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IMDbPro

Christine

  • 2016
  • R
  • 1h 59min
NOTE IMDb
6,9/10
18 k
MA NOTE
Rebecca Hall in Christine (2016)
Trailer for Christine
Lire trailer2:33
2 Videos
83 photos
DocudramaTragedyBiographyDrama

Ajouter une intrigue dans votre langueThe story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.The story of Christine Chubbuck, a 1970s TV reporter struggling with depression and professional frustrations as she tries to advance her career.

  • Réalisation
    • Antonio Campos
  • Scénario
    • Craig Shilowich
  • Casting principal
    • Rebecca Hall
    • Michael C. Hall
    • Tracy Letts
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    18 k
    MA NOTE
    • Réalisation
      • Antonio Campos
    • Scénario
      • Craig Shilowich
    • Casting principal
      • Rebecca Hall
      • Michael C. Hall
      • Tracy Letts
    • 109avis d'utilisateurs
    • 131avis des critiques
    • 72Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 23 nominations au total

    Vidéos2

    Christine
    Trailer 2:33
    Christine
    CHRISTINE - Official Trailer (The Orchard)
    Trailer 2:32
    CHRISTINE - Official Trailer (The Orchard)
    CHRISTINE - Official Trailer (The Orchard)
    Trailer 2:32
    CHRISTINE - Official Trailer (The Orchard)

    Photos82

    Voir l'affiche
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    + 78
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    Rôles principaux51

    Modifier
    Rebecca Hall
    Rebecca Hall
    • Christine
    Michael C. Hall
    Michael C. Hall
    • George
    Tracy Letts
    Tracy Letts
    • Michael
    Maria Dizzia
    Maria Dizzia
    • Jean
    J. Smith-Cameron
    J. Smith-Cameron
    • Peg
    Timothy Simons
    Timothy Simons
    • Steve
    Kim Shaw
    Kim Shaw
    • Andrea
    John Cullum
    John Cullum
    • Bob Anderson
    Morgan Spector
    Morgan Spector
    • Doctor Parsons
    Jayson Warner Smith
    Jayson Warner Smith
    • Mitch
    Kimberley Drummond
    Kimberley Drummond
    • Gail
    Lindsay Ayliffe
    Lindsay Ayliffe
    • Capt. Frank Basil
    Susan Pourfar
    Susan Pourfar
    • Miranda
    Rachel Hendrix
    Rachel Hendrix
    • Crystal
    David Foster
    • Bandaged Man
    Ritchie Montgomery
    Ritchie Montgomery
    • Tug
    Alec Cabacungan
    • Stevie
    John Newberg
    John Newberg
    • Marvin
    • Réalisation
      • Antonio Campos
    • Scénario
      • Craig Shilowich
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs109

    6,917.5K
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    Avis à la une

    7Lewis_Heather787

    Wow this film gives you a huge emotional punch like no other!

    This film left me speechless and crying in parts, even though I mistakenly researched the film before watching it, is was still left with a number of mixed emotions. I can't remember a film having such a deep and traumatising effect on me, it is truly one of the saddest stories on film. Obviously don't research anything about this film before seeing it because it will probably shock you.

    Firstly the film as a whole, is good / OK, its fine but it can get a little slow here and there. It was a story that I'd never heard of which is unbelievable really, but probably due to the fact it was before my time and didn't happen in my country. As mentioned I researched the film a little before watching it due to its really good trailer and yep ruined to ending and all the overbearing issues in the film, but was still interesting in how it was going to be brought to screen. The directing is OK nothing groundbreaking but I think a very personal and thought provoking film like this doesn't need anything out of this world. The supporting cast are all fine and average characters that you can sort of connect with, some obviously more than others. There is a really good close, family like feeling in the news station that the characters have with each other, which is an interesting dynamic. So overall the film is good, I can now see why this isn't getting as much buzz as I thought it was because this film stands on one performance.

