Pauvre petite fille riche

When it comes to these Hallmark movies one has to set the bar to what they are: Girl meets boy, fall for each other, have a misunderstanding, and love wins out in the end. Rinse & repeat. As much as I like action, sci-fi, and even raunchy comedy, I like Hallmark romances because they are a complete break from violence and coarse language. Reminiscent of 1950's RomComs. Good clean fun where you don't have to think too much about it while being entertained.

What makes some Hallmark movies better than others is how they get there, For me, likeability of the lead and inserting some humor in the story really boosts how much I enjoy the movie. Although not quite as good as Harvest Moon, this similar movie also has some good humor in it that makes it very enjoyable. As unlikeable as the lead is to start, after getting a taste of her own medicine while poor, realizes just how awful she was. She does become very likeable as a result. Her journey is laced with humor and there's several other likeable characters involved as well. I really did enjoy this movie as a result.

A Hallmark as so many other. The difference, at the level of nuances, is made by actors and by the axis of this seductive story.

A rich woman proposes a bitter lesson to her spoled daughter. The result of this bitter medicine is more than great - two jobs, a boyfriend, the son of boyfriend becoming more than important part of her preocupation.

But, sure, the lesson is not only for student useful in this case , but for teacher to.

Being an insignificant admirer of Costas Mandylor, I admired his more than good job in the role of pizzeria boss. But, in same measure, I admired the fair and fine manner to use all the potential of her role by Gaile O Grady. The result is just charming.

The little problem - maybe Jonathan Patrick Moore. For my taste, to young for the role of father, coach, boss of sport articles shop. But, sure, it is only a problem of taste and the beauty of the last scene, so predictable, is result of exactly this young look.

So, exactly a nice fairy tale.

'The Right Girl' (2015)

Opening thoughts: Have always had a thing for good premises, which is one of two most common reasons for seeing a film, television programme and such. The other being good, talented casts and there are plenty of films out there that have that. Both the good concepts and good casts aspects have wildly varied in success in film and television, and that is including films from the likes of Hallmark, Lifetime and UPTV. And also including recently, having seen some frustrating wastes of potential.

Luckily, 'The Right Girl' was not one of those wastes of potential. While it didn't start out that way, it was for me actually one of the films that did meet and exceed reasonably high expectations (due to really liking the concept). As far as recently seen Hallmark, Lifetime, UPTV-like films go, 'The Right Girl' is among the better films. Like others, there was the temptation to turn it off, but as someone who makes a big effort in giving all films a fair chance and not bragging about only lasting less than half an hour (which is the equivalent of not watching the film etc in my view) this viewer did stick with it and it was worth it.

Bad things: As said, 'The Right Girl' does not start off great. Actually thought the first act was pretty weak, with some very awkward and over corny dialogue and a female lead character that was so difficult to like with being so excessively nasty and rude. To the extent that there was real doubt as to whether she would have any form of character growth.

Did think too that the ending was too telegraphed too easily and too early and in a way too pat, especially with the overwrought conflict drama that came before it.

Good things: On the other hand, this viewer is glad about sticking with 'The Right Girl' after its shaky start, because everything that happened in between was quite good. Anna Hutchison and Jonathan Patrick Moore are very likeable leads and thankfully Hutchison's character does grow significantly, with nothing rushed about how she changes and evolves. Moore has the infinitely more likeable character and plays him very charmingly. Their chemistry is very easy going and genuine. Gail O'Grady steals every scene and is a funny breath of fresh air.

Furthermore, the script flows well from the first half an hour onward and is suitably light hearted while not being cheesy or too schmaltzy. The story, even with the predictability, has a nice energy and is heart-warming, wisely not taking itself too seriously without going too far on any ridiculousness. The characters are more than typical genre cliches and generally endear, with only reservations with Hutchison's character in the first act. The film looks nice, particularly the scenery, and the music doesn't intrude or feel too much.

Concluding thoughts: Concluding, shaky start but gets infinitely better if given a chance.

7/10.

This movie starts with a premise that isn't quite as overused as some - rich girl goes broke. I kind of expected something like Harvest Moon.

Then about half way the story takes a turn I didn't expect and I liked it. But once that was established, the ending was predictable.

I wasn't in the mood to watch Anna Hutchison be a witch so I used FF button a lot through the first 20 minutes. After that she does become a different person and it was one of the more blatant personality swings I've seen. I always have to remind myself that this genre of movie always pushes reality way to the side and that's to be expected.

Anna Hutchison and Jonathan Patrick Moore had chemistry and it was nice watching them together.

The kid is a bit precocious, but adds a nice touch.

At the start, I found the lead character unbearable and nearly gave up, but as she truly finds the best version of herself, this becomes a great movie. All kids should get a job in their mid-teens and really value their own and other people's time and money - it is just as important as school - otherwise they'll be immature for years, just like this girl. There's a good age range and mix of characters/situations so something for most of us to identify with. The story and the movie itself show that, despite the grief, 'bad' things are often something to be thankful for, and not always bad things after all.