Atlanta

This show is extremely funny but not for everyone. It doesn't just tackle hip hop culture it also makes fun of many modern day sociopolitical issues. I would recommend for people who are open minded.

Atlanta, created and written by the multi-talented Donald Glover presents an intriguing, dynamic chemistry between an enigmatic Earn Marks (Donald Glover) and the stern, hostile, hood-driven city of Atlanta. A college drop out, Earn Marks seems to be living life at the bottom of a pit; a broke father, estranged by his parents and engaged with an absurd relationship with a girlfriend who mothers his daughter (unclear) - everything seems bleak. However, when news breaks out that his cousin Alfred 'Paper Boi' Miles (Brian Tyree Henry) is now the new hot rapper on the block, Earn drops everything he is doing to pursue the job of being Paper Boi's manager.

Even after having watched 3 episodes of the TV show, I still find it tough to pinpoint exactly what genre this absurdly riveting series falls under. While it pushes towards the drama section, the show is ridden with comedic bits. From the cinematography, to the acting, to the script, so far I have nothing but praise for Atlanta. Moreover, I cannot understate the rounded quality of the characters, to which I cannot end this short review of Atlanta without mentioning Darius (Keith Stanfield).

The eccentric nature of Darius is precisely exemplified by the first meeting between Earn and Darius in Episode One (The Big Bang): Darius holding a plate of cookies, wearing a cooking robe and a bandanna, with a knife ready to attack in case of an intruder. Even though he is consistently under the influence of cannabis, from time to time, Darius exudes of intellectual and spiritual wisdom. As in Episode Two (Streets on Lock) when speaking about the violent altercation of the previous night, Darius explains "As humans we are always close to destruction, life is (selfish) but a series of close calls… I mean how would you know if you were alive, unless you are willing to die."

The TV Show Atlanta is an avant-garde in the African-American film industry and seems to be following the same footsteps of top quality shows like Power and How to Get Away With Murder. Donald Glover has created a grabbing story which only begs for more.

There is a lot about this program that I shouldn't relate to. I don't live in America, I'm not black, I'm gaining a few years on the cast. But through impeccable writing, casting and acting Atlanta draws me in to a world that finds a strange yet utterly compelling way to tell a story. The comedy and tragedy mix as happens in real life. The often brutal reality of being young and black and poor in America fuses seamlessly with more existential themes of growth (personal and professional), family, race, power dynamics, legacy and much more. This work is beautiful in both a comedic and dramatic sense.

Season 1: 8/10 Season 2: 9/10 Season 3: 8/10

Can't wait for more.

Having reached the conclusion of the fourth and final season, I'm in a position to review "Atlanta" Donald Glover's inspired, eccentric, brilliant ... sitcom (I guess). Though starting with a relatively straight forward narrative, the shows use of bottle episodes, diversions and flights of fancy make for a truly memorable experience.

Earnest Marks (Donald Glover) drops out of Princeton and returns home to Atlanta. His cousin Alfred (Brian Tyree Henry) has been earning some local acclaim rapping under the name "Paper Boi". Though initially wary of his help, Earn slowly earns Paper Boi's trust and eventually becomes his manager. Together with their friend Darius (LaKeith Stanfield) and Earn's sometime girlfriend Vanessa (Zazie Beetz) they struggle to negotiate the hip-hop scene, America, and the World.

What I liked about "Atlanta" might be something that other people disliked about it; in that it's not really interested in what might have been its own central story. If you want to follow their rise to stardom, then I'm afraid you'll be disappointed. You can tell that Paper Boi becomes a celebrity, but again more based on where they are and what they're doing, rather than seeing each stage of his star rising. The first season is perhaps more dedicated to that story than any of the other three are, but it very quickly starts to tell stories more about the African American experience, rather than specifically about these characters, indeed there are several episodes across the run where they don't feature at all.

The third season sees them leave Atlanta for a tour of Europe and has some interesting faces appearing in the show, from an English point of view, including Sean Gilder and Aaron Heffernan. It's the strange ideas that take it over the top for me, concepts such as shopping malls you can't escape from, looping dream sequences and elseworld history.

Though it's often an authentic exploration of relatively deep issues such as racism, it's repeatedly and genuinely funny with it and I'd absolutely recommend it.