Enlèvement

"You both need to clear off my property, or as god is my witnessI will not be responsible for what happens! Colt, If she goes in there Maria and Jonah are as good as dead."

An onrushing hot rod that suddenly breaks down near an awful looking, abandoned farm with lots of barbed wire and warning signs. There are squeaky doors and you can hear a howling wind while the person with car trouble is looking for someone who can help him. And then he experiences that awful moment. Something he did not see coming. I immediately sat straight up in my chair and expected an intense horror. Especially when the title of the film is "Devil's gate". The poor, dilapidated farmstead and the desolate environment immediately reminded me of "The Texas chainsaw massacre". A no-man's-land where a psychopathic, crazy family terrorizes and kills lost tourists so they can brew a hearty one-pan meal afterwards. To my disappointment, the movie title turned out to be the name of the town where the story takes place.

To be honest, the first part of the movie was tremendously fascinating. A missing woman and her son. The F.B.I. Agente Daria (Amanda Schull) who, together with the local policeman Colt (Shawn Ashmore), investigates the disappearance of both persons. And the downright suspicious acting Jackson Pritchard (Milo Ventimiglia) where the two enforcers of the law finally arrive. And when the two law enforcement officers make a rather disconcerting discovery in the Jackson cellar, the film will take a completely different turn. That's the biggest plus of this film. The surprise effect is huge. You are repeatedly misled. One moment you expect a sort of "Silence of the Lambs" serial killer scenario. Then you come to the conclusion that this film has an "X-Files" vibe. Such a movie you'd come across on some SyFy channel.

Unfortunately, the quality of this indie SF drops as the film progresses. I wasn't interested in the religious aspect. The "an eye for an eye" principle was rather laughable. Despite the sometimes high-quality special effects and generally not so bad acting (with even a cameo of the Star Trek veteran Jonathan Frakes), this film didn't really appeal to me. It seemed as if a whole arsenal of ideas and proposals were being collected and subsequently they didn't know anymore which direction it should go. In the end it felt as if I had watched a pilot episode of the umpteenth television series. "Devil's gate" is such a film where the story doesn't really match the footage when it comes to quality. Unfortunately. Because it had potential.

I'm not going to spell out the synopsis since it's been done before. This seemingly low budget thriller does a fine job putting all the pieces together. The acting, for the most part is adequate. The fx are a lot better than what I've seen in films with a much bigger budget. The director (Clay Staub) does a great job of hiding the monster until it couldn't be hidden any longer. With the exception of some CGI you never get the feeling that this is a cheap and cheesy student film. But by far the crowning glory of the whole project is the brilliant cinematography. Miroslaw Baszak does an excellent job of capturing the bleak and dreary landscape to the point that you don't want to visit the area, let alone live there. His interior shots are perfectly lit, giving the desired creepy-old-house affect while still allowing us to see what's going on. Editing, sound design and the score all complement the film so seamlessly that you never think about them - you experience them. The story is nothing new. (But what is these days?) It combines elements of several other stories we've all seen before. Which isn't to say that it's bad, it's just not ground breaking. All in all the completed project is something that all cast & crew involced should be proud to have been a part of.

This film is overwrought and overacted and fits well into the middle of M. Night Shyamalan's middle years of film making. It does kind of look cool at times and some of the creature work is okay, with a couple of creepy scenes. Unfortunately, it leaves itself wide open for a sequel, but one hopes that won't happen.

The film features some really fantastic photography, and also really awesome visuals. The story itself was rather creepy and mysterious. The film was shot almost in monochromatic grey where other colors were not well defined. I'm not sure if this was the intention to blend in with the theme, or if it simply appears that way. The acting in general was good, and I enjoyed the mysterious feel to the film. The film has an interesting twist that changes everything we thought we knew about the father looking for his son...

FBI Special Agent Daria Francis (Amanda Schull) is assigned to travel to Devil's Gate, a small town in North Dakota, to investigate the disappearance of Maria Pritchard (Bridget Regan) and her son Jonah. Her prime suspect is the husband and father Jackson Pritchard (Milo Ventimiglia), who lives in a farm in the middle of nowhere. However Sheriff Gruenwell (Jonathan Frakes) asks Francis to let Jackson alone since he would be a good man. Deputy Conrad 'Colt' Salter (Shawn Ashmore) heads with Francis to interview Maria´s sister and she leaves her house convinced that Jackson may be hiding them. When they arrive at his farm, Jackson assaults Maria and she enters the house to investigate, and finds a weird thing. What is Jackson hiding?

"Devil´s Gate" is a surprisingly good and underrated sci-fi film. The screenplay is intriguing and the lead cast (Amanda Schull, Shawn Ashmore and Milo Ventimiglia have good performances. The conclusion after the initial credits is a cliffhanger for a possible sequence. My vote is seven.

Title (Brazil): Not Available