Beira-Mar; ou l'âge des premières fois

I was delighted to discover this gem of a film. Outstanding, naturalistic performances and relatable characters. I found myself completely engaged from the very beginning of this film. Excellent casting and direction of two quality lead performances. Highly recommend this film!

"Seashore" is not a film that rushes its audience; instead, it unfolds with the quiet rhythm of the waves, a slow and delicate exploration of connection and self-discovery. The film's strength lies in its nuanced performances, particularly from its two leads, whose chemistry is both subtle and deeply affecting. The actor portraying Tomaz is especially captivating. There's a captivating authenticity to his portrayal, a naturalness that draws you into his internal world. His performance is a quiet triumph, filled with understated emotion that lingers long after the credits roll. It's a performance that invites you to lean in and truly observe, rewarding your attention with layers of unspoken feeling. "Seashore" is a film for those who appreciate the beauty of subtlety, the power of quiet moments, and the profound impact of human connection. It's a gentle tide that washes over you, leaving a lasting impression of warmth and introspection.

Its realy nice movie to watch if you just want the emotions,its not eventfull and it doesnt have that much dialog but i realy enjoyed it because i just wanted to wach something thats relaxing and where you dont focus on the words that much.Wouldnt recomend this movie to those people who are all about plot and drama.

This is a pleasantly developed story, well acted and directed. The two themes interweave - coming to see a bullying father for what he is, and using the character of a gay friend to help Martin, who is the victim of his own father's anger, arrive at freedom and self-assurance. This is one gay character who is not angst ridden, but comfortable in his own life and consequently able to be a guide and support. The final sequence shows self-doubt being finally overcome. This is not an action movie, but a story of psychological development. It is of the utmost importance when watching this film to read the subtitles carefully. The film is slow in parts because these are teenagers given time to say things they find it hard to express. There is a lot of time given to plucking up courage. A good film, and I enjoyed it.

So do you suppose there is a way for me to sue Filipe Matzembacher and Marcio Reolon, the directors of this staggeringly boring movie, for my time back? This film was rambling, boring, pointless. I wondered if this even had a script and they just let the actors improvise. Nothing was solved. Nothing resolved. I finally kept fast-forwarding through it hoping that something would happen. The actors were cute and seemed to be able to act. But I certainly won't be looking out for anything by these directors again. What a waste of my time. What is it with gay movies that the creators seem to think they have to get artsy-fatsy? Straight love films have a beginning, middle and end. Why can't a gay movie?