Grossesse sous surveillance

Now here is something you don't see everyday, or at least in a long while: a deadpan, totally serious, almost (sometimes) dramatic take on Lifetime movies-of-the-week on Lifetime. If what my wife tells me is correct, A Deadly Adoption actually has practically the same plot as another Lifetime movie not too long ago - a pregnant woman with nefarious intentions gets her way between a husband, wife and their child and wreaks havoc while seemingly about an adoption scenario. This is, I'm sure, intentional on the parts of executive producers Will Ferrell and Adam McKay; they not too long ago made Casa de mi Padre, a stone-faced take-off on Spanish tela-novellas with Ferrell playing Mexican full-tilt, and Wiig herself was in a series on IFC, The Spoils of Babylon, which was also a take on soaps (the writer of this film, Andrew Steele, was one of the writers for Babylon).

But what a strange, entertaining beast this is. At first I wasn't sure what to make of it - is this really trying to be *serious*? How much of this is supposed to be a joke or a comedy? One may go into A Deadly Adoption with Ferrell and Wiig at the top of the cast and wonder what's up, if this is going to lampoon Lifetime movies. I should say it does, but not as much as I thought it would, or rather it's in small doses. There are lines and scenarios that are very funny, such as referring to the main couple's daughter's condition: "You know the dangers of diabetic ketoacidosis!" Or the fact that Ferrell's character, Robert Benson (like Bob Benson from Mad Men, I wonder, maybe just a coincidence), is now a reformed alcoholic who used to go on benders during his book tours... for books on financial advice.

And to be sure, at first, seeing Ferrell and Wiig delivering such earnest dialog, and just how they look is funny (Ferrell with a beard that could have easily been pasted on). But all of the other actors are the people who you would usually see in a Lifetime movie, and the director, Rachel Goldenberg, is not a Hollywood pro exactly. She has a wild mix of credits, from Asylum movies (Sherlock Holmes, to tie in with the 2009 movie) to actual TV movies of this ilk (Escape from Polygamy) and more recent comedy work. Steele has more of a foot in comedy, as a writer and collaborator on SNL, though he, the director, and the actors do a remarkable thing: they completely commit to the scenario, the drama around this crazy 'new woman' who comes in to turn everything upside down and cause violence and kidnapping and affairs revealed and shocks galore. And I wouldn't want it any other way.

I thought about other made-for-TV cable movies that come out, like the Sharknado movies and the like on the SyFy channel, which probably have about the same self-awareness as A Deadly Adoption. But I never see the actors in those movies - many of them are all but winking at the camera as they go to collect their quick paychecks to get eaten by CGI sharknados or Megapythons or whatever. Ferrel, Wiig and company aren't out to make anything cheap or silly here (though maybe the last scene is goofy, perhaps just like a Lifetime movie). The funny thing is, because Ferrell and Wiig and co-star Jessica Lowdnes play everything completely straight - and Ferrell and Wiig are better actors than a Lifetime movie should ever deserve - and it's all believable, sometimes verging on maybe, kinda, sorta being dramatic in a *good* way... until one realizes what they're saying, more often than not, is absurd, as are the situations they get themselves in.

The tropes are all recognizable if one is into Lifetime movies, and that's also the idea, from the happy white family and the "bad" girl that comes in to make things chaotic. It's not something that can be easily parsed into 'Oh, it's just a parody' or 'Oh, it's actually just another Lifetime movie with these actors'. I found myself laughing many times during A Deadly Adoption, if not during every scene. It's a wholly clever, successful experiment in poker-faced absurdism.

After much speculation it turned out the movie wasn't at all a comedy/parody, although some moments could've been interpreted in a funny way(the garage door opening being one of them), it is actually a Lifetime tribute with essential elements of their movies that have been popular with its audience: a life-altering accident, a fresh start after couple of months/years(it occurs twice in perfect sync at the beginning and ending of the movie), alcoholic husband, naive partner/wife, dark past that gets everyone in trouble, a crazy ex-lover, best friend who knows too much for his own good, phone that stops working in a crucial moment, police getting involved all too late, saving the day ending and lets not forget the classic handgun shooting happening between almost all characters in a row.

For a Lifetime casual fan this will a great movie of their beloved genre full with all the dramatic bits that they enjoyed throughout the years involving 2 A+ listed actors who attracted attention, in order to celebrate their 25th anniversary of hilarious clichés.

For non-lifetime viewers this will be a new and enjoyable experience which they could find funny in some scenes given the 2 comedy Gods involved in it, but you need to have seen at least 1 Lifetime movie to understand the replicated elements that are included in this anniversary. Its not a parody per-se because they didn't had to exaggerate the already overly-dramatized bits which are usually found in Lifetime movies and which some of their casual viewers find hilarious, its simply a replication of those but bunched together in a single movie.

10/10

Robert Benson (Will Ferrell) is a best selling author and financial guru. His wife Sarah (Kristen Wiig) suffers a miscarriage after a dock accident. Five years later, Robert is a recluse and a recovering alcoholic. Sarah is an organic food vendor. He's overprotective of their diabetic daughter Sully (Alyvia Alyn Lind). They're looking to adopt and they meet expecting mother Bridgette Gibson (Jessica Lowndes). They invite Bridgette to stay with them rather than going back to the women's shelter. The problem is that something ominous about Bridgette.

Is it a spoof? Yes, sort of. This is a fascinating odd little Lifetime TV movie. These are great comedians playing it somewhat straight. Yet the dialogue is read with a (pardon the pun) pregnant pause. They are acting sincere but they seem to be doing it with a nudge and a wink. It is serious but it is not at all serious. It opens with a ridiculous dock accident. There's no way this is being treated as a serious drama. Just look at Will Ferrell's hair. That's insanely wrong. But nobody is playing this for easy Wayans brothers' parody laughs. I laugh when Sarah and Bridgette fight but they are not doing a fake comedic fight. This is a fun weird movie.

"I really think another baby will bring the old Robert back." Robert (Ferrell) and Sarah (Wiig) are happily married and expecting a new baby. When Sarah has an accident and they lose the baby their lives are changed. Years later Sarah thinks that if they can adopt Robert will return to his old self. They find a pregnant mother who is willing to give them their baby and allow her to move in with them. This is when the obsession is revealed. First of all if you don't already know this is a spoof of a Lifetime movie. This is not a Scary Movie over the top spoof but it does poke fun at the Lifetime movie genre. Ferrell and Wiig play this straight and that is what makes this work. The script and the acting are purposely horrible and just about every cliché is in this. The movie is predictable, but what Lifetime movie isn't. I will admit this wasn't as funny as I was hoping, but what it is is a perfectly done send up of this genre and for that reason this is worth watching. Overall, a serious spoof of an extremely melodramatic genre. I enjoyed it. I give it a B-.

This is typical Lifetime fodder, neither good nor bad; pretty much middle of the pack. Nothing unique about this. Yes, when you watch Ferrell, you expect him to do something "over the top" to legitimize it as a spoof but that doesn't happen. It's not great or even good drama. It is mediocre. I know of what I speak because I have seen a lot of the Lifetime original movies.

Stating that, it can't be stated as satire. It is far too subtle to be considered satire. It can have a life of it's own as bad Lifetime but it's not really bad enough.

I don't know why Ferrell and Wiig did this movie.

I will say, however, that Lifetime, had a coup with this because it is has created a stir in social media and that may have been the outcome desired all along.