Grease Live!

Briefly comparing to the 1978 film, which is still hugely enjoyable now, 'Grease Live' is vastly inferior in many ways but is still very much watchable on its own merits.

As far as live TV productions of musicals go, 'Grease Live' is superior to the live TV productions of 'The Sound of Music' and particularly 'Peter Pan' while fell flat, but 'The Wiz' while uneven fares the best.

There are many good things here. Many of the songs are great, some like "Summer Nights", "We Go Together", "Hopelessly Devoted to You" and "Greased Lightning" are classics. The choreography is spirited and energetic, especially at the end and in "Greased Lightning". The 1950s production values are very attractive, the dialogue is mostly witty though with the odd clunker and pacing though with the odd part where it grinds to a halt (especially "Beauty School Dropout") is sprightly.

'Grease Live' also boasts some good performances. Best of the lot is surprisingly Vanessa Hudgens as Rizzo, she brings sass and vulnerability to the character and successfully sheds her "Disney star" image, proving that she is much better than that. She sounds great, with her voice having come on hugely since the 'High School Musical' films with a powerhouse rendition of "There Are Worse Things I Could Do", one of the production's highlights.

Julianne Hough is far superior here than she was in the awful remake of 'Footloose', she is a very charming Sandy and has a lovely tone to her voice, with a sweet "Hopelessly Devoted to You" and doesn't hold back at the end. Jordan Fisher and Carlos PenaVega (apart from getting lost a little in "Greased Lightning" steal scenes, while Ana Gasteyer is good too. Kether Donohue and Elle McLemore prove that you can be funny and camp but also be subtle, and it was great to see Didi Conn and Barry Pearl.

On the other hand, this reviewer had mixed views on Aaron Tveit. He has a great voice, better than John Travolta's perhaps, as could be heard in 2012's 'Les Miserables' where his voice was one of the standout voices, and he is an energetic dancer, but he lacks the cockiness and charisma as Danny instead coming over as wooden and bland. Keke Palmer plays Marty far too broadly and is far too theatrical that it was painful to watch her, while Mario Lopez and particularly Haneefah Wood are supremely irritating. Carly Rae Jepsen's Frenchy sounds under-powered and strained, and she flounders with comic timing and never looks comfortable.

Not all the songs work either. "All I Need is an Angel" and particularly "Beauty School Dropout" are incredibly out of place and completely take one out of the period with too much of a present day vibe. It was nice to hear "Freddy My Love" and "Those Magic Changes" but the former also seems oddly placed, while the title song "Grease is the Word" is so dreary and the lyrics and vocals too often inaudible in a production plagued with problems with sound and balance with a lot of dipping in and out.

All in all, an uneven production and very much a mixed bag. A number of merits but some glaring flaws as well. 5/10 Bethany Cox

Having watched all of the live musical performances on TV since NBC's production of "Sound of Music Live!" in 2013, I was anxious to see what Fox could do with "Grease: Live". The movie "Grease" is a favorite of mine. Like many others, I have watched the film many times.

All in all, I was pleased with the show. Most of the issues were technical, and there was only one actor (who I will not name) whose performance disappointed me.

It was the sound that tempers my enthusiasm for this production. In some cases, leading vocals were not quite loud enough. There was a total loss of sound during a portion of the "Hand Jive" number. And the big disappointment was the poor sound quality during Julianne Hough's (Sandy) performance of "Hopelessly Devoted To You"--what would have been the highlight of the show due to Julianne's soaring vocals. It sounded like a microphone problem, but wouldn't they have two mikes in case one failed?

The logistics of staging "Grease: Live" are mind boggling. I appreciate the way they took the viewer backstage and otherwise revealed the layout and the mechanics of moving cast and crew.

The cast is extremely talented. There were too many great performances to list them all, but I want to single out Elle McLemore whose Patty Simcox was inspired.

The storyline mostly followed the movie, but there were numerous deviations. The choices made resulted in a very enjoyable hybrid.

A DVD would be a nice addition to one's personal collection of musicals, but they will first have to clean up or remake Julianne's solo.

