Un groupe hétéroclite d'adolescents se déchaîne dans les rues du Bronx à la fin des années 1970.Un groupe hétéroclite d'adolescents se déchaîne dans les rues du Bronx à la fin des années 1970.Un groupe hétéroclite d'adolescents se déchaîne dans les rues du Bronx à la fin des années 1970.
- Récompenses
- 5 victoires et 8 nominations au total
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As someone who's not a fan of rap music, I still find the historical aspects and how the elements of hip-hop came together very intriguing! All the characters are interesting and entertaining in their own ways which make me want to know more about them--making for very vivid episodes (it seems each character has their own mood that they add). Hopefully, next season we'll get to see more of those stories... As more of a disco fan, I found those parts to not be as interesting sadly but it could be because of the transition that disco was going through at the time. The parts about the music business was really eye-opening in seeing how it operate(s)(d). Hopefully, the show keeps up the cultural and historical elements that make this show feel like a time-warp, while telling us more about the non-main characters.
Wow! Just finished the first episode of 'The Get Down' and being a massive Hip Hop fan with a healthy appreciation of countless musical genres stretching from Punk to House, it's perhaps inevitable that I've fallen in love with this show. Everything about it seems well thought out, the characters, the sets, the wardrobes, the music, just everything! Yes, it's flamboyant and a bit over the top but very much in keeping with the period.
I'm not gonna go into a detailed review other than to say - get it watched. Hope the rest of the series lives up to first episode - if it does - this will be the best TV show of 2016. Word up.
I'm not gonna go into a detailed review other than to say - get it watched. Hope the rest of the series lives up to first episode - if it does - this will be the best TV show of 2016. Word up.
I am a big fan of Baz Luhrmann's work. I love his creative, colorful and unique styles. I didn't know The Get Down was his work until i finished the show and looked it up and it made total sense that it was his work. I loved this show, by far one of my favorite Netflix series. The young men and women they chose for the cast do an excellent job acting and seemed to come so natural to them.There is also a few actors we have seen before in some of our favorite shows, which was very cool to see. It is very poetic & emotional and connecting with the characters is really easy.The story line is fun, exciting, edgy and easy to follow with a lot of historical fiction included.
Perfect, Perfect , Perfect depiction of the start of RAP in the bronx. Having, been younger in those days and leaving in the east coast. People like granmaster Flash, Kool Herc, etc.. They were the people you'd daydream about, without really knowing anything about them (pre-internet). Now, the way, the show goes on, it shows all these persona's as seen through the eyes-of fresh young dudes. Example-the way-Shaolin fantastic is represented-how they focus on his red pumas--and how the kids talk about him "His hands are samurai swords". This is the way, anybody who was there(youngins)-remember that time. Now, some people say It's not gritty (If you want gritty-see Sin HOMBRE), the whole point of rap, was that in was against violence- so, it actuality, this is the memory that will have stayed with the youth, more than the violence-the media loves to OFFICIALLY potray as a BRONX staple. Now, the director is Baz Luhrman, and man, did he potray the music in the most perfect way, the way he could parallelly show some rap group trying to rap, and and the same time a disco pre-queen singining. No, other director could have really showed the music so finely as Baz. If you want nitty -gritty streets-watch the Warriors. If you're genuinely interested in RAP the beginnings, before Gangster rappers. Then run and watch this.
I was not there then but I can appreciate it. At times, it feels slightly overplayed (the gang scenes in EP 1 for example), but otherwise it's well done.
Music is exactly what you'd expect and the women are gorgeous. I also like the flashback elements. They were effective and not overly long or preachy, as flashbacks can get.
Story is layered, starts off at several ends and slowly weaves together. I have really enjoyed it so far.
The series also uses documentary to weave real life elements together as a political statement of the ghetto 70's NY. It's hard to imagine just how corrupted NYC was in the 70s. Just crazy
Music is exactly what you'd expect and the women are gorgeous. I also like the flashback elements. They were effective and not overly long or preachy, as flashbacks can get.
Story is layered, starts off at several ends and slowly weaves together. I have really enjoyed it so far.
The series also uses documentary to weave real life elements together as a political statement of the ghetto 70's NY. It's hard to imagine just how corrupted NYC was in the 70s. Just crazy
Le saviez-vous
- AnecdotesAt a cost of $10 million (USD) an episode to produce, The Get Down (2016) has joined Friends (1994) and Game of Thrones (2011) in a 3-way tie for the 2nd largest budget in TV history. Urgences (1994) holds the record for highest budget per episode at a whopping $13 million (USD).
- Crédits fousThe Bazmark Films logo appears in the style of graffiti art.
- Bandes originalesUp the Ladder to the Roof
Written by Vincent DiMirco and Frank E. Wilson (as Frank Wilson)
Performed by Elliott Wheeler and Ralph Alessi
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Відрив
- Lieux de tournage
- 85 Court St, White Plains, New York, États-Unis(Francisco Cruz Community Center)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée52 minutes
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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