Une femme soupçonne son mari d'avoir une liaison. Suite à plusieurs pistes d'enquête, d'autres s'éclaircissent, y compris une série de violences sous la surface de l'eau.Une femme soupçonne son mari d'avoir une liaison. Suite à plusieurs pistes d'enquête, d'autres s'éclaircissent, y compris une série de violences sous la surface de l'eau.Une femme soupçonne son mari d'avoir une liaison. Suite à plusieurs pistes d'enquête, d'autres s'éclaircissent, y compris une série de violences sous la surface de l'eau.
- Victoire aux 1 BAFTA Award
- 12 victoires et 7 nominations au total
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One of a kind relationship-horror with strong Shakespearean elements of personas and duplicity, betrayal, obsession, jealously, revenge, conniving and plotting, and distrust.
As the viewer we are constantly made extremely paranoid and horrified by the protagonist's life. Constant threats from every side and not a single person to trust. Suranne Jones is absolutely terrific as the two faced doctor who is highly composed and calculating, while a seething wreck inside.
It also portrays the curse of the professional woman -- of how she's "unlikeable," a damnation that often means her doom.
There is no sympathetic character, no hero and villain. And just as how some people hate Hamlet, while others are fascinated by him, so will many viewers hate Gemma, while others will be glued to the screen to watch her every move and expression.
It's also in sorts almost a semi-Lynchian small-town mystery, where everyone has a secret, everyone is very close, yet no one can be trusted.
An amazing and gripping show that makes a intense and horrific portrayal of something as domestic as marriage and it's complications (an understatement). Carrying strong tones of paranoia, calculated revenge, depiction of "natural" misogyny, and with undertones of misanthropy, this show will give you knots and chills and keep you hooked.
As the viewer we are constantly made extremely paranoid and horrified by the protagonist's life. Constant threats from every side and not a single person to trust. Suranne Jones is absolutely terrific as the two faced doctor who is highly composed and calculating, while a seething wreck inside.
It also portrays the curse of the professional woman -- of how she's "unlikeable," a damnation that often means her doom.
There is no sympathetic character, no hero and villain. And just as how some people hate Hamlet, while others are fascinated by him, so will many viewers hate Gemma, while others will be glued to the screen to watch her every move and expression.
It's also in sorts almost a semi-Lynchian small-town mystery, where everyone has a secret, everyone is very close, yet no one can be trusted.
An amazing and gripping show that makes a intense and horrific portrayal of something as domestic as marriage and it's complications (an understatement). Carrying strong tones of paranoia, calculated revenge, depiction of "natural" misogyny, and with undertones of misanthropy, this show will give you knots and chills and keep you hooked.
The 7 stars are for Season One. For Season Two; 3.
If you go into this BBC Series with low expectations you will find it very entertaining. Somewhat above the 'soap opera' level of drama but still it does have that genre to thank for its plot, its themes. Again, this ain't Albee or Tennessee Williams. It ain't great theater. But Season One does entertain. Season Two turns out to be another thing completely. Here we do have the soap-opera melodramatics, in plot, in dialogue, in character. Worse still, there's no one to like.
Doctor Foster, played by Suranne Jones, believes her husband has been unfaithful. In Season One she believes she knows with whom. And it's driving her crazy. Making matters worse, it seems that everyone knew or knows about the affair. Everyone but her. So. Who can she trust? To whom can she talk? And, if her husband has kept the affair a secret, what else about him - or others - does she not know?
Let me tell you this. Over the course of the First Season's five episodes, you, the viewer, will find out. Though there is a Season Two, at the end of Season One I did not feel as though the writers had baited me into needing to watch Season Two. And that, of course, is a good thing. Though watch it I did. All the way to its conclusion. A long way to go for a conclusion not worth the trip.
Suranne Jones' portrayal of Doctor Foster, is superb. She is a beautiful woman. You cannot take your eyes from her. But what wins me over is that I actually believe her pain; her face shows that pain, the sadness, the anger, even fury. Though she is far from perfect - either as a wife, mother, or physician - I rooted for her throughout Season One.
And then came Season Two.
If you go into this BBC Series with low expectations you will find it very entertaining. Somewhat above the 'soap opera' level of drama but still it does have that genre to thank for its plot, its themes. Again, this ain't Albee or Tennessee Williams. It ain't great theater. But Season One does entertain. Season Two turns out to be another thing completely. Here we do have the soap-opera melodramatics, in plot, in dialogue, in character. Worse still, there's no one to like.
Doctor Foster, played by Suranne Jones, believes her husband has been unfaithful. In Season One she believes she knows with whom. And it's driving her crazy. Making matters worse, it seems that everyone knew or knows about the affair. Everyone but her. So. Who can she trust? To whom can she talk? And, if her husband has kept the affair a secret, what else about him - or others - does she not know?
Let me tell you this. Over the course of the First Season's five episodes, you, the viewer, will find out. Though there is a Season Two, at the end of Season One I did not feel as though the writers had baited me into needing to watch Season Two. And that, of course, is a good thing. Though watch it I did. All the way to its conclusion. A long way to go for a conclusion not worth the trip.