7/14/16: Received 10 Emmy nominations.

Updated 10/4/2019: I watched this performance again on pay-per-view. I am pleased to say that Julianne Hough's performance of "Hopelessly Devoted to You" has been fixed. I don't know what other edits might have been made. Since there are no commercials (or transitions to commercials), some of the backstage glimpses are lost. But I really enjoyed my second viewing. I noticed some things I had missed the first time through. And Vanessa Hudgens' talent really stands out. Her performance of "There Are Worse Things I Could Do" is a highlight.

Obviously it is a big undertaking to mount a live television production of Grease. The stage musical is a mainstay of various theatre productions with regular revivals and the film version is a classic despite some of its cheesiness. Even John Travolta recently admitted the film has become timeless, popular with kids even with the suggestiveness of some of the dialogue and lyrics.

Jessie J kicks of the rainy opening by singing Grease and we get to the setting very quickly and the opening number of Summer Nights. Julianne Hough is good as Sandy really evoking the memory of Olivia Newton John although her character hails from another part of the USA and not Australia. Aaron Tveit does well as Danny but never matches the cockiness of Travolta, which might had been easy to do if you are a young actor who just scored an Oscar nomination and a worldwide smash hit a year earlier with Saturday Night Fever. Vanessa Hudgens was less acerbic as Rizzo than Stockard Channing.

The production has songs that are featured in the stage production which might not be familiar with those who have only seen the film version. The production knows it has go for those big tent-pole numbers like Greased Lightning, Hopelessly devoted, Sandy and the finale You're the one that I want.

As it is a live television number there are stage set changes built in to the production as the cast have to get from one stage to another. There are lots of ad breaks. I cheekily recorded this to my TIVO and watched it 60 minutes after it started and then fast forwarded the ad breaks. The running time for me was about 2 hours and 15 minutes.

I guess some people may not be happy with the diverse casting but Grease was always about people being true to their feelings rather than fitting in with stereotypes. The creators of the stage musical would only be too happy that the show has progressed.

Some of the production limits it to its stage show origins. The car race was rather pedestrian masked by use of lighting and smoke.

Despite the pruning of the lyrics in Greased Lightning, some of the dialogue might be deemed to to be rude to younger viewers but I think some of it flew over my son's head.

For the most part, Fox really got it right. The two lead actors were up to the roles. Both could really sing, dance and act. What a far cry from the lame leads on NBC's versions of The Wiz, Peter Pan and Sound of Music. The staging and sets were outstanding. The camera-work was first rate and the audio mix was very good.

Julianne Hough was absolutely outstanding. A very young 27, beautiful and talented performer, she was a perfect choice to play Sandy. I cannot think of anyone who could have done it better.

The guy playing Danny - Aaron Tveit - had the right looks and build for the role and is an excellent singer-dancer-actor.

The supporting cast was enthusiastic and well-rehearsed.

Except for a 20 second audio loss during Hand Jive, there was no major technical glitch. Unlike NBC, the cameramen did not wind up in each other's shots. The movie was virtually all white as fit the setting of 1959. This Grease version tried a little too hard to integrate the cast and with the exception of the Coach, that really didn't work. It was the equivalent of sticking a bunch of Whites or Asians in The Wiz or Purlie. However, the forced diversity wasn't too glaring and didn't hurt the show overall.

Fox's Grease Live sets a new standard for live TV musicals. Congrats to all - cast, crew, producers.

I wasn't expecting much but I was pleasantly surprised. This is a really nicely done musical. The performances are solid and the logistics must have been beyond the pale. The scene changes are outstanding. Compared to others of these live TV productions, this is far superior. The singing is really strong with an occasional dropout, but that's to be expected. One thing that I kept thinking is that Aaron Tveit looked kind of old to be Danny. I checked and apparently he's thirty-three. Of course, that is a challenge they had to face. As demanding as this musical is and the fact that so much professionalism is required, there aren't many true teenagers who could hold up under the pressure. If John Travolta goofed up, he could do it over again sixteen times. Grease has grown on me over the years and it was really fun to hear the songs again.