La vétérinaire d'un zoo se lance dans une effroyable aventure alors qu'elle se retrouve à la tête de la chasse au monstrueux lion terrorisant la capitale néerlandaise d'Amsterdam.La vétérinaire d'un zoo se lance dans une effroyable aventure alors qu'elle se retrouve à la tête de la chasse au monstrueux lion terrorisant la capitale néerlandaise d'Amsterdam.La vétérinaire d'un zoo se lance dans une effroyable aventure alors qu'elle se retrouve à la tête de la chasse au monstrueux lion terrorisant la capitale néerlandaise d'Amsterdam.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Uncaged is a nice re-make of everybody's favorite man eating shark movie. If you liked the one with the fish wait 'til you see the one with the cat. Thumb's up!
PREY (2016, original title Prooi) is the latest from Dutch director Dick Maas, whom you may remember from the 1980s and such films as THE LIFT and AMSTERDAMNED. Sadly his budgets have dwindled in the years since and inevitably there's been a drop in quality in his films, but his heart is still there and PREY is a story with a simple yet classic premise: a man-eating lion is let loose in the streets of Amsterdam and proceeds to go on a rampage of destruction.
As a fan of nature-runs-amok type films this was an irresistable premise for me, and yet the film itself is only so-so. It doesn't help that the version showing on Prime is saddled with an appalling English dub track which makes the whole thing feel like a quirky comedy. The characters are ridiculous, particularly the greate white hunter with his state-of-the-art wheelchair complete with motorised tracks. However, there is a lot of killing and a good amount of gore, which at least counts in this film's favour. The lion is pure CGI but I've seen worse.
As a fan of nature-runs-amok type films this was an irresistable premise for me, and yet the film itself is only so-so. It doesn't help that the version showing on Prime is saddled with an appalling English dub track which makes the whole thing feel like a quirky comedy. The characters are ridiculous, particularly the greate white hunter with his state-of-the-art wheelchair complete with motorised tracks. However, there is a lot of killing and a good amount of gore, which at least counts in this film's favour. The lion is pure CGI but I've seen worse.
Also how the lion gets inside a moving tram is beyond my understanding.
The film has moments of tension, lots of kills, one pretty disturbing scene regarding a small kid n cool effects.
In my opinion i feel the director Dick Maas (i have enjoyed his The Lift) is very underrated.
In my opinion i feel the director Dick Maas (i have enjoyed his The Lift) is very underrated.
You can't blame Dick Maas for not trying. This movie is probably not going to disappoint you if you're are a fan of his much older work. You might think Maas learned from his past mistakes, but his directing style is not going anywhere and it is still utterly horrible. The whole plot (or lack there of) is awfully slow, nothing really happens until the lion shows up and after that the whole film seems oddly paced. I won't go into details to avoid spoilers. The lion was supposed to be done entirely with digital effects, but because of the lack of budget they had to resort to animatronics, for which you could applaud the makers. Sadly, everything falls apart quickly. Whenever you see the lion, it's never believable. Not only because of how it looks, but also it's behavior. The action is entirely unsatisfying and the whole movie falls flat after the hour mark. The acting ranged from horrible to decent, which might add to the camp factor of the movie.
This movie was supposed to fall into the "So Bad It's Good" category, like most of Maas' films, but this genre is overrun by movies that made this an art form (look at the library of "The Asylum", movies like "Sharknado" and it's sequels). This movie doesn't get to that standard. What you do get is a movie that doesn't know what it wants to be, a thriller, a horror, a comedy or an action movie. Selling a movie on just the idea of a lion going on a rampage in Amsterdam isn't something you can base a complete movie on this way in 2016.
It comes down to a nice try to revive the 80's bad horror movie, something Sam Raimi recently achieved beautifully with his Evil Dead franchise. But you need more self-awareness as a filmmaker to get this to work in this day and age.
The movie supposedly cost around 3 million to make, around three times the budget most other Dutch films are made for, so it's surprising the movie feels like a bad 10.000 dollar movie.
As stated before; if you like films by Dick Maas, you might enjoy it and feel the nostalgia coming over you. But wait for it to come to Netflix and watch it on a rainy Sunday, instead of paying for a theater ticket. For all other people; save your money and don't bother with this.
This movie was supposed to fall into the "So Bad It's Good" category, like most of Maas' films, but this genre is overrun by movies that made this an art form (look at the library of "The Asylum", movies like "Sharknado" and it's sequels). This movie doesn't get to that standard. What you do get is a movie that doesn't know what it wants to be, a thriller, a horror, a comedy or an action movie. Selling a movie on just the idea of a lion going on a rampage in Amsterdam isn't something you can base a complete movie on this way in 2016.
It comes down to a nice try to revive the 80's bad horror movie, something Sam Raimi recently achieved beautifully with his Evil Dead franchise. But you need more self-awareness as a filmmaker to get this to work in this day and age.
The movie supposedly cost around 3 million to make, around three times the budget most other Dutch films are made for, so it's surprising the movie feels like a bad 10.000 dollar movie.
As stated before; if you like films by Dick Maas, you might enjoy it and feel the nostalgia coming over you. But wait for it to come to Netflix and watch it on a rainy Sunday, instead of paying for a theater ticket. For all other people; save your money and don't bother with this.
I've been waiting for this one to come to the States for a while. Originally released in 2016 and originally entitled ProoI a.k.a Prey. This Dutch creature feature has finally hit us and has been retitled Uncaged. It's a fairly generic title but its promise of satisfactory killer cat thrills is quite successful. The setup is simple as a killer lion attacks Amsterdam with a cast of quirky characters to try and help. The film is fun and gory but not overdone in any way. It's best watched with subtitles because the dubbing is a bit wonky. Although it never strives to be more than what it is, its definitely fun.
3.75/5
3.75/5
Le saviez-vous
- AnecdotesRealizing that using a real, living lion was not possible, and since filming with wildlife is prohibited in the Amsterdam city area, the crew contacted Dutch animation director Erik De Boer, whose company was responsible for the computer-generated tiger in L'odyssée de Pi (2012). However, De Boer calculated that one scene alone with a fully computer-generated lion would cost about a million Euros (one-third of the entire budget). The crew then turned to a Dutch special effects company, who built a very detailed, manually operated animatronic lion for the close-up scenes. A computer-generated lion was used for a few scenes that showed the creature in full.
- GaffesThe police official, Mr Zalmberg, is introduced as the head of the investigation unit (of the Amsterdam police department), which has the rank of a commissioner. His shoulder boards belong to rank of head commissioner, or chief of police.
- ConnexionsFeatured in The Cine-Masochist: THE LIFT (2021)
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- How long is Prey?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Prey
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 530 000 € (estimé)
- Montant brut mondial
- 6 820 723 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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