    Rebecca Hall in my opinion is a very talented and often underrated actor, who deserves bigger roles, this film only backs up my claim. This is personally the best performance I think she has done in her career so far, due to the complexities of the character she is portraying, Christine. Whether you are a man or woman, or have dealt with some of what she is going through or all of what he is going through, this film will hit you very hard. I can say from personal experience some of her social situations or mannerisms are perfectly portrayed on screen because I can see myself in that situation doing the same thing. If you have never suffered from depression or any mental health issue this film might make it easier for you to understand it a bit more. There is so much to this character that can't be put into words the sorrow and surprising anger that I personally had towards her. I never ever had a film made me shout out loud in anger because I want the character to do something so badly or just speak to someone about her problems, but I also know how difficult that is. This character is easy to connect with as the audience because she genuinely wants to be happy and you want her to be happy as well, she is in now way a horrible person who had done something wrong, she has done nothing to deserve the situation she finds herself in. It actually made me sick to my stomach the ending to the film and how easy to it could have been to change and find help, it is truly a social injustice. Your mind will be overwhelmed with emotions, like mine is now, that you want to express and can't. 100% this film will make you cry or make you just feel horrible and if you don't then you aren't human.

    All in all this film banks on the performance of Rebecca Hall which is fantastic and should be championed more than it is, however the rest of the film can be a little lack lustre. I think this film needed a couple of more characters to be a bit more interesting or relatable or for the story at the news station to be a bit more, meat to the bone. Saying that, if that is what happened in the true story then it should be changed for entertainment purposes. Finally I think the ending of the film could have been tackled a little better instead of just grinding to a halt, like the film makers run out of time. 70% out of 100 the performance of Rebecca Hall, the story and the emotional reaction I had to film make it a good watch, I will never forget the first time I watched this film. You should definitely watch this film for the social injustice it is and the risks and dangers surrounding metal health issues.
    7samnaji-15383

    A sad story that is probably quite common

    I have a confession to make. I saw this during the Halloween period and wanted to watch the classic horror movie Christine from 1983. Instead I saw this film and by serendipitous good luck came across a powerful and sad drama that made me cry (to confuse matters this drama is set in the late 70s and is filmed with a filter to make it feel authentic. When a possessed car did not turn up around 20 minutes in, I knew then it was a different film!)

    This is a powerful film because it tackles depression and lost hope but does not dwell in the melancholy of the situation. The ending is tragic and it dawned on me that Christine Chubbuck death was probably the provenance for the story in Network which followed 2 years later.

    Rebecca Hall is supported by a wealth of talent and the acting is excellent from everyone. It felt so real, like watching a fly on the wall drama.

    I am glad I saw this film because it reminded me that people (and I include myself) may look OK on the outside, but they could be screaming in the inside. A lot of dramas avoid mental health and well being because in many quarters it is still considered to be taboo, but more films like this need to me made and watched.
    10Quinoa1984

    Harrowing with a capital H. One of the great character studies in years

    Christine, one of the best films I've seen this year, might appear at first to be about a feminist issue - set in 1974 at a small TV station in Sarasota, Florida, a woman named Christine Lubbock (Rebecca Hall) has to contend with her male co-workers and male boss, and where they get preferential treatment (at least seemingly, ultimately) despite being told by her own boss she's the smartest on there - but it's strongest as a depiction of mental illness. This is the subject that actually makes for more compelling subject matter, though it is harsher to see depicted; I cringe watching this film, it's uncomfortable to watch, and despite/because of this it's a brilliant depiction of a bi-polar person and the interior struggle of her life.

    There are two fronts this film is successful. The first is the technical aspect. This looks, feels, acted, sounds like a movie from the period in the 70's (you know, back when American cinema was king as far as getting deeper into character and mood and technique and showing a reality moviegoers hadn't been exposed to much before outside of foreign cinema) with Campos and his DP using zoom lenses and shots that linger maybe just a little too long, and audio that sometimes (no, often times) can put us into the state of mind of the character: when Christine is laser-focused, nothing else can detract from her. When she is wary, she may hear the sounds outside that make her a little distracted (there's one scene between Christine and George, played by Michael C Hall, in a car that made me see/hear this). Not to mention the clothes, the music (so much bad 70's pop on the precipice of disco), and how people talked to one another.