Suranne Jones' portrayal of Doctor Foster, is superb. She is a beautiful woman. You cannot take your eyes from her. But what wins me over is that I actually believe her pain; her face shows that pain, the sadness, the anger, even fury. Though she is far from perfect - either as a wife, mother, or physician - I rooted for her throughout Season One.
And then came Season Two.
This show gives me bad anxiety so beware. Intense feelings, suspenseful, keeps you on the edge of your seat. That's just season 1, now on to season 2.....
Weak storyline. Gemma is beyond irritating. She's fickle and foolish but thinks she's cunning and bright. Bratty son runs away any chance he gets. It's just all so messy and boring.
Have found myself watching the BBC less over the years, mainly because of being too busy and also not a lot that airs regularly interests me. Programmes that were watched religiously when younger are now only watched sporadically or not watched anymore, having lost interest. There are though a fair share of treasures, like their literary period dramas and the David Attenborough nature documentaries, and unexpected gems.
While not without its drawbacks, 'Doctor Foster' is one of those flawed but better than expected winners. It won't appeal to all tastes, the criticisms are understandable, and it's not quite one of the best BBC dramas/series in years. To me on the other hand, 'Doctor Foster' when it first aired in 2015 was something that personally didn't expect to be as good as it was. And its second season this year was one of the better BBC programmes airing in the latter part of this year.
'Doctor Foster' to me isn't perfect. Do agree about the truth and credibility being stretched, Gemma especially making some rash and unrealistic decisions. Some events also happen and are resolved all too conveniently. The final episode of Season 1 also felt somewhat unbalanced and absurdly melodramatic and sees Gemma's unrealistic actions at her worst and most extreme, almost erratic.
On the other hand, 'Doctor Foster' is very well made visually, stylish and audaciously with a fluid way of how it's shot. The music has presence but has moments where it isn't too intrusive, though it can be prone to being melodramatically overbearing.
The script is thought-provoking and continually smart and gripping, with some genuine pathos, tension and a little dark subtle humour. The storytelling is not always perfect in balance but has plenty of twists and turns and its depiction of flawed relationships and such can be quite chilling. The same goes for Season 2 in both the script and story, except that it takes a darker and more emotionally turbulent tone, as well as even more twisted. There are still the same faults that the first season did, except the ending of Season 2 is more of a nail-biter and more emotional.
Direction keeps things controlled, the storytelling never gets dull and the characters are interesting even if their behaviour is uneven and are largely unsympathetic with the exception of Tom. A huge part of 'Doctor Foster's' appeal is Suranne Jones, who is in nearly every scene and dominates them all in an outstandingly nuanced turn that says so much whether saying anything or being reliant on expressions without saying anything.
Bertie Carvel is also excellent and Tom Taylor is wholly credible as the most sympathetically, realistically and consistently written character (one does relate to him). All the supporting cast do very well, with Robert Pugh in Season 1 being one of the most memorable ones.
In conclusion, flawed but still a winner. 7.5/10 Bethany Cox
While not without its drawbacks, 'Doctor Foster' is one of those flawed but better than expected winners. It won't appeal to all tastes, the criticisms are understandable, and it's not quite one of the best BBC dramas/series in years. To me on the other hand, 'Doctor Foster' when it first aired in 2015 was something that personally didn't expect to be as good as it was. And its second season this year was one of the better BBC programmes airing in the latter part of this year.
'Doctor Foster' to me isn't perfect. Do agree about the truth and credibility being stretched, Gemma especially making some rash and unrealistic decisions. Some events also happen and are resolved all too conveniently. The final episode of Season 1 also felt somewhat unbalanced and absurdly melodramatic and sees Gemma's unrealistic actions at her worst and most extreme, almost erratic.
On the other hand, 'Doctor Foster' is very well made visually, stylish and audaciously with a fluid way of how it's shot. The music has presence but has moments where it isn't too intrusive, though it can be prone to being melodramatically overbearing.
The script is thought-provoking and continually smart and gripping, with some genuine pathos, tension and a little dark subtle humour. The storytelling is not always perfect in balance but has plenty of twists and turns and its depiction of flawed relationships and such can be quite chilling. The same goes for Season 2 in both the script and story, except that it takes a darker and more emotionally turbulent tone, as well as even more twisted. There are still the same faults that the first season did, except the ending of Season 2 is more of a nail-biter and more emotional.
Direction keeps things controlled, the storytelling never gets dull and the characters are interesting even if their behaviour is uneven and are largely unsympathetic with the exception of Tom. A huge part of 'Doctor Foster's' appeal is Suranne Jones, who is in nearly every scene and dominates them all in an outstandingly nuanced turn that says so much whether saying anything or being reliant on expressions without saying anything.
Bertie Carvel is also excellent and Tom Taylor is wholly credible as the most sympathetically, realistically and consistently written character (one does relate to him). All the supporting cast do very well, with Robert Pugh in Season 1 being one of the most memorable ones.
In conclusion, flawed but still a winner. 7.5/10 Bethany Cox
Le saviez-vous
- AnecdotesSuranne Jones reveals that she had to be talked into returning for a second series after feeling that the story had been told.
- ConnexionsFeatured in Gogglebox: Épisode #6.2 (2015)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Doctor Foster: A Woman Scorned
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure
- Couleur
- Rapport de forme
- 2.35 : 1
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