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You can't blame Dick Maas for not trying. This movie is probably not going to disappoint you if you're are a fan of his much older work. You might think Maas learned from his past mistakes, but his directing style is not going anywhere and it is still utterly horrible. The whole plot (or lack there of) is awfully slow, nothing really happens until the lion shows up and after that the whole film seems oddly paced. I won't go into details to avoid spoilers. The lion was supposed to be done entirely with digital effects, but because of the lack of budget they had to resort to animatronics, for which you could applaud the makers. Sadly, everything falls apart quickly. Whenever you see the lion, it's never believable. Not only because of how it looks, but also it's behavior. The action is entirely unsatisfying and the whole movie falls flat after the hour mark. The acting ranged from horrible to decent, which might add to the camp factor of the movie.

This movie was supposed to fall into the "So Bad It's Good" category, like most of Maas' films, but this genre is overrun by movies that made this an art form (look at the library of "The Asylum", movies like "Sharknado" and it's sequels). This movie doesn't get to that standard. What you do get is a movie that doesn't know what it wants to be, a thriller, a horror, a comedy or an action movie. Selling a movie on just the idea of a lion going on a rampage in Amsterdam isn't something you can base a complete movie on this way in 2016.

It comes down to a nice try to revive the 80's bad horror movie, something Sam Raimi recently achieved beautifully with his Evil Dead franchise. But you need more self-awareness as a filmmaker to get this to work in this day and age.

The movie supposedly cost around 3 million to make, around three times the budget most other Dutch films are made for, so it's surprising the movie feels like a bad 10.000 dollar movie.

As stated before; if you like films by Dick Maas, you might enjoy it and feel the nostalgia coming over you. But wait for it to come to Netflix and watch it on a rainy Sunday, instead of paying for a theater ticket. For all other people; save your money and don't bother with this.

Also how the lion gets inside a moving tram is beyond my understanding. The film has moments of tension, lots of kills, one pretty disturbing scene regarding a small kid n cool effects.

In my opinion i feel the director Dick Maas (i have enjoyed his The Lift) is very underrated.

Uncaged is a nice re-make of everybody's favorite man eating shark movie. If you liked the one with the fish wait 'til you see the one with the cat. Thumb's up!

I've been waiting for this one to come to the States for a while. Originally released in 2016 and originally entitled ProoI a.k.a Prey. This Dutch creature feature has finally hit us and has been retitled Uncaged. It's a fairly generic title but its promise of satisfactory killer cat thrills is quite successful. The setup is simple as a killer lion attacks Amsterdam with a cast of quirky characters to try and help. The film is fun and gory but not overdone in any way. It's best watched with subtitles because the dubbing is a bit wonky. Although it never strives to be more than what it is, its definitely fun.

3.75/5

I admire Dick Maas: he doesn't let a stupid concept stop him from realising his vision. Killer elevators (Der Lift, Down), a murderous scuba-diver in the Dutch canal system (Amsterdamned), an evil Sinterklaas (Sint): all fairly preposterous, but executed with plenty of enthusiasm and fun. Now add 'man-eating lion with ninja-like stealth' to the list.

Prey's 'mane attraction' is a 7ft big cat with a taste for human flesh, on the hunt in Holland's capital city. How it got there is left a little fuzzy. As is its ability to prowl the streets and parks of Amsterdam unseen or sneak on board a tram without so much as a 'hey, you gotta buy a ticket to ride, Aslan!'. No-one seems to notice the lion until it's too late. Not good for the citizens of Amsterdam, but good news for fans of trashy, gory horror - people get eaten left, right and centre, the lion leaving mangled body parts strewn all over.

The acting is atrocious - or at least the English dubbing is - but the film's characters are enjoyably daft, with special mention going to Mark Frost as the English big-game hunter Jack, who is called in to try and track and kill the lion: he's only got one leg and travels around in a motorised wheelchair, but that doesn't stop him from going face to face with the ferocious big cat, even sacrificing his remaining leg to help lure it into a trap!

It's probably a stretch to call Prey a 'roaring' success - the CGI used to realise the lion could have been better and the pacing is a little uneven - but Maas should take 'pride' in the fact that his film is still worth hunting down.

6.5/10, rounded up to 7 for IMDb.