Fear Itself

An exclusive-to-BBC-iPlayer (sort-of)-documentary, which is (sort of) about how and why horror movies scare us, 'Fear Itself' is a peculiar, esoteric, wonderful little treat of a film.

In a manner reminiscent of Mark Cousin's epic and fantastic documentary series 'The Story of Film: An Odyssey', combined with Mark Gatiss' delightful documentary strand 'A History of Horror', director Charlie Lyne - with 'Fear Itself' - does away with conventional documentary structure (i.e. linear narrative, talking head interviews, objective in-depth analysis), and instead presents us with a stream-of-consciousness ramble from a fictional, unseen Narrator (played/voiced by the lyrically dulcet Scottish tones of Amy E. Watson), who hushedly guides us through a smorgasbord of clips from over 100 years of horror film-making.

Over an eclectic tapestry of fearful scenes from films you'd expect (such as 'Ringu', 'Don't Look Now', 'Suspiria', and a Lynchian double-bill with 'Lost Highway' (via the Mystery Man) and 'Mulholland Drive' (via...NOT the creature behind Winkies Diner, weirdly)) and other films you wouldn't expect in the slightest (such as 'Gravity', 'Brazil', and 'Hollow Man'), the Narrator weaves a thesis on the nature of fear in cinema, and fear itself (naturally), via a fictional narrative of her character that just so happens to tie in with the films turning up on-screen while she speaks (like with 'Martyrs' and 'The Strangers').

Watson's mesmerising voice, alongside the words she speaks, as well as the barrage of clips from films familiar and obscure, coupled with the extraordinary music and unnerving sound design, help make 'Fear Itself' an exceptionally hypnotic viewing experience, which transfixes you from beginning to end.

Plus, it makes you appreciate the craft of not just horror film- making, but the sheer visceral power of the moving image itself, and the ways in which the best movies can effect you just through the way they look and sound.

Even better, it introduces you to a whole host of old and new foreign films that you'll never have heard of before, but which you will definitely want to seek out once you see the images from them that 'Fear Itself' shares with you.

A perfect film to watch in the run-up to Halloween.

This film is hard to categorise; it doesn't have a plot as such and is entirely made up or clips from horror films or films which contain elements of the genre. As we are shown the clips a narrator tells of how, following an accident, she has thought about the nature of fear and how it is used in film.

I'm not sure what I think of this... it was just so different. I had no knowledge of it before watching and when I saw it recommended on the BBC iPlayer I assumed it was a standard documentary about horror films. If you want to be scared you are likely to be disappointed as most of the clips aren't that frightening and the fairly emotionless narration of Amy Watson is calming rather than frightening; something I'm sure was deliberate. The selection of films was interesting; many will be familiar to most horror viewers but there were also plenty I'd not heard of before. They are taken from the earliest horror films right up to ones made recently. Overall I'd say this won't be for everybody but I'm glad I watched it... I'd recommend it as even if you don't enjoy it you might get some ideas for films to watch in future from the clips.

Let me pretext this by saying, if you want a horror movie with a story line, do not watch this film. There will be screaming ladies, zombies, vampires, Technicolor, black and white forests, creatures from another dimension and a whole lot of creepiness, but if you want a story, go away.

This is more of an exploration of horror cinema, rather than a conventional horror film. Sure, there is a frame of a girl in an accident, recounting the fact that horror has helped her overcome her trauma, but apart from that, there is pure cinema. Suspiria rubs alongside Blow Out (the john Travolta remake of Blow Up), while we are sucked in with Night of the Hunter and Raat.

In my opinion, this is a masterpiece in reference; to be able to keep a mainstream audience impressed by an art film is a hard job, nut the BBC seems to have done it. It is a wonderful exercise in tone and suspense, and a very good film. Would recommend for anyone who needs to turn on their lights.

I'm not saying it's boring, but Amy Watson narrates the documentary in a soothing relaxed voice while clips of various films pass by. One reviewer says that the clips don't seem to hold any context with the storyline, but I think they do, in some way they relate to what she is saying, and the subject matter is always of course, fear itself. I recorded this when it was on the BBC and watched it in bed. 90 minutes is just right and I was able to get through it fine.

I had watched many of the films that were featured but the clips that are shown are hardly ever climatic scenes, as in , the one you would normally see scattered throughout trailers or other documentaries, in fact some of the scenes made me question if I had seen the film properly all the way through.

It's not great but it isn't terrible either.

This "film" is boring.

Short clips of various movies are shown along with a monotonous Scottish-accented voice-over that is presumably intended to convey us into the psyche of the film-maker - or possibly into some kind of archetypal fear zone that exists in all of us...

However, an interminable and almost arbitrary sequence of extracts from horror or thriller movies does not a frightening experience make! On the contrary the effect is rather the complete opposite. The narrator's insistence on fear and tension seems to rob each clip of every vestige of fear and tension! Perhaps that's the "sly" subtext of this movie, I don't know...