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Ajouter une intrigue dans votre langueA cynical and clever coming-of-age film about first-time novelist Fenton Dillane, who returns to New York City unannounced to confront his family, his ex-girlfriend, and a few lingering chil... Tout lireA cynical and clever coming-of-age film about first-time novelist Fenton Dillane, who returns to New York City unannounced to confront his family, his ex-girlfriend, and a few lingering childhood fears.A cynical and clever coming-of-age film about first-time novelist Fenton Dillane, who returns to New York City unannounced to confront his family, his ex-girlfriend, and a few lingering childhood fears.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Mary-Louise Parker
- Annabel
- (as Mary Louise Parker)
Benja K. Thomas
- Pam
- (as Benja Kay Thomas)
Christopher Lowell
- Victor
- (as Chris Lowell)
Avis à la une
This film tells the story of a young writer, who goes back home to New York to find that his dysfunctional family is falling apart. To top that up, his ex-girlfriend that he cannot get over with is getting married to another guy in a few days.
"Chronically Metropolitan" is basically a showcase of how not to make a film. The plot is boring and tedious. It is just plain and uneventful. Camera work is really plain as there are many long shots showing conversations, and this would have been broken up to close up on the speakers in other films. The point of view for the viewers is almost like an passive bystander, without any engagement with the characters or the situation they are in. The actors are mostly devoid of any emotions, as they sleepwalk through their roles, delivering lines in a passionless and lethargic manner as if they were kids being forced to read texts reluctantly. The only exception is Josh Peck, who at least muster smiles and look energetic in his role. If not for Josh Peck, the film would have been completely bad.
"Chronically Metropolitan" is basically a showcase of how not to make a film. The plot is boring and tedious. It is just plain and uneventful. Camera work is really plain as there are many long shots showing conversations, and this would have been broken up to close up on the speakers in other films. The point of view for the viewers is almost like an passive bystander, without any engagement with the characters or the situation they are in. The actors are mostly devoid of any emotions, as they sleepwalk through their roles, delivering lines in a passionless and lethargic manner as if they were kids being forced to read texts reluctantly. The only exception is Josh Peck, who at least muster smiles and look energetic in his role. If not for Josh Peck, the film would have been completely bad.
1 minute in, a post-middle aged Christopher North is quoting Yeats to a probable teenager who's drinking from a flask in the backseat of his car.
She clutches the front row bench seat while he clutches her, providing a recital of the dead Irish poet's prophecies to a fit of drunken giggles and indifference. Mr. North, wearing the worst fake goatee I've seen since a 1970s middle school Halloween party, proceeds to slip her a very visible tongue. I feel incredibly confused and unclean.
#MeToo
Well the title fits the film. Chronically self absorbed wealthy New Yorkers. It's hard to really care about a young published author from a wealthy family when NYC is so full of unpublished poor authors. It's also hard to tell the difference between the cute young blondes in the movie. This movie is basically about "white peoples problems."
I also suspect the tobacco industry paid a lot for product placements. There is a lot of gratuitous smoking in the film for no other apparent reason.
Slow, plodding, boring, and depressing. I stopped watching half way through, just couldn't take any more "I'm sorry" every other scene.
Instead, go empty the trash and clip your toe nails, at least you'll get something done.
Instead, go empty the trash and clip your toe nails, at least you'll get something done.
This film is beautifully shot with its cinematography of the streets of New York City. Also, the characters here are rich and beautiful and, at times, they'll be some clever dialogue.
However, I also found most of the characters here quite manipulative and shallow and lots of the scenarios came across to me as contrived, like a soap opera in other words. To note, this is an adult drama, with some sex scenes, explicit references, raw language, and on screen drug use.
However, I also found most of the characters here quite manipulative and shallow and lots of the scenarios came across to me as contrived, like a soap opera in other words. To note, this is an adult drama, with some sex scenes, explicit references, raw language, and on screen drug use.
Le saviez-vous
- AnecdotesThe bottles of beer in front of Fenton and Layla at the restaurant when their father takes them out is Duvel, a slightly sweet Belgian beer with 8.5% alcohol by volume. It is considered somewhat sacrilege to drink it out of the bottle as Layla does as like many Belgian beers, it has its own special glass in which it is supposed to be served to maximize all the characteristics of the beer when drinking it.
- GaffesAnnabel's pony-tailed hair as she waits for a cab in the building's lobby.
- ConnexionsReferences L'espion qui venait du froid (1965)
Meilleurs choix
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- How long is Chronically Metropolitan?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Kronik Büyükşehirli
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 30min(90 min)
- Couleur
- Rapport de forme
- 21:9
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