James White

I just did not expect... that. Great respect to Josh Mond. I think he took on an incredibly heavy film that managed to feel incredibly visceral in its portrayal. I could physically feel it, its last 30 minutes probably being the most uncomfortable film-watching experience of any film from 2015. What makes it work so well are the performances. There's such an innate authenticity and raw power to the cast's work here. I've liked Christopher Abbott from what I've seen him in, most notably Girls. I never would have thought he was capable of what he did here though. Definitely one of the best performances of last year. Not a fun film to watch at all, but holding that as a criticism would be a complete disservice to everything the film does well.

Christopher Abbott and Cynthia Nixon have found fine homes on HBO screens. Abbott is perhaps mostly known for his role on Girls while Nixon will forever be a Sex in the City girl. Here in James White, they deliver perhaps their finest performances of their careers thus far. The film thrives off the compassion in their relationship and the way it tests James' love for his mother Gail, but unfortunately to the expense of what lies on the sidelines. There's an endearing affection between James and his best friend Nick, but it offers little backstory or arc, simply the type of wishful thinking support considering the situations. The film also lends an entire chapter to James growing close with a girl who becomes his girlfriend, but as soon as the film retreats back home to tend to Gail she's completely tossed aside as another periphery character.

That is part of the point though, taking care of her is all consuming and it contrasts the conditions of romantic love with the unconditional family love. Despite little dips into history, the film grew on me as it went on with Abbott impressing at every turn, subverting the brutish James to an empathetic son. Nixon does feel like she's trying too hard at first, but once the film submits to her and she succumbs to the worst of her cancer, she's as good as Abbott. Shot by the same cinematography as Son of Saul, New York is no less of a compelling setting than Auschwitz, focusing on intimacy with the characters, but again it's heart by choppy editing. The jump cuts give it a difficult rhythm to crack. It's limited and intense, and I certainly would've like a little more bittersweet hints at a future to really send the film home, but as an acting showcase James White is a powerhouse.

8/10

If you are looking for a film that you will learn something from you have chosen the wrong one. That's not a knock on the quality of this piece, but it is a fact. This is the difficult to sit through story of a reckless young NYC man, with a violent temper, who has never been able to get his act together and is now in the midst of experiencing the death of his father, who he was not close to and hadn't seen much of, and his mother who is dying of cancer who he is very devoted to and vice versa. He takes care of her the best he can, when booze, drugs and women don't get in the way and when things get really bad he never leaves her side. The principal reason to watch this very sad piece is the excellent writing and the outstanding performances of Christopher Abbott and Cynthia Nixon. One forgets how capable Nixon is since we rarely see her in anything other than her role of Miranda in Sex and the City and more recently And Just Like That. She has a long history in theater and she is an excellent actress who is highly underused. Abbott on the other hand is a little bit newer to the game, but works a lot and has offered some fascinating performances in small independent films and he has impressed me greatly including here. The man is just a natural born actor who never gives a false note in anything I have seen him in. This is an actor who wants to do creative things outside of the Hollywood scene. I also appreciated Kid Cudi as James' best friend. So, watch this if you like fine acting and are in the mood to be sad.

James White is one of my favorite films. The whole thing is such an emotional roller coaster with powerful gut punches of emotion. There is such genius behind this film it feels criminal how underrated this movie is. Everyone, from the actors to the directors to the editors, gave 1000%, and I couldn't recommend a film more.

I watched this gem of an indie film, James White, the other night. From the plot summary and reading other critic reviews, I knew what I was getting into. It was going to be a heart wrenching, realistic portrayal of one young man's downward spiral in experiencing death and dying of his closest loved ones.

James White is a mid-twenty-something New Yorker with a taste for alcohol, drugs, and women. In the wake of his absent father's death, James is distraught and self-medicating to deal with his feelings of pain and anger. With no one to talk to, he is alone in figuring out how to navigate some challenging life situations. As a 30-year-old single male, I could relate to James White.

The core of this movie was between James White and his mother dying of cancer. The performances from the film's two leads are, and some scenes are just a punch in the gut. All James's mother wants is for his son to grow up and know he will be able to take care of himself. Like many young adults, growing up and finding yourself is not always that easy, and James White shows you how difficult it can b. I enjoyed the ending, but a lot of watchers will not.

Without giving away any more of this well written, directed and acted film, I will say watch it! If you are a fan of indie dramas, then you will thoroughly appreciate this one.