Sieranevada

There are two things you need to be willing to embrace before you watch this film. First, the film is not going to make the connections between the characters easy for you. If you are a lazy viewer who is not paying close attention to the dialogue or you do not grasp the connections between the various dramas that are played out, you might be frustrated with what superficially appears to be a lack of direction and feel the film is "pointless". Second, the film is EXTREMELY Eastern European in character. If you want a Hollywood ending you will not find it here.

However, I simply love films like this that propel you into a difficult family situation and spend most of the film time there, allowing you to try to figure out for yourself what's going on. "The Godfather" is one example; I was also a huge fan of Roman Polanski's "Carnage". For people who like that kind of thing this film is a huge treat. It is only at the very end, after the slightly odd car monologue by the main character, that you really feel satisfied with what the film has accomplished and that you have come to understand a subtle coherence within the mess of individual failed narratives. Every character in this film is a self-actualized, 21st century individual who has come up with their own personal story about how the world works. The film's plot makes that obvious, but the remaining questions are up to you: where are the lies? Where is the truth? What happens to the main character at the end? This is a rather beautiful puzzle to behold.

I love this movie completely! I went to see it in a Friday evening, 9 PM, but it won my full attention from the first line! I have enjoyed every single second of its 3 hours although I was tired and it changed my spirit, made me laugh, made me think, made me happy. It is a movie created from our very essence as a nation, from our each and every archetype, from our collective or individual beliefs, but with a director touch of genius that makes the movie to be an incredible story and an amazing movie experience. It is, for sure a state of mind movie, but, at the same time, I believe it's one movie that builds its own state into your mind. The thing I loved the most about the movie is the dynamics of the characters, each being its own archetype and what happens between them is completely delusional (in its best sense). The choice of the actors - truly inspired, every one fits its character best and it feels like you are really in that apartment with them as the synergy created is so well built. Highly recommend it! Congrats to our talented directors, for such an incredible year for the Romanian movie scene!

I don't know why but I found this movie really good. It resembled to the the high school book I had to read in my time, Enigma Otiliei or like Morometii book & screen play. Like all Romanian movies, it has that drama-parody of being a post-communist member; like all the good post-revolution movies. This movie is from the same category. But! And there's a huge "But". This movie has a really tangled and well-structured story line. The characters are really complex. I loved the "detailed" small-talks that took place alongside the main story. Also, like many Romanian families, you have that huge abundance of relatives that you have to deal with. You have that "It's family!" saying that your mother told you every time you couldn't stand your cousin when you were little. Also, all the actors seem to play their parts really well. I've seen almost all the good Romanian movies and I can say that these are some hardcore actors. They fit so well with their characters and their performance is almost perfect. Yes, it has the downsides that all Romanian movies have: the static scenes and the bad sound quality. You have to have subtitle otherwise, most of the time, if you are Romanian, you won't understand a word. All of this being said, enjoy! It's just a pure South-Eastern Week-end story event!

Family drama has never portrayed this good. You are invited into this family's house during the aftermath of a funeral in the wintertime. It gets very intense.

The long demanding exhausting movie is permeated with Eastern European scent. The legacy of the poor relatives and backyards of Europe is recognisable in every excruciating detail for those who had grown up there. Smallish crowded kitchens with dilapidated cabinets. Worn out light switches which were the same in Bucharest or Kyiv. Long tables if unfolded occupy the whole living room and you squeeze yourself out to get to your seat. Low-waged doctors who downshift to medical equipment salesmen. And the family saga which unfolds painfully slow and mesmerisingly absorbing. Once you are on the other side of the film equator you cannot but start guessing what the hell is going on in this family. Cutting of the movie is so unorthodox that you start wondering if there had been any cutting at all.