    The other thing that makes it authentic is how Christine and everyone talks, The dialog here is all about showing the realism of the TV station, and finding the nuance and what surrounds this woman who is very smart. It could be said she has a touch of Asperger's along with the bi-polar, if one wanted to go into a diagnosing-on-the-couch approach. But that takes away from what Campos and Rebecca Hall accomplish with this character. One may be reminded of Nightcrawler from two years ago, also about an ambitious being in the world of news (also, one should say, with a mental or personality disorder of some kind, and access to a police radio for the latest scoop), only while Gyllenhall in that film was a pure sociopath and no lack of communicating what he thinks/feels/sees, Christine's problems are an inability to come out with something all the time.

    To be sure she's surrounded by the kind of news culture that has only multiplied exponentially over the past four decades; "If it bleeds, it leads," Christine's boss says, to which Christine reminds him that's a BS catch-phrase. No matter: the pressure is on to get things that people want to see, that brings ratings, and the same "human interest" stories about locals with Strawberry farms or chicken coops won't cut it. But what drew me in to this film was how potent the point of view was for Christine in this world. It's hinted at (or flat out spoken) that she had some previous anxiety/personality/bi-polar disorder issues back in Boston where she used to work, and now being in Sarasota isn't being much of an improvement. So among this news team, where she tries to find her own path and is up against resistance (some understandable, some not), and with friends (Maria Dizza as Jean is as good a supporting performance as from Michael C Hall, and he's really great here), she makes her own problems but never in a way that makes her unsympathetic.

    Christine is closer if anything to Taxi Driver as far as a story of someone on the edge of an existence, and it's all the more painful because of what Christine is able and ready to do, her talents and intuition and in her way mix of innocence and cynicism (though mostly disbelief) at the world around her, which includes her own pot-smoking hippie mother. Hall taps into the ball of contradictions in this character, and I was often on the edge of my seat like this was the most intense thriller in years.

    And it's in fact all based on a true story; I had known a couple of the broad strokes of the story, the climax in particular, and I almost wish I hadn't. I won't mention what happens to the sometimes awkward, full articulate but "not easy to approach" (as George says to her at one point) Christine by the end of her story, but even knowing it the filmmakers and Hall draw us in so inexorably to her interior and exterior struggles through such precise and heartbreaking storytelling that I can't shake the feeling this will be with me for a while.
    Red_Identity

    An uncomfortable experience, but it's really well acted.

    I hadn't really read anything about the plot of the film. I only heard the praise for Hall and so I decided to give it a go. A few minutes in and I realized what real-life event it was going to be about and it really soured my mood. It's just not a fun film to watch at all. I've read so much about the real life person that the whole thing was just a very depressing experience. It's hard for me o accurately judge the film as a whole but I can say that Rebecca Hall is devastatingly effective here. There are no false notes in her performance at all and I am tempted to say that it is one of the finest portrayals of depression I have ever seen in a film. She makes you absolutely feel her pain and her sorrow and it all becomes so powerful that it makes the whole thing even more grim. She should be getting all of the award nominations possible and the fact that she has flown so under the radar is absolutely criminal.
    8paul_a_salt

    A moving film about depression with a fantastic lead role

    I'm going to write this review as if you had not heard the sensational and tragic story of Christine Chubbuck. If you are unfamiliar with Christine's story then I suggest you do not read into it before seeing this film. I shall reveal very little of it here.

    The story concerns the real life story of Christine Chubbuck, a reporter in Florida in the 1970s. As an opportunity opens up at a bigger news station, Christine finds herself attempting to adopt the station manager's sensationalist approach to the news. The film details her struggle with depression and it's impact on her personal life and work.

    The depression is seen as both the result and cause of Christine 's difficulty in connecting with others. Many characters throughout the film reach out to her only for her to pull away. The cyclical nature of depression is all too familiar but what's interesting here is that each character who reaches out to Christine is well meaning but insist on viewing her depression in their own way instead of actually speaking with Christine.

    At one point Christine screams "why is no one listening to me?!" and it's true. No one listens to Christine. Her mother is certain that she just needs a man. The anchor on her news show is certain she just needs therapy. Her friend at the station is certain that she just needs ice cream. Everyone is so quick to offer possible remedies and solutions that Christine is actually overlooked.

    This is exemplified in the "Yes, but" game as seen in the trailer for the film. In the game the speaker tells the listener their problems. The listener then suggests a solution to which the speaker replies "yes, but" and points out the issues with that solution. The idea may be to get to the heart of the speaker's problems or for them to simply run out of problems and start thinking about solutions but the effect is clear. The issues and concerns of the speaker are being dismissed, one by one. Often with just a few words.

    This portrayal of the isolating effects of depression is very affecting. We see Christine attempt to bury herself in work, buying a radio scanner to listen in on police frequencies in an attempt to find the gruesome story she needs to gain recognition. As we see her hunched over her notepad listening to two police officers brag about sexual conquests, we can see the cracks starting to appear.

    The entire film hinges on Rebecca Hall's ability to play a character who is simultaneously spiralling out of control and deeply sympathetic and fortunately she accomplishes this extremely well. She is magnetic to watch even as she shrinks into the backgrounds of the scenes in which Christine finds herself. Her awkwardness and frustration are told through tiny movements and gestures.

    The film takes some liberties with the real life of Christine Chubbuck. Some people on her life have been omitted and some incidents have been made to occur later than they actually did for dramatic effect. However if you walk into this film without knowing how Christine's story ended then I am sure you will be as shocked as the world was back in 1975 and hopefully you will reflect on how you personally react to depression, in yourself and others. If you're anything like me you will emerge from the cinema desperate to know more about this enigmatic and tragic young woman.

    The film is a very tense and uncomfortable slow burn with some surprisingly funny moments. Performances are excellent all round but this really is Hall's show and is an excellent showcase for her talents as a screen presence.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The owner of the company that cut the film's trailer, Robert "Smitty" Smith at In Sync Advertising, was an actual intern at WXLT-TV who knew and was friends with Christine Chubbuck. He sought out the job when he found out about the film and saw it at Sundance; incidentally, the creators had tried to seek him out for interviews during the research phases, but were unable to locate him due to the ubiquity of his name.
    • Gaffes
      Though the movie suggests that Christine was avoiding the ovary surgery, the real-life Christine had her one bad ovary removed a year prior to her suicide.
    • Citations

      Steve: Hey, Chris, do you want to go to lunch?

      Christine: Maybe tomorrow.

      Steve: Okay. Rain check.

      [Christine watches him leave, and resumes typing her suicide note]

    • Crédits fous
      End credits end in a white screen with a beep tone.
    • Connexions
      Featured in Film '72: Épisode #46.2 (2017)
    • Bandes originales
      Annie's Song
      Written by John Denver

      Performed by John Denver

      Published by Kobalt Music Publishing America

      Courtesy of RCA Records

      By arrangement with Sony Music Licensing

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    FAQ19

    • How long is Christine?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 octobre 2016 (États-Unis)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Sites officiels
      • Official Facebook
      • Official site (United Kingdom)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Кристин
    • Lieux de tournage
      • Garden City, Géorgie, États-Unis
    • Sociétés de production
      • BorderLine Films
      • Fresh Jade
      • The Wonder Club
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 298 525 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 13 384 $US
      • 16 oct. 2016
    • Montant brut mondial
      • 313 465 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 59 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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