Ajouter une intrigue dans votre langueMen Go To Battle is the story of two brothers struggling to hold their crumbling estate together outside a small Kentucky town in the fall of 1861.Men Go To Battle is the story of two brothers struggling to hold their crumbling estate together outside a small Kentucky town in the fall of 1861.Men Go To Battle is the story of two brothers struggling to hold their crumbling estate together outside a small Kentucky town in the fall of 1861.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
- Henry Mellon
- (as Tim Morton)
Avis à la une
It's necessary to get over the lack of a steady-cam: the first few minutes can feel a bit disorienting, jerky, and off-putting because the camera is hand-held. Stay with it!
Very quickly, I became mesmerized. I felt as if I were transported to the time and place. The raw, realistic clothing, housing, and surroundings of that era (so different from today and seldom presented realistically) drew me into the time and place. I felt as if I were being privileged to watch real people -- without makeup, in their everyday clothes, struggling through horrific circumstances. I mourned the end of the movie, I would have gladly stayed with these people for another hour.
Acting, costuming, sets at their absolute best.I was intrigued by the reviews, saying that the movie was made for $500,000 when the military re-enactment scenes alone should have cost 4x that amount.
I don't recommend this for people looking for a "war flick", but there are some viewers, myself included, who think this movie is a gem (and have no "financial interest" in it, as one reviewer seems to think). We just don't all like the same things, right?
As the previous reviewer commented, this is a movie about textures, not plot. The dialogue is spare, very spare; the accents feel authentic, so much so that there are moments when it's hard to make out what they're saying -- but it doesn't matter. Plot points, such as they are, don't come out in dialogue as much as through the flow of images. Nobody talks about relationships -- they don't talk much at all, which feels 'right' for the place and time -- rather, we sense the relationships through how people look at each other, how they react, wordlessly, to each other's behavior.
The casting is excellent, too. With one minor exception, all the people in the film feel like figures from that era. This is a very hard thing to achieve, you really have to work hard to find actors who don't have that contemporary energy -- but they pulled it off.
It's involving, it's seductive in how it reels you in, it's just all-around impressive as hell.
One bit of advice: if at all possible, do not wait for this to appear on DVD or streaming video. GO SEE IT in a theater, it will be a much better experience.
Honestly, I haven't been this impressed with something in ages.
If you want to see action, you won't like this movie. If you want to see the usual beauties that Hollywood throws at us in every role, you won't like this movie. If you want to see plot, you will HATE this movie.
It felt like someone took Napoleon Dynamite and dropped him into the Civil War era, without any of the laughs.
Le saviez-vous
- AnecdotesBetsy Small tells Henry Mellon that she is reading "The Wandering Jew," a sprawling French novel by Eugene Sou, published as a serial in 1844 and thereafter translated and published in popular magazines around the world. Henry, who can barely read, lies when asked if he has read it. In a subsequent scene, Betsy reads aloud a passage from the novel involving the characters Father Rodin, Mme. de la Sainte-Colombe and Dumoulin. Despite its title, this book is not so much anti-Semitic as anti-Jesuitical, portraying Rodin and other Jesuits as conspiratorial, greedy and vicious.
- Citations
Henry Mellon: I'm hurt pretty good.
Francis Mellon: Let me see. Open it up. All right. Put that hand on it, and hold it tight. OK? Just keep it like that, all right?
Henry Mellon: I'm sittin' down.
Francis Mellon: Don't sit down!
[Henry sits on ground]
Francis Mellon: All right, sit down.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 18 006 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 087 $US
- 10 juil. 2016
- Montant brut mondial
- 18 006 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1