L'étreinte du serpent

I love how this movie is put together. By combining the accounts of two explorers - over 30 years apart - it manages to tell a story of a world changing. You can see how actions made by the first explorer directly changes the world of the people they meet. Mostly in a bad way. The movie conveys, with a sadness, how much the people of these tribes lost because of the way they were handled by "white people". But this is not the time tested "gone with the wolves"-story. It's an artistic and stylistic, yet believable, account of the old meeting the new.

One thought though: While it is an interesting discussion why it's in black and white, I think the movie would have been better off in color. At least partly. Black and white is nice, but the jungle scenery in this movie could have been breathtaking in color - but the again, maybe that's the point.

For the things we don't see, or weren't around to see, 'Embrace of the Serpent' attempts to re-image a dark past in our history.

Karmakate is the last survivor of his tribe, living in the heart of the Colombian Amazon. At two separate points in time, he is asked by foreign scientists' Theodor Koch-Grunberg and Richard Evan Schultes -- both with different purposes -- on how to find a scared healing plant. The film borrows a lot of its content from their diaries from when they had commissioned Karmakate to help them in 1909 and 1940, respectively. He is conflicted as he has no ambition to help "the White man" because his tribe was wiped from the Earth by them, and he lives his days by himself.

The film doesn't beat around the bush. As it progresses, it becomes evident that the story is about the devastation of colonialism and what it had done to the land & its people. Everything from spreading Catholicism to Rubber Farming, more and more they see the land changing for the worse.

It was impressive to not only hear these actors speaking Spanish, but also being able to converse in the native tongue of the locals, including the several other languages that were used through out the film. Couple that with the beautiful cinematography, and you have yourself quite the masterpiece.

Fans of Miguel Gomes' 'Tabu' would likely enjoy this. Shot in black and white. Beautiful transitions and landscape shots. Winner of the Art Cinema Award at Cannes. Expect this film to go for Best Foreign Film at the Oscars.

In early 20th century, Theodor von Martius is a German ethnographer from University of Tübingen cataloging the tribes of the Amazon. He gets sick and is brought to shaman Karamakate by his native guide Manduca. Karamakate distrusts the white men who cruelly run their rubber plantations or missionaries wiping out the native culture. He believes that he's the last of his tribe until Theo tells him about an isolated group of survivors. He guides them back to his former home to find a yakruna plant. About thirty years later, Evan arrives looking for Karamakate. He tells him that Theo died later and Manduca brought his diaries back to Germany to be published. Karamakate claims to be suffering from memory loss and only a hollowed shell copy called chullachaqui.

The river journey is something like the Heart of Darkness. It portrays a harrowing vision of the struggles of the native community. It is enthralling. It is poetic. The characters are compelling. The only minor drawback is the ending which gets overextended. There is probably a quicker and more compelling way to wrap up the movie after what happened in the village. I like the surrealism in the end but it's just a little long.

"Embrace of the Serpent" (2015 release from Colombia; 125 min.) brings the story of two explorers who, 3 decades apart (1909 and 1940, respectively) explore the Amazon region, albeit with very different motives. They both end up enlisting the help of the same man, Karmakate, one of the few remaining shamans.

Couple of comments: first, it takes a while to fully understand and grasp what is really happening, and that the local is the same man, simply 30 years older than before. It eventually also becomes clear that this film calls out "the white man" for what he has done to the jungle and the indigenous peoples. At some point Theo (the first explorer) and his two travel mates come to a Mission, where a priest runs things. Later on, the effects of the 'rubber wars' become all too clear. Second, the movie is shot in gorgeous black and white. This is the second film in a row that I've seen in theaters that is in B&W, what are the chances? (the other film was "Creative Control"). Third, Belgian actor Jan Bijvoet gives a truly stunning performance as Theo. You will be blown away. "Embrace of the Serpent was nominated for the Best Foreign Language Film Oscar this year. While it didn't win ("Son of Saul" did), it doesn't diminish anything of the intrinsic quality of this film. With that, I've now finally seen all 5 nominees in the Best Foreign Language Movie Oscar category, and I am amazed at the collective talent in those 5 movies.

"Embrace of the Serpent" opened last weekend at my local art-house theater here in Cincinnati. The Sunday early evening screening was attend quite nicely, much better than I had expected. It confirms that there is a market for this type of top-notch quality foreign movie. Truly world cinema at its best. If you get a chance to check it out, be it in the theater, on VOD or eventually on DVD/Blu-ray, do not miss it! "Embrace of the Serpent" is HIGHLY RECOMMENDED!

Another Ciro Guerra's masterpiece. Fascinating movie. After "The wind Journeys" Guerra shows again his talent with an incredible history about the Amazonas jungle back in the early 1900s. The beauty and uniqueness of the scenes is mind blowing. The sound takes you deep inside the jungle. The story is a thriller that makes you live the most strange adventures that you could ever imagine in the jungle. It is based on two diaries written by a German and American travelers. All actors have an incredible command of the indigenous dialect. Additionally, the native indigenous actors seem to be truly professionals. Enjoyed every single minute. A must see.