Romance sous les étoiles

A correct Hallmark romance. From the first scenes you know the final but exactly this predictability is the basic tool for create a very nice story about lost, friendship, connection, tasks and freedom.

For many reasons, it is just surprising. A young woman defined by a sort of Peter Pan syndrom who becomes, in this case, useful instrument for give joy and security to a little girl, the portrait of a widower just fair , crafted, beautiful job of Barry Bostwick in a role defined by parental care for his student and inspired use, as precious spice, of Velveteen Rabbit by Margaret Williams.

Sure, not easy to be very enthusiastic about it but a correct story, good acting, nice humor and gentle exploration of a trauma. And just lovely freshness. In short, it deserves a Bravo ! And few drops of applauses.

One of the best TV movies I've seen. What stood out for me the most was the lead character was a free spirit and not like the stereotypical female characters that are usually in TV movies that are desperate to get married as they've shock horror reached 30. All the acting was really good I particularly loved the leads whom had great chemistry. The little girl was really good too. Yes a bit on the predictable side but then you expect that with these films. Honestly I'd rather watch this than the big Hollywood productions with bland actors, sleazy sidekicks and unromantic story lines. I hope to see more with these leads. A really lovely feel good movie.

Becca (Ashley Newbrough) is a flustered aimless college grad student. Her mentor English professor Walt (Barry Bostwick) wants her to get serious about her thesis and directs her to his school teacher niece. She befriends student Emily (Jaeda Lily Miller) who is still dealing with her mother's death. Nate (Wes Brown) is surprised that her daughter's new friend is a full grown woman.

This is a Hallmark movie. Newbrough deserves more and better roles. The little girl is plenty cute. The dude is boring. Bostwick has a minor role for the pay. It's pretty pedestrian as far as these movies go. Newbrough and the little girl have some nice emotional moments. There isn't much else.

How have I never seen this movie before now? Ashley Newbrough has been on my radar for at least a year or two. Wes Brown is always solid. And Jaeda Lily Miller by now has turned out more significant roles than a lot of adults and I think this might be one of her best even if it is early in her career.

I was thoroughly enjoying the story especially the three way relationship between man, woman and child. So much chemistry. Then after what I thought was a little hiccup (see below), it kicked into overdrive. Watch for the postcard size picture and take note of all of the people in it. But then the climax not only surprised me but touched me deeply, as well it should have. So well done.

The dialogue between Becca and Emily was a lot of fun and I always enjoy quirky characters. Emily is probably a bit too mature in some ways for her age and for a movie about child psychology, I think it's ironic that she exhibits thought processes a child her age hasn't developed enough for. But we call her precocious and audiences love it.

In some ways the story rehashed plot lines that have been done before, but Becca's thesis puts a fresh spin on it. And yes there were some other predictable things. I definitely saw the conflict coming, even if I thought maybe this was a terrible excuse to create a conflict. Yet it had to be that way for the whole thing to work.

Tiny pet peeves: 1) Some of us older adults can't read the tiny text on phone screens even if we pause it. 2) I'm always a little annoyed, especially in books, when more than a few words are spoken in a foreign language without an immediate translation.

First, I do realize that this a Hallmark movie of the week but I really wish Hollywood would either find a new formula or find some actors who don't have that Ken and Barbie look. I'd rather watch great acting from ugly people than bad acting from good looking people. Otherwise, all Hallmark needs to do is stop spending their money, make one move and run it over and over again. They are all the same anyway.

The kid is mildly cute but the two main adult actors, are formulaic, predictable, tiresome and over done.

I'd rather watch 24 hours of a good working formula (Murder, She Wrote, MASH, etc) than this goulash of nothingness.