Demain
- 2015
- Tous publics
- 1h 58min
NOTE IMDb
7,9/10
3,7 k
MA NOTE
Le climat change. Au lieu de montrer tout ce qui peut arriver de pire, ce documentaire est axé sur les personnes qui proposent des solutions et leurs actions.Le climat change. Au lieu de montrer tout ce qui peut arriver de pire, ce documentaire est axé sur les personnes qui proposent des solutions et leurs actions.Le climat change. Au lieu de montrer tout ce qui peut arriver de pire, ce documentaire est axé sur les personnes qui proposent des solutions et leurs actions.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Bernard A. Lietaer
- Self
- (as Bernard Lietaer)
Avis à la une
Documentaries about change for a sustainable future come in all kinds and shapes. Often they start with doom and gloom images of what lies in store if we don't mend our way toward sustainable behaviour, with a closing 'happy chapter'. Nothing like this in Demain / Tomorrow. It's overall tone is realistically-optimistic, showing a 5-themed search for examples of projects and persons trying to put into practice what needs to be done to ensure a resilient future for all of us. Especially its common-sense attitude helps the viewer to relate easily to the (young) film makers. It is quite lengthy (118 minutes), but absolutely worth your time. The score is well-chosen,with some appropriate texts songs by talented Swedish jazz/pop singer Fredrika Stahl.
I rarely have the time to write reviews lately even though i would love to.
Avid movie goer and supporter of zero carbon economies, I felt i wasted my time watching Demain, so warning others motivated me to write this one.
The first three chapters (agriculture, energy, economy) are bearable because they are in the right direction, including some good interviews such as with Jeremy Rifkin, yet they are broadly banal because they mostly project well known, and often old, stories as something revelatory, new and the future.
The European Union has doubled from 8% to 16% in the last ten years the contribution of renewables to the energy mix, with many countries already by 2014 having achieved the 20% target which is supposed to be achieved by 2020. Did we really need pictures of wind farms in Denmark to find out that there is an alternative future?
In the first three chapters, my impression was the creators of the movie felt they had just discovered "America".
The last two chapters (democracy and education) were worse, trying to talk about hugely complex issues with amateuristic banality and simplifications, e.g the interviewer asks a teacher in Finland about what the projected as ground breaking new teaching techniques are to hear as a response that their objective is to promote tolerance.
Finally, i found the way the film was presented as a bit manipulative with all the pictures about the alternative futures being framed in idealistic settings, shot in sunny days, beautiful sunsets, or sitting by the sea on a warm summer day.
I guess in the real world it does rain too sometimes, and to be credible and avoid descending into propaganda one has also to address the challenges too. I feel a good documentary should encourage debate and present different views. Nothing of this here.
I agree with the direction of the movie: urban farming, low or zero carbon economies, local community economies to balance the excesses of global capitalism, my views too. In short, promoting more resilient societies in an increasingly globalised world.
My disappointment comes from my belief that misguided efforts to popularise alternative futures and misplaced enthusiasm could do more harm than good, creating cheap expectations that everything is possible and fast, generating simplistic readings of a complex world, and offering cheap optimism where they should encourage personal responsibility. As Jan Techau wrote recently: If you rely on the rage of the people more than on the merits of your own idea, then your case is weak.
Alternative futures to be sustainable require dialogue between competing social interests not competing activisms each glorifying its own alternative.
Avid movie goer and supporter of zero carbon economies, I felt i wasted my time watching Demain, so warning others motivated me to write this one.
The first three chapters (agriculture, energy, economy) are bearable because they are in the right direction, including some good interviews such as with Jeremy Rifkin, yet they are broadly banal because they mostly project well known, and often old, stories as something revelatory, new and the future.
The European Union has doubled from 8% to 16% in the last ten years the contribution of renewables to the energy mix, with many countries already by 2014 having achieved the 20% target which is supposed to be achieved by 2020. Did we really need pictures of wind farms in Denmark to find out that there is an alternative future?
In the first three chapters, my impression was the creators of the movie felt they had just discovered "America".
The last two chapters (democracy and education) were worse, trying to talk about hugely complex issues with amateuristic banality and simplifications, e.g the interviewer asks a teacher in Finland about what the projected as ground breaking new teaching techniques are to hear as a response that their objective is to promote tolerance.
Finally, i found the way the film was presented as a bit manipulative with all the pictures about the alternative futures being framed in idealistic settings, shot in sunny days, beautiful sunsets, or sitting by the sea on a warm summer day.
I guess in the real world it does rain too sometimes, and to be credible and avoid descending into propaganda one has also to address the challenges too. I feel a good documentary should encourage debate and present different views. Nothing of this here.
I agree with the direction of the movie: urban farming, low or zero carbon economies, local community economies to balance the excesses of global capitalism, my views too. In short, promoting more resilient societies in an increasingly globalised world.
My disappointment comes from my belief that misguided efforts to popularise alternative futures and misplaced enthusiasm could do more harm than good, creating cheap expectations that everything is possible and fast, generating simplistic readings of a complex world, and offering cheap optimism where they should encourage personal responsibility. As Jan Techau wrote recently: If you rely on the rage of the people more than on the merits of your own idea, then your case is weak.
Alternative futures to be sustainable require dialogue between competing social interests not competing activisms each glorifying its own alternative.
The world needs more films like this one: inspirational, educational, meaningful and mindful. Excellent work!
This documentary was without a doubt, outstanding! It was informative and inspiring, with wonderful examples of cities and towns, schools, individuals who really are 'living what could/should be', not to mention the great soundtrack! It was almost a full theatre, and at the end, most of us stood up and clapped! This was in France (St Jean de Luz).
I'm going to suggest it to our cinema owner in Sechelt, BC. It is truly a Must See for anyone who is interested in joining conscientious individuals/communities who want to see us have a 'tomorrow' for our children!
* My question is, we want to see it in Canada, and I wonder ~ ASK ~ Why this documentary is not shown everywhere? in other countries?
I'm going to suggest it to our cinema owner in Sechelt, BC. It is truly a Must See for anyone who is interested in joining conscientious individuals/communities who want to see us have a 'tomorrow' for our children!
* My question is, we want to see it in Canada, and I wonder ~ ASK ~ Why this documentary is not shown everywhere? in other countries?
Le saviez-vous
- AnecdotesIn France this documentary had 718,000 viewers in 12 weeks.
- Citations
Jeremy Rifkin: In Germany, the vast majority of the electricity being generated is by small players in electricity cooperatives, which are democratic managed institutions.
[sic]
- ConnexionsReferenced in Demain Genève (2018)
- Bandes originalesStep By Step
Written by Fredrika Stahl
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 62 510 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 480 $US
- 12 mars 2017
- Montant brut mondial
- 11 291 395 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Rapport de forme
- 2.4 : 1
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