or few of them, but if one thing's for sure it's that Patrick Wilson most definitely doesn't fail to entertain. The pacing is quite fine - the middle part might get slower but it picks up again.
Overall "In the Tall Grass" is a mood piece, if you're not looking for a lot of substance, this is a good horror movie to watch loudly & in the darkness. I'll eat up any Stephen King adaptation and this one's grantedly above average. My rating: 7/10.
So, this is not by any means a ground breaking piece of cinema. That being said I found it to be rather enjoyable. I put it on at 11:30 at night thinking it would be something to fall asleep to. Let's face it, most unknown films you find randomly scrolling through netflix usually are good for a snooze and that's about it. I ended up engrossed in the film and watched it all the way to the end feeling rather involved in the story. I see a lot of people complaining about how the characters made bad decisions. This is a horror film people, horror wouldn't exist if it weren't for people making bad decisions. If characters did the smart thing in any horror film it would be about 5 minutes long. Secondly the film's ending is quite easily understood ad long as you dont need your plots soon fed to you. Solid acting, good atmosphere and an amusing if not horribly original plot. You could definitely find worse things to watch.
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Le saviez-vous
- AnecdotesMuch of the film was shot in Canada with the field being located near a bowling alley which was featured in the film. The church, however, was a temporary set made for the film on site.
- GaffesBecky uses her phone to call herself on the exact same phone, from the past. It is usually done when calling into ones own voicemailbox but it may not be possible for all providers. furthermore, it's not explained how she manages to decide a specific point in time to call herself in, however she may be assuming there is sort of a temporal overlap. After all this is supernatural time dilation.
- Citations
Tobin Humbolt: My Daddy's right. We are grass. We keep dying and coming back.
- ConnexionsFeatured in WatchMojo: In the Tall Grass Ending Completely Explained (2019)
- Bandes originalesIt's All Right
Written and Performed by Sam Cooke
Published by ABKCO Music Inc.
Courtesy of ABKCO Music & Records, Inc. obo itself and Sony Music Entertainment
www.abkco.com
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- How long is In the Tall Grass?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- En la hierba alta
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 41min(101 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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