Lorsque leur quartier général est détruit et que le monde est pris en otage, le voyage des Kingsman les mène à la découverte d'une organisation d'espionnage alliée aux États-Unis. Ces deux o... Tout lireLorsque leur quartier général est détruit et que le monde est pris en otage, le voyage des Kingsman les mène à la découverte d'une organisation d'espionnage alliée aux États-Unis. Ces deux organisations secrètes d'élite doivent s'unir pour vaincre un ennemi commun.Lorsque leur quartier général est détruit et que le monde est pris en otage, le voyage des Kingsman les mène à la découverte d'une organisation d'espionnage alliée aux États-Unis. Ces deux organisations secrètes d'élite doivent s'unir pour vaincre un ennemi commun.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 14 nominations au total
- Angel
- (as Tom Benedict-Knight)
Avis à la une
In the first movie Samual L. Jackson was outstanding as the bad guy but think this movie lacked someone like that.
'Kingsman: The Golden Circle (2017)' is essentially all a big joke played on those who took umbrage at the few select sexualised moments from the final act of the first film, a joke whereby everything is consistently ramped up to eleven regardless of its negative impact on the story. This standoffish move is meant to further separate the apparent 'critics' from the so-called 'fans', yet it only successfully provides both categories with a much worse experience. While I and many other 'fans' didn't mind (or at least excused) the passive, clearly satirical crude jests and occasional absurdity of the original picture, we certainly didn't want a follow-up based entirely around what would obviously be considered the weakest aspects of that piece - elements which were only mitigated by the joyous fun found in the brilliance of its subtle yet witty satire and its surprisingly well-developed characters. These pieces of the puzzle are now missing. Though this picture is, at times, passively entertaining, what we're left with is a fairly by-the-numbers 'save the world' plot and a string of odd action set-pieces seemingly incompetently put together. There's abhorrent use of rampant speed ramping that makes things literally look like someone hit the fast-forward button, and haphazardly stitched-together short takes that are supposed to make some sequences look like one fluid shot but instead make them look like cheap cartoons. In his quest to ignore the naysayers, Vaughn disappointingly squanders all of the good will he had built with his predecessor and bizarrely wipes the slate clean relatively early on, wasting time setting up a less interesting new set of characters instead of working with the better characters already expertly established at the end of the prior title. He also reintroduces a previously dead character (seen in the trailers), after making him an amnesiac no less, in a move that should be reserved only for a waning franchise at least five films in that's struggling to maintain its relevancy, not for what was once perhaps the most promising new property in Hollywood.
After revisiting this recently, I can safely say that it's far more fun than I originally gave it credit for. Perhaps it's because my expectations were on the floor, but I really enjoyed the film this time around. Its narrative issues are still present but somehow far less bothersome, while its action is actually really well-achieved for the most part. It leans into its ridiculousness and knows exactly what it is. It's actually a lot of fun. I guess I have to eat the words of my original review (which I'll leave above for posterity's sake), but I gladly will; after all, who doesn't want to enjoy a movie? 7/10.
As someone who loved the first 'Kingsman', I'm pleased that the sequel didn't disappoint. It remains true to everything that made the first film such a success, including taking some big risks and thinking out of the box. The end result is an imperfect and at times messy film, but a rewarding and highly entertaining one nonetheless. 'The Golden Circle' is much better than expected but just not quite on the same level as the first film.
Set one year after the events of the first film, Kingsman: The Golden Circle finds Eggsy teaming up with the only other surviving Kingsman agent after their headquarters is completely destroyed. As the two head out to find the ones responsible, they stumble upon an allied spy organization & a familiar face, but both agencies must work together if they are to save the world from a new threat.
Co-written & directed by Matthew Vaughn (best known for Kick-Ass & X-Men: First Class), the sequel is an absolute farce from beginning to end that takes the over-the-top action of its predecessor to such levels that it becomes downright ridiculous. The new characters are awfully written & poorly integrated into the story while returning ones have nothing new to offer.
Everything that was fresh & kinetic about the first movie is exaggerated to such extent that it loses its value here. The overly-stylized action itself fails to create the same level of interest and is a tad too cartoonish this time. The story revels in foolishness but crosses that line beyond which things aren't fun but a chore to sit through. And its 141 minutes runtime doesn't help the cause either, for it is severely felt.
Coming to the performances, Kingsman finds Taron Edgerton, Mark Strong & Colin Firth reprising their roles while the new additions include Julianne Moore, Pedro Pascal, Jeff Bridges, Channing Tatum, Halle Berry & Elton John, and other than Strong, every one of them is terrible in their given roles. The stupidly named characters they play are not at all interesting, and it's clear that they all only signed up for easy money.
On an overall scale, Kingsman: The Golden Circle is an exceptionally inferior entry in the Kingsman series and is one of the worst films of the year. A dumbed down version of the original that doesn't even remember what made its predecessor click and falls flat in nearly all filmmaking departments, Vaughn's latest is a dull, rotten & atrocious piece of work that's too full of itself, and certainly isn't worth your time & money. In a word, forgettable.
Le saviez-vous
- AnecdotesTequila was to have a bigger role in the story, but due to Channing Tatum's scheduling conflicts working on Logan Lucky (2017), his role was reduced, and some of the scenes went to Whiskey (Pedro Pascal). Notably, Whiskey got the lasso instead of Tequila.
- GaffesThe tracking device that Eggsy plants on Clara is said to be absorbed by a mucous membrane. Eggsy is forced to resort to sexual contact for this. But there are mucous membranes in the mouth and stomach as well. Simply putting the tracker into something she would eat or drink would have done the trick.
- Citations
Elton John: Now, go off and save the world.
Harry Hart: If I save the world, can I have two tickets to your next concert?
Elton John: Darling, if you save the world, you can have a backstage pass.
- Crédits fousThere is a statement in the closing credits: "A dope thanks to Samuel L. Jackson." Jackson had played Richmond Valentine in the previous Kingsman film.
- Versions alternativesIn Singapore, before the film could receive an NC16 classification the film was edited in order to remove two utterances of religious profanity which was deemed to exceeded the BFC's set Classification Guidelines. Under these Classification Guidelines, "language that denigrates religion or is religiously profane" is not allowed for all ratings.
- ConnexionsFeatured in Conan: The Cast of 'Kingsman: The Golden Circle' (2017)
- Bandes originalesTake Me Home, Country Roads
Written by Taffy Nivert (as Taffy Danoff), Bill Danoff (as William Danoff) & John Denver
Published by BMG Rights Management UK Ltd., a BMG Company
Published by Reservoir Media Music
Performed by Matthew Margeson (as Matt Margeson)
Meilleurs choix
- How long is Kingsman: The Golden Circle?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Kingsman: El círculo dorado
- Lieux de tournage
- Courmayeur, Aosta, Valle d'Aosta, Italie(snow sequence, Skyway rope)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 104 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 100 234 838 $US
- Week-end de sortie aux États-Unis et au Canada
- 39 023 010 $US
- 24 sept. 2017
- Montant brut mondial
- 410 902 662 $US
- Durée2 heures 